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Often, buildings are realized by not only their architects but by
those who commission them, but the role of the latter tends to be
omitted from the official account of how any given building is
made. This issue of "Oase" addresses the commissioner's influence
on how buildings or urban ensembles take shape.
Giuseppe Pizzigoni, architect of classical and postwar modernism in
northern Italy, owes his reputation to his connections with the
Novecento movement, his independence from fascism, and his interest
in innovative residential floor plans. Using redrawn plans of some
60 realized buildings, the design achievements are systematically
analyzed, supplemented by explanations on the historical
background, a systematic catalog, and up-to-date photographic
documentation.
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