"Amerikafahrt" by Wolfgang Koeppen is a masterpiece of observation, analysis, and writing, based on his 1958 trip to the United States. A major twentieth-century German writer, Koeppen presents a vivid and fascinating portrait of the US in the late 1950s: its major cities, its literary culture, its troubled race relations, its multi-culturalism and its vast loneliness, a motif drawn, in part, from Kafka's "Amerika." A modernist travelogue, the text employs symbol, myth, and image, as if Koeppen sought to answer de Tocqueville's questions in the manner of Joyce and Kafka. "Journey through America" is also a meditation on America, intended for a German audience and mindful of the destiny of postwar Europe under many Americanizing influences.

Pigeons on the Grass is told over a single day in Munich in 1948. The first new cinemas and insurance offices are opening atop the ruins, Korea and Persia are keeping the world in panic, planes rumble in the sky (but no one looks up), newspaper headlines announce war over oil and atomic bomb tests. Odysseus Cotton, a black man, alights at the station and hires a porter; Frau Behrend disowns her daughter; with their interracial love affair, Carla Behrend and Washington Price scandalize their neighbors-who still expect gifts of chocolate and coffee; a boy hustles to sell a stray dog; Mr. Edwin, a visiting poet, prepares for a reading; Philipp gives himself up to despair; Emilia sells the last of her jewelry; Alexander stars as the Archduke in a new German Super-production; and Susanne seeks out a night to remember. In Michael Hofmann's words, "in their sum, they are the totality of existence." Koeppen spares no one and sees all in this penetrating and intense novel that surveys those who remain, and those who have just arrived, in a damaged society. As inventive as Joyce and as compulsively readable as Dickens, Pigeons on the Grass is a great lost classic.