This book translates and contextualizes the recollections of men and women who built, lived, and worked in some of the factory compounds relocated from China's most cosmopolitan city-Shanghai. Small Third Line factories became oases of relatively prosperous urban life among more impoverished agricultural communities. These accounts, plus the guiding questions, contextual notes, and further readings accompanying them, show how everyday lives fit into the sweeping geopolitical changes in China and the world during the Cold War era. Furthermore, they reveal how the Chinese Communist Party's military-industrial strategies have shaped China's economy and society in the post-Mao era. The approachable translations and insight into areas of life rarely covered by political or diplomatic histories like sexuality and popular culture make this book highly accessible for classroom use and the general-interest reader.

Reinventing Licentiousness navigates an overlooked history of representation during the transition from the Qing Empire to the Chinese Republic-a time when older, hierarchical notions of licentiousness were overlaid by a new, pornographic regime. Y. Yvon Wang draws on previously untapped archives-ranging from police archives and surveys to ephemeral texts and pictures-to argue that pornography in China represents a unique configuration of power and desire that both reflects and shapes historical processes. On the one hand, since the late imperial period, pornography has democratized pleasure in China and opened up new possibilities of imagining desire. On the other, ongoing controversies over its definition and control show how the regulatory ideas of premodern cultural politics and the popular products of early modern cultural markets have contoured the globalized world. Reinventing Licentiousness emphasizes the material factors, particularly at the grassroots level of consumption and trade, that governed "proper" sexual desire and led to ideological shifts around the definition of pornography. By linking the past to the present and beyond, Wang's social and intellectual history showcases circulated pornographic material as a motor for cultural change. The result is an astonishing foray into what historicizing pornography can mean for our understandings of desire, legitimacy, capitalism, and culture.