Between his opening greeting and the bookend closing page on which he stalks away after taking no questions, Gato wants to make one thing perfectly clear: Although he has four legs, two ears, and a long, long tail, the word "cat" does not define him. His identity is his alone to describe and determine. With the help of Danica Novgorodoff's laugh-out-loud illustrations, he takes us on a tour of his adventures, accomplishments, and daily activities that makes mincemeat of our first impressions. He wears a sweater and a leash, so is he a dog? He runs in pastures, so is he a horse? He likes flowers, so is he a bee? He swims, so is he a duck? He has flown in airplanes and ridden in subways, so is he a person? Maybe he's all those things, but what he truly is, he wants us to know, is Gato. To underline the story's message of empowerment and self-identity, the back cover and backmatter include photos of the real Gato (Winter Miller's cat) doing everything he claims and more. Signs on walls, headlines in newspapers, New Yorker cartoon homages, and sight gags on every page reward repeated readings and will make this book the first one that parents reach for at bedtime.

In light of the George Zimmerman verdict, The New Black Fest commissioned six very diverse playwrights to write 10-minute plays on the topic of Trayvon Martin, race and/or privilege. Facing Our Truth's purpose is to incite serious discussion in our collective communities around these urgent issues.The collection, Facing Our Truth: Ten Minute Plays on Trayvon, Race and Privilege is comprised of the following plays: THE BALLAD OF GEORGE ZIMMERMAN text by Dan O'Brien music by Qu