A historical tour de force that demolishes the myths and taboos that have surrounded Jewish and Israeli history, The Invention of the Jewish People offers a new account of both that demands to be read and reckoned with. Was there really a forced exile in the first century, at the hands of the Romans? Should we regard the Jewish people, throughout two millennia, as both a distinct ethnic group and a putative nation—returned at last to its Biblical homeland?

Shlomo Sand argues that most Jews actually descend from converts, whose native lands were scattered far across the Middle East and Eastern Europe. The formation of a Jewish people and then a Jewish nation out of these disparate groups could only take place under the sway of a new historiography, developing in response to the rise of nationalism throughout Europe. Beneath the biblical back fill of the nineteenth-century historians, and the twentieth-century intellectuals who replaced rabbis as the architects of Jewish identity, The Invention of the Jewish People uncovers a new narrative of Israel’s formation, and proposes a bold analysis of nationalism that accounts for the old myths.

After a long stay on Israel’s bestseller list, and winning the coveted Aujourd’hui Award in France, The Invention of the Jewish People is finally available in English. The central importance of the conflict in the Middle East ensures that Sand’s arguments will reverberate well beyond the historians and politicians that he takes to task. Without an adequate understanding of Israel’s past, capable of superseding today’s opposing views, diplomatic solutions are likely to remain elusive. In this iconoclastic work of history, Shlomo Sand provides the intellectual foundations for a new vision of Israel’s future.

Women Waldensians have been almost written out of studies of the heretical sect, but are here shown to have played a full role within it, regardless of gender. Agnes and Huguette were two Waldensian women who were interrogated by the inquisitional court of Pamiers, in southern France, in 1319 and subsequently burnt at the stake for their heretical beliefs. Shahar uses the records of their inquisition as a basis for an examination of the Waldensian sect's attitude towards its women members, and their role within the sect, comparing their lives with women in the Catholic church and in other sects. She finds that ina persecuted voluntary group such as the Waldensians, gender was largely immaterial, subordinate to the fervent religious commitment of the members; nor did the court of inquisition distinguish between male and female, subjectingheretics of either sex to the same horrible punishment. This is the first book-length treatment of women Waldensians, who have been almost written out of studies of the sect, but are here shown to have played a full role within it. It throws light on women and gender in medieval society as well as on one of the main heretical movements in France in the early fourteenth century. SHULAMITH SHAHAR is Professor Emeritus of Medieval History, TelAviv University.

Leading Israeli novelist Sami Michael shares his gift for navigating the cultural conflicts in modern Israel with "A Trumpet in the Wadi," a novel that transcends its Middle Eastern setting with an honest and heartbreaking story of impossible love and the strength of family.

Set in the months preceding the 1982 Israeli-Arab conflict in Lebanon, this beautifully written tale is the coming-of-age story of two fatherless Christian Arab sisters, Huda and Mary, who live in the wadi -- the Arab quarter in the Jewish city of Haifa on the northern coast of Israel. An extraordinary bond of love and mutual respect unites the sisters -- polar opposites from their appearances to their tempers. Huda, the narrator of the story, is thin and withdrawn and, after abandoning her chance at marriage a few years back, has prematurely resigned herself to the monotonous life of an old maid. Her younger sister, Mary, is voluptuous, carnal, and perennially unemployed. Wrapped in the love of their sometimes bitter mother, their iconoclast grandfather, and the cheerful and omnipresent neighbor Jamilla, the sisters' lives change when a peculiar young Russian Jewish immigrant, Alex, moves into the upstairs flat. The melodies of the soulful trumpet player become the intoxicating theme music for Huda's unexpected reawakening -- and for Mary's dangerous foray into a love triangle with the heir of the local Muslim mob and her country cousin.

Michael's internationally acclaimed novel is a major achievement, illuminating the vast range of interlocking relationships between Jews and Arabs, Muslims and Christians, men and women. "A Trumpet in the Wadi" is an honest, witty, and ultimately heartbreaking story -- one that draws on the conflicts in the Middle East, but one whose insights into love and family can cross all cultural and political boundaries.

While eleven-year-old Nazie has long been engaged to her cousin Moussa and anxiously awaits her marriage, fifteen-year-old Flora has been abandoned by her husband in the midst of a difficult pregnancy. In a novel brimming with vitality and sensuality - smells, colours and textures float effortlessly off the page - Rabinyan examines the lives of these young Jewish girls in a Persian village at the beginning of the twentieth century. Persian Brides is a widely-acclaimed, vibrant and award-winning debut of immense emotional power.

Gershon Shaked's history of modern Hebrew fiction traces the emergence and development of a literature "against all odds" - from its European roots in the 1880s, when it had neither a country nor a spoken language, to the flowering of a literary culture on Israeli soil from the founding of the State through the 1990s. The product of more than twenty years of research, it is unique in its scope, profiling four generations of Hebrew writers from I.L. Peretz and Haim Nahman Bialik through SY Agnon, Aharon Appelfeld, Amos Oz and AB Yehoshua, to the recent writings of David Grossman, Meir Shalev, and Orly Castel-Bloom.Through detailed discussions of themes and styles in specific texts, Shaked conveys the richness of the Hebrew literary tradition. At the same time, through biographical surveys, historical observations, and sociocultural and political analyses, he illuminates the relationship of these writings to the context in which they were produced, revealing the complex intertextual play between Hebrew literature and life.