Sheep are marginalised in literary criticism and in discussion of pastoral literature. This book brings an animal studies approach to poetry about sheep that allows for the agency of these sentient beings, that have been associated for humans over ten thousand years. This approach highlights the distinction between wild and domesticated species and the moral dilemma between the goals of animal welfare and those of saving species from extinction. Discussion of mostly contemporary poetry follows a new reading of works from the pastoral and georgic canon. Allowing for the sentience and sociality of this species makes it easier to imagine a natureculture within which to make kin across the species boundary. Reading poetry about sheep has the power to make new meanings as we try to adapt to an increasingly complex and problematic environment. -- .

This volume of essays explores the scope for a further extension of ecocriticism across the environmental humanities. Contributors, who include both established academics and early career researchers in the humanities, were given free rein to interpret the brief. The collection is unusual in that it considers collaboration between individuals both in the same discipline and across creative disciplines. Subjects include familiar environments close to home and those such as Iceland and Antarctica, where narratives of climate, geology and ecology provide a stark backdrop to creative output. A further innovation is the inclusion of essays on public art, natural heritage interpretation and the visualisation and aesthetic impact of wind farms. The book will be of interest to writers, artists, students and researchers in the environmental humanities and those with a general interest in the cultural response to the environment. -- .

This volume of essays explores the scope for a further extension of ecocriticism across the environmental humanities. Contributors, who include both established academics and early career researchers in the humanities, were given free rein to interpret the brief. The collection is unusual in that it considers collaboration between individuals both in the same discipline and across creative disciplines. Subjects include familiar environments close to home and those such as Iceland and Antarctica, where narratives of climate, geology and ecology provide a stark backdrop to creative output. A further innovation is the inclusion of essays on public art, natural heritage interpretation and the visualisation and aesthetic impact of wind farms. The book will be of interest to writers, artists, students and researchers in the environmental humanities and those with a general interest in the cultural response to the environment. -- .