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Edward Gibbon's allegation at the beginning of his Essay on the
Study of Literature (1764) that the history of empires is that of
the miseries of humankind whereas the history of the sciences is
that of their splendour and happiness has for a long time been
accepted by professional scientists and by historians of science
alike. For its practitioner, the history of a discipline displayed
above all the always difficult but fmally rewarding approach to a
truth which was incorporated in the discipline in its actual fonn.
Looking back, it was only too easy to distinguish those who erred
and heretics in the field from the few forerunners of true science.
On the one hand, the traditional history of science was told as a
story of hero and hero worship, on the other hand it was,
paradoxically enough, the constant attempt to remind the scientist
whom he should better forget. It is not surprising at all therefore
that the traditional history of science was a field of only minor
interest for the practitioner of a distinct scientific diSCipline
or specialty and at the same time a hardly challenging task for the
professional historian. Nietzsche had already described the
historian of science as someone who arrives late after
harvest-time: it is somebody who is only a tolerated guest at the
thanksgiving dinner of the scientific community .
Edward Gibbon's allegation at the beginning of his Essay on the
Study of Literature (1764) that the history of empires is that of
the miseries of humankind whereas the history of the sciences is
that of their splendour and happiness has for a long time been
accepted by professional scientists and by historians of science
alike. For its practitioner, the history of a discipline displayed
above all the always difficult but fmally rewarding approach to a
truth which was incorporated in the discipline in its actual fonn.
Looking back, it was only too easy to distinguish those who erred
and heretics in the field from the few forerunners of true science.
On the one hand, the traditional history of science was told as a
story of hero and hero worship, on the other hand it was,
paradoxically enough, the constant attempt to remind the scientist
whom he should better forget. It is not surprising at all therefore
that the traditional history of science was a field of only minor
interest for the practitioner of a distinct scientific diSCipline
or specialty and at the same time a hardly challenging task for the
professional historian. Nietzsche had already described the
historian of science as someone who arrives late after
harvest-time: it is somebody who is only a tolerated guest at the
thanksgiving dinner of the scientific community .
The theme of this book is the conflict which arose in the early
nineteenth century between the literary and the scientific
intellectuals of Europe, as they competed for recognition as the
chief analysts of the new industrial society in which they lived.
This conflict was epitomizd in the confrontation between Matthew
Arnold and T.H.Huxley, and later in that between F.R.Leavis and
C.P.Snow. Sociology was born as the third major discipline, though
in many ways a hybrid of the literary and the scientific
traditions. The author chronicles the rise of the new discipline by
discussing the lives and work of the most prominent thinkers at the
time, in England, France and Germany. These include John Stuart
Mill, H.G.Wells, Beatrice and Sidney Webb, T.S.Eliot, Charles
Pegny, Emile Durkheim, Auguste Comte, Stefan George, Thomas Mann,
Max Weber and Karl Mannheim. At stake was the right to formulate a
philosophy of life for contemporary society, and to predict and
pre-empt the worst consequences of industrialization. The book
presents a penetrating study of idealists grappling with reality,
when industrial society was in its infancy.
This beautifully illustrated anthology celebrates eighty years
of history and intellectual inquiry at the Institute for Advanced
Study, one of the world's leading centers for theoretical research.
Featuring essays by current and former faculty and members along
with photographs by Serge J-F. Levy, the book captures the spirit
of curiosity, freedom, and comradeship that is a hallmark of this
unique community of scholars.
Founded in 1930 in Princeton, New Jersey, the institute
encourages and supports fundamental research in the sciences and
humanities--the original, often speculative thinking that can
transform how we understand our world. Albert Einstein was among
the first in a long line of brilliant thinkers to be affiliated
with the institute. They include Kurt Godel, George Kennan, J.
Robert Oppenheimer, Erwin Panofsky, Homer A. Thompson, John von
Neumann, and Hermann Weyl. This volume offers an intimate portrait
in words and images of a storied institution that might best be
described as a true academic village. The personal reflections
collected here--written by leading figures from across the
disciplines--bring this exceptional academic institution and its
history vibrantly to life.
The contributors to this anthology are Michael Atiyah, Chantal
David, Freeman Dyson, Jane F. Fulcher, Peter Goddard, Barbara
Kowalzig, Wolf Lepenies, Paul Moravec, Joan Wallach Scott, and
David H. Weinberg."
During the Allied bombing of Germany, Hitler was more distressed by
the loss of cultural treasures than by the leveling of homes.
Remarkably, his propagandists broadcast this fact, convinced that
it would reveal not his callousness but his sensitivity: the
destruction had failed to crush his artist's spirit. It is
impossible to begin to make sense of this thinking without
understanding what Wolf Lepenies calls The Seduction of Culture in
German History. This fascinating and unusual book tells the story
of an arguably catastrophic German habit--that of valuing cultural
achievement above all else and envisioning it as a noble substitute
for politics. Lepenies examines how this tendency has affected
German history from the late eighteenth century to today. He argues
that the German preference for art over politics is essential to
understanding the peculiar nature of Nazism, including its
aesthetic appeal to many Germans (and others) and the fact that
Hitler and many in his circle were failed artists and intellectuals
who seem to have practiced their politics as a substitute form of
art. In a series of historical, intellectual, literary, and
artistic vignettes told in an essayistic style full of compelling
aphorisms, this wide-ranging book pays special attention to Goethe
and Thomas Mann, and also contains brilliant discussions of such
diverse figures as Novalis, Walt Whitman, Leo Strauss, and Allan
Bloom. The Seduction of Culture in German History is concerned not
only with Germany, but with how the German obsession with culture,
sense of cultural superiority, and scorn of politics have affected
its relations with other countries, France and the United States in
particular.
AnHifilich der 600-Jahrfeier der Ruperto-Carola-Univer sitat
Heidelberg und parallel zu den tiber das ganze Jahr verteilten
vieWiltigen Aktivitaten, Symposien und Festvor tragen der
Universitat entschied der Gemeinderat der Stadt Heidelberg, sich
nicht nur mit der "Stadt-Heidelberg-Stif tung" und deren
Stiftungskapital von 2 Mio. DM, sondern auch mit einer Vortagsreihe
an dem Jubilaumsjahr zu beteili gen. Schien es doch legitim, daB
die Stadt, die seit sechs Jahrhunderten mit der Universitat lebt,
tiber ihre traditions reichste Einrichtung nachdenken wollte. Als
Titel der Vortragsreihe bot sich jener Titel an, den Karl Jaspers
1946 seiner Schrift tiber die Heidelberger Uni versitat gegeben
hatte: Die Idee der Universitat. 1m Wintersemester 1985/86 und
Sommersemester 1986 hielten sechs hervorragende Vertreter
interdisziplinarer For schung und Lehre Vortrage, die in diesem
Band zusammen gefaBt sind. 1m Wintersemester versuchten die
Beitrage des Heidel berger Philosophen und Jaspers-Nachfolgers
Prof. Gada mer, des Hamburger Wissenschaftssenators Prof. Meyer
Abich und des Vizeprasidenten des Wissenschaftskollegs, Prof.
Lepenies, den Standort der Universitat in der Ge schichte, der
politis chen Gegenwart der Bundesrepublik Deutschland und im
internationalen Vergleich zu bestim men. VI Vorwort 1m
Sommersemester konzentrierten sich die Beitrage des
Nobelpreistragers Prof. Eigen, Max-Planck-Institut Got tingen,
Prof. Lubbe, Zurich und Prof. Habermas, Frank furt, auf die innere
Entwicklung der Universitat und die Reformbestrebungen der letzten
Jahrzehnte. In seiner Schrift "Die Idee der Universitat" bestimmt
Karl Jaspers: "Die Aufgabe der Universitat ist die Wissen schaft.
Aber Forschung und Lehre der Wissenschaft dienen der Bildung
geistigen Lebens als Offenbarwerden der Wahr heit" ."
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