The theme of "The Crowded Street" is one that is familiar from other Persephone novels: it was then assumed that young women would stay at home while looking for a husband. Muriel, who believes that 'men do as they like' whereas women 'wait to see what they will do', lives in a town in Yorkshire waiting - for what? She tries to conform to the values of her snobbish, socially ambitious mother; she tries to be 'attractive' to men; and, eventually she is rescued, by her friend Delia, a young woman who is in some ways a portrait of Vera Brittain. Throughout the description of life in small-town 'Marshington', Winifred Holtby expressed her conviction that young women should be allowed to live away from home, to work, to develop as personalities away from their families, to shake off the ties that many mothers seemed to think it was their prerogative to impose on their daughters.There are other themes, too, which make the novel fascinating: parts of it are set during the First World War (in 1918 Winifred had left Oxford to serve with the WAACs in France) and it was with first-hand knowledge of war that she spent much of her short life writing and lecturing about pacifism. Then there are the pre-Cold Comfort Farm scenes: Muriel's sister's marries a farmer's son and lives in circumstances that would, perhaps, contribute to Stella Gibbons' satirical gaze a few years hence. Although Muriel goes away to school, most of the novel describes her life waiting for life to begin, waiting for a husband."The Crowded Street" is thus about the need to withstand the tyranny of sex success. Turn and twist how you will, it comes to that in the end. This book's conclusion is that 'the thing that matters is to take your life into your own hands and live it, accepting responsibility for failure or success. The really fatal thing to do is to let other people make your choices for you, and then to blame them if your schemes should fail and they despise you for the failure'.

Mary Robson is a young Yorkshire woman, married to her solid, unromantic cousin, John. Together they battle to preserve Mary's neglected inheritance, her beloved farm, Anderby Wold. This labour of love - and the benevolent tyranny of traditional Yorkshire ways - have made Mary old before her time. Then into her purposeful life comes David Rossitur, red-haired, charming, eloquent: how can she help but love him? But David is a young man from a different England, radical and committed to social change. As their confrontation and its consequences inevitably unfold, Mary's life and that of the calm village of Anderby are changed forever.

When Sarah Burton returns to her hometown as headmistress she is full of ambition, determined to create a great school and to inspire her girls to take all they can from life. But in the aftermath of the First World War, the country is in depression and ideals are hard won. Lydia Holly, the scholarship girl from the shacks, is the most brilliant student Sarah has ever taught, but when her mother's health fails, her education must be sacrificed - there is nobody else to care for the children. Robert Carne of Maythorpe Hall stands for everything Sarah despises: his family has farmed the South Riding for generations, their position uncontested. Yet Sarah cannot help being drawn to this proud, haunted - and almost ruined - man. South Riding is a rich, panoramic novel, bringing vividly to life a rural community on the brink of change.

The community of South Riding, like the rest of the country, lives in the long shadow of war. Blighted by recession and devastated by the loss, they must also come to terms with significant social change.Forward-thinking and ambitious, Sarah Burton is the embodiment of such change. After the death of her fiance, she returns home to Yorkshire focused on her career as headmistress of the local school. But not everyone can embrace the new social order. Robert Carne, a force of conservatism, stands firmly against Sarah. A tormented man, he carries a heavy burden that locks him in the past. As the villagers of South Riding adjust to Sarah's arrival and face the changing world, emotions run high, prejudices are challenged and community spirit is tested. Anna Maxwell Martin (Bleak House) and David Morrissey lead an outstanding cast in this rich and panoramic portrait of community in turmoil. Winifred Holtby's little-known and hard-to-find literary gem is a magnificent masterpiece, to be joyfully rediscovered by a whole new generation of readers.

The third novel by the author of "South Riding" Joanna Burton was born in South Africa but sent by her missionary father to be raised in Yorkshire. There she dreams of the far-off lands she will visit and adventures to come. At 18, tall and flaxen-haired, she meets Teddy Leigh, a young man on his way to the trenches of World War I. Joanna has been in love before--with Sir Walter Raleigh, with the Scarlet Pimpernel, with Coriolanus--but this is different. Teddy tells her he's been given the world to wear as a golden ball. Joanna believes him and marries him, but the fabled shores recede into the distance when, after the war, Teddy returns in ill health. The magic land turns out to be the harsh reality of motherhood and life on a Yorkshire farm, yet still she dares to dream.

Mandoa is a small African state. At its head a virgin princess conceives (immaculately) further princesses. The old traditions are undisturbed until the Lord High Chamberlain visits Addis and discovers baths and cocktail shakers, motor cars and telephones. This is 1931.

This is the story of Muriel Hammond, at twenty living within the suffocating confines of Edwardian middle-class society in Marshington, a Yorkshire village. A career is forbidden to her. Pretty, but not pretty enough, she fails to achieve the one thing required of her - to find a suitable husband. Then comes the First World War, a watershed which tragically revolutionises the lives of her generation. But for Muriel it offers work, friendship, freedom, and one last chance to find a special kind of happiness...

Caroline Denton-Smyth is an eccentric, dressed in trailing feathers and jangling beads, peering out from behind her lorgnette. Sitting alone in her West Kensington bedsitter, she dreams of the Christian Cinema Company - her vehicle for reform. For Caroline sees herself as a pioneer, one who must risk everything for the 'Cause of the Right'. Her Board of Directors is a motley crew including Basil St Denis, upper crust but impecunious; Joseph Isenbaum, aspiring to Society and Eton for his son; Eleanor de la Roux, Caroline's independent cousin from South Africa; Hugh Macafee, a curt Scottish film technician; young Father Mortimer, scarred from the First World War; and Clifton Johnson, a seedy American scenario writer on the make. Winifred Holtby affectionately observes the foibles of human nature in this sparkling satire, first published in 1931.