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Since the reform and opening up of China in 1978, Western literary
criticism has begun to flourish and gain in popularity within the
country's academic literature community. These two volumes
meticulously select and examine nine of the most influential
keywords from Western literary theory while identifying the
intricate historical sources of these terms and analyzing their
relevance to other disciplines and ideas. The result shows how
these words function as heterogeneous cultural contexts in the
complexity of experience but also how they function within the
context of Chinese culture as well as Chinese literature and
criticism. In this volume, the editors focus on discourse, text,
narrative, literariness and irony from the perspectives of
etymology, documentation, meanings and other core factors. Students
of literature and languages, and especially Chinese literature,
will benefit from this two-volume set.
Since the reform and opening up of China in 1978, Western literary
criticism has begun to flourish and gain in popularity within the
country's academic literature community. These two volumes
meticulously select and examine nine of the most influential
keywords from Western literary theory while identifying the
intricate historical sources of these terms and analyzing their
relevance to other disciplines and ideas. The result shows how
these words function as heterogeneous cultural contexts in the
complexity of experience but also how they function within the
context of Chinese culture as well as Chinese literature and
criticism. In this volume, the editors focus on metaphor, the
other, ideology and the body from the perspectives of etymology,
documentation, meanings and other core factors. Students of
literature and languages, and especially Chinese literature, will
benefit from this two-volume set.
This is an open access book. This book is the first comprehensive
and systematic study on the Chinese Marxist literary criticism as
an independent theoretical form. It discusses and describes the
theoretical features of the Chinese form of Marxist literary
criticism by refining and re-interpreting the iconic key concepts
of “people,” “nation,” “politics,” “praxis,” and
the relationships between literature and high-tech, literature and
capital. The value judgment of literary criticism has also been
discussed at length, and insightful and valuable views have been
provided. This book is a brilliant introduction and the ideal
academic material for global readers to grasp the essence of
Chinese Marxist literary thoughts.
This is an open access book. This book is the first comprehensive
and systematic study on the Chinese Marxist literary criticism as
an independent theoretical form. It discusses and describes the
theoretical features of the Chinese form of Marxist literary
criticism by refining and re-interpreting the iconic key concepts
of “people,” “nation,” “politics,” “praxis,” and
the relationships between literature and high-tech, literature and
capital. The value judgment of literary criticism has also been
discussed at length, and insightful and valuable views have been
provided. This book is a brilliant introduction and the ideal
academic material for global readers to grasp the essence of
Chinese Marxist literary thoughts.
Since the reform and opening up of China in 1978, Western literary
criticism has begun to flourish and gain in popularity within the
country's academic literature community. These two volumes
meticulously select and examine nine of the most influential
keywords from Western literary theory while identifying the
intricate historical sources of these terms and analyzing their
relevance to other disciplines and ideas. The result shows how
these words function as heterogeneous cultural contexts in the
complexity of experience but also how they function within the
context of Chinese culture as well as Chinese literature and
criticism. In this volume, the editors focus on metaphor, the
other, ideology and the body from the perspectives of etymology,
documentation, meanings and other core factors. Students of
literature and languages, and especially Chinese literature, will
benefit from this two-volume set.
Since the reform and opening up of China in 1978, Western literary
criticism has begun to flourish and gain in popularity within the
country's academic literature community. These two volumes
meticulously select and examine nine of the most influential
keywords from Western literary theory while identifying the
intricate historical sources of these terms and analyzing their
relevance to other disciplines and ideas. The result shows how
these words function as heterogeneous cultural contexts in the
complexity of experience but also how they function within the
context of Chinese culture as well as Chinese literature and
criticism. In this volume, the editors focus on discourse, text,
narrative, literariness and irony from the perspectives of
etymology, documentation, meanings and other core factors. Students
of literature and languages, and especially Chinese literature,
will benefit from this two-volume set.
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