In this book, Yael Greenberg discusses and clarifies a number of controversial issues and phenomena in the generic literature, including the existence of "episodic genericity," existential presuppositions, and contextual restrictions of generics.

Manifestations of Genericity offers a unified analysis of minimally contrasting generic sentences with indefinite singular (IS) and bare plural (BP) subjects - as in 'A bird flies' versus 'Birds fly' - within the framework of formal semantics. Beyond the classic distinction between quantificational and kind predication genericity, there is another important distinction in the generic domain, namely the distinction between two types of quantificational, modalized (I-) generalizations: 'in virtue of' generalizations, expressed by both IS and BP sentences, and 'descriptive' generalizations, expressed by BP sentences alone. When combined with independent semantic and pragmatic mechanisms, the difference in accessibility relations makes correct and precise predications as to a wide range of both old and newly observed semantic, pragmatic and distributional differences between IS and BP sentences.

Today, the names Bach and Mozart are mostly associated with Johann Sebastian Bach and Wolfgang Amadeus Mozart. But this volume of Bach Perspectives offers essays on the lesser-known musical figures who share those illustrious names alongside new research on the legendary composers themselves. Topics include the keyboard transcriptions of J. S. Bach and Johann Gottfried Walther; J. S. Bach and W. A. Mozart's freelance work; the sonatas of C. P. E. Bach and Leopold Mozart; the early musical training given J. C. Bach by his father and half-brother; the surprising musical similarities between J. C. Bach and W. A. Mozart; and the latest documentary research on Mozart's 1789 visit to the Thomasschule in Leipzig. An official publication of the American Bach Society, Bach Perspectives, Volume 14 draws on a variety of approaches and a broad range of subject matter in presenting a new wave of innovative classical musical scholarship. Contributors: Eleanor Selfridge-Field, Yoel Greenberg, Noelle M. Heber, Michael Maul, Stephen Roe, and David Schulenberg