Lemmy's world is rocked when he loses his bedroom to his new baby brother. So he turns to Gran for comfort and a bedtime story. She tells the tale of Count Milkula, a selfish, noisy, milkcrazed creature from the monotonous mountains of Mamsylvania. Lemmy finds out that, like baby brothers, Mampires can't do anything for themselves. That's why looking after them is such an adventure. "There is something for both adults and children. There are lots of adult-focused references for the adult reader to enjoy. Phoenix's bright wacky cartoon-like illustrations match the very wacky story of the milk-crazed, sucking Count." Carolyn Boyd, School Librarian Journal.

Collecting stories from a range of artists of colour across the UK, this comics anthology unites their voices under a single theme: 'catalyst'. In one story, the accidental witnessing of a horrific scene turns a regular day into a nightmare; in another, the truth of what it really took to put a man on the moon is revealed. From tales of misplaced memories to battles with the id, Catalyst offers a look at the consequences of big and small acts alike. Showcasing a mix of established and emerging artists, this collection imagines the myriad ways in which a chain of events might end in either euphoria or catastrophe. Sometimes both. Edited by Ayoola Solarin, this provocative, intriguing and revelatory anthology invites readers to consider the situations, people and events that might accelerate change in their own lives and in our society as a whole. "Strong and eclectic... this is the sort of thing we need a lot more of." - Bryan Lee O'Malley, creator of Scott Pilgrim and Seconds "Filled with new and vibrant work... Catalyst truly lives up to its title in every way possible." - John Jennings, illustrator of Parable of the Sower: A Graphic Novel Adaptation

This book demands each of us look in the mirror and get real before we get behind the wheel. When fragile human bodies have to occupy the same spaces as big, heavy, complex machines that can travel at high speeds, the outcome is inevitable. Some people will die. So why do we identify with the driver in the car rather than the person they have killed? Would you still shrug and chalk it up to random bad luck if that dead person was someone you loved? Using the comic book format, this book vehemently dispels the notion that traffic accidents are inevitable and/or acceptable on any level, insisting that drivers own their responsibility, and consider the consequences of careless and dangerous behavior. It is part thought experiment, part testimonial, and part indictment of a dysfunctional transit environment that puts convenience for drivers ahead of logic, natural resources, and even ahead of human life. Crash Course questions the decisions that shape all our lives. Why don't roads serve everyone who needs to use them? What makes some people not worth protecting? Where do we start in fixing a broken system that facilitates the use of vehicles as murder weapons in places like Charlottesville, VA?