LONGLISTED FOR THE MAN BOOKER INTERNATIONAL 2017 With the Yi River on one side and the Balou Mountains on the other, the village of Explosion was founded a thousand years ago by refugees fleeing a volcanic eruption. But in the post-Mao era, the name takes on a new significance as the rural community grows explosively from a small village to a town to a city to a vast megalopolis. Behind this rapid expansion are three rival clans linked together by a web of ambition, madness and greed. The four Kong brothers; Zhu Ying, the daughter of the former village chief; and Cheng Qing, who starts out as a secretary and goes on to become a powerful political and business figure in her own right, transform their hometown into a Babylon of modern times -- an unrivalled urban superpower built on lies, sex and thievery. Brimming with absurdity, intelligence and wit, The Explosion Chronicles considers the high stakes of passion and power, the consequences of corruption and greed, the dynamics of love and hate, as well as the seemingly boundless excesses of capitalist culture. 'One of the masters of modern Chinese literature' Jung Chang 'One of China's most successful writers . . . [Yan Lianke] writes in the spirit of the dissident writer Vladimir Voinovich, who observed that "reality and satire are the same"' Evan Osnos, New Yorker

Over the past twenty years, Chinese novelist Yan Lianke has emerged as one of the most important writers in the world. In Discovering Fiction, Yan offers insights into his views on literature and realism, the major works that inspired him, and his theories of writing. He juxtaposes discussions of the high realism of Leo Tolstoy and Lu Xun against Franz Kafka's modernism and Gabriel Garcia Marquez's magical realism, charting the relationship between causality, truth, and modes of realism. He also discusses his approach to realism, which he terms "mythorealism"-a way of capturing the world's underlying truth by relying on the allegories, myths, legends, and dreamscapes that emerge from daily life. Revealing and instructive, Discovering Fiction gives readers an unprecedented look into the mind and art of a literary giant.

Yan Lianke has secured his place as contemporary China's most essential and daring novelist, "with his superlative gifts for storytelling and penetrating eye for truth" (New York Times Book Review). His newest novel, The Day the Sun Died--winner of the Dream of the Red Chamber Award, one of the most prestigious honors for Chinese-language novels--is a haunting story of a town caught in a waking nightmare. In a little village nestled in the Balou mountains, fourteen-year-old Li Niannian and his parents run a funeral parlor. One evening, he notices a strange occurrence. Instead of preparing for bed, more and more neighbors appear in the streets and fields, carrying on with their daily business as if the sun hadn't already set. Li Niannian watches, mystified. As hundreds of residents are found dreamwalking, they act out the desires they've suppressed during waking hours. Before long, the community devolves into chaos, and it's up to Li Niannian and his parents to save the town before sunrise. Set over the course of one increasingly bizarre night, The Day the Sun Died is a propulsive, darkly sinister tale from a world-class writer.

A brilliantly comic satire about a love affair from the visionary, world-class storyteller. Set in 1967, at the peak of the Mao cult, this is the tale of a forbidden love affair between Liu Lian - the bored wife of a military commander - and a young soldier, Wu Dawang. When Liu Lian establishes a rule that Wu Dawang must attend to her needs whenever the household's wooden 'Serve the People!' sign is removed from its usual place, he vows to obey. What follows is both an enthralling love story and a deliciously comic satire on the political and sexual taboos of Mao's regime. 'Drips with the kind of satire that can only come from deep within the machinery of Chinese communism' Financial Times

Over the past twenty years, Chinese novelist Yan Lianke has emerged as one of the most important writers in the world. In Discovering Fiction, Yan offers insights into his views on literature and realism, the major works that inspired him, and his theories of writing. He juxtaposes discussions of the high realism of Leo Tolstoy and Lu Xun against Franz Kafka's modernism and Gabriel Garcia Marquez's magical realism, charting the relationship between causality, truth, and modes of realism. He also discusses his approach to realism, which he terms "mythorealism"-a way of capturing the world's underlying truth by relying on the allegories, myths, legends, and dreamscapes that emerge from daily life. Revealing and instructive, Discovering Fiction gives readers an unprecedented look into the mind and art of a literary giant.

Gao Aijun is a son of the soil of Henan's Balou Mountains, and after a service in the Army, he is on his way back to his ancestral village, feeling like a hero. Close to his arrival, he sees a strikingly attractive woman walking barefoot alongside a railway track in the warm afternoon sun, and he is instantly smitten. She is Xia Hongmei and lives up to her name of "beautiful flower." Hiding their relationship from their spouses, the pair hurl themselves into the struggle to bring revolution to their backwater village. They spend their days and nights writing pamphlets, organizing work brigades, and attending rallies, feeling they are the vanguard for the full-blown revolution that is waiting in the wings. Emboldened by encouragement from the Party, the couple dig a literal "tunnel of love" between their homes, where underneath the village their revolutionary and sexual fervor reaches a boiling point. While the unsuspecting villagers sleep, they sing revolutionary songs and compete in shouting-matches of Maoist slogans before making earth-moving love. But when their torrid relationship is finally discovered, and they have to answer to Hongmei's husband, their dreams of a bright future together begin to fray. Will their great revolutionary energy save their skins, or will they too fall victim to the revolution that is swallowing up the country?A novel of rare emotional force and surprising humor, Hard Like Water is an operatic and brilliantly plotted human drama about power's corrupting nature and the brute force of love and desire.

Yan Lianke has secured his place as contemporary China's most essential and daring novelist, "with his superlative gifts for storytelling and penetrating eye for truth" (New York Times Book Review). His newest novel, The Day the Sun Died--winner of the Dream of the Red Chamber Award, one of the most prestigious honors for Chinese-language novels--is a haunting story of a town caught in a waking nightmare. In a little village nestled in the Balou mountains, fourteen-year-old Li Niannian and his parents run a funeral parlor. One evening, he notices a strange occurrence. Instead of preparing for bed, more and more neighbors appear in the streets and fields, carrying on with their daily business as if the sun hadn't already set. Li Niannian watches, mystified. As hundreds of residents are found dreamwalking, they act out the desires they've suppressed during waking hours. Before long, the community devolves into chaos, and it's up to Li Niannian and his parents to save the town before sunrise. Set over the course of one increasingly bizarre night, The Day the Sun Died is a propulsive, darkly sinister tale from a world-class writer.

'One of the masters of modern Chinese literature' Jung Chang A searing novel that traces the destruction of a community in communist China. Told through the eyes of Xiao Qiang, a young boy, this deeply moving novel shares the tragic story of the blood-contamination scandal in China's Henan province. Looking for a way to lift Ding Village from poverty, its directors and organisers open blood-plasma collection stations, hoping to sell the plasma to those in need. At first the scheme is a commercial success. Soon, however, whole communities are wiped out after contracting HIV. As Xiao narrates the fate of Ding Village, his family is torn apart by suspicion and retribution. 'The defining work of his career... A devastating critique of China's runaway development' Guardian

In the ninety-ninth district of a sprawling reeducation compound, freethinking artists and academics are detained to strengthen and affirm their loyalty to Communist ideologies. Here, in this isolated part of Henan province, the Musician and her lover, the Scholar--along with the Author and the Theologian--are forced to carry out grueling physical work and are encouraged to inform on each other for dissident behavior. The prize: winning political favor and the chance at freedom. They're overseen by preadolescent supervisor, the Child, who delights in draconian rules, reward systems, and excessive punishments, such as confiscating treasured books. But when the higher-ups raise the agricultural and industrial production quotas to an unattainable level, the ninety-ninth district dissolves into lawlessness and the intellectuals are soon abandoned by the regime to survive on their own. With his incisive, lyrical prose, Yan Lianke melds political satire and allegory in this riveting, formidable tale that portrays the absurd and grotesque oppression of the Great Leap Forward.

In this heartfelt memoir, Yan Lianke brings the reader into his boyhood home in Song County, Henan Province, painting a richly detailed portrait of rural China during the Cultural Revolution

It is a hard but loving childhood. Yan’s family carve out a modest existence, though food is often so scarce they have to find edible bark and clay for sustenance. Working sixteen-hour shifts in a quarry, Yan’s hands become as crooked as twigs, but the satisfaction of hard physical labour and earning money to support his family proves intoxicating. Reading novels is an escape for Yan, and he yearns to become a writer after hearing about a woman who was allowed to remain in the city of Harbin after publishing her first novel.

Caught between his obligations as a son and a brother, and his longing for a new life, Yan eventually joins the army. He returns years later to find his father’s health rapidly deteriorating in the face of his desperate efforts to build a traditional tile-roofed house for each of his sons.

Chronicling the extraordinary lives of his father and two uncles, as well as his own, Three Brothers is a celebration of the power of one family to hold together in the most punishing of circumstances. Sharply alive to the cyclical nature of history, and the power of familial guilt, it also shows how the pen can be a route to freedom.

SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2016 'One of China's greatest living authors and fiercest satirists' Guardian In the ninety-ninth district of a sprawling labour camp, the Author, Musician, Scholar, Theologian and Technician - and hundreds just like them - are undergoing Re-education, to restore their revolutionary zeal and credentials. In charge of this process is the Child, who delights in draconian rules, monitoring behaviour and confiscating treasured books. But when bad weather arrives, followed by the 'three bitter years', the intellectuals are abandoned by the regime and left on their own to survive. Divided into four narratives, The Four Books tells the story of the Great Famine, one of China's most devastating and controversial periods. WINNER OF THE FRANZ KAFKA PRIZE 2014 NOMINATED FOR CZECH AWARD MAGNESIA LITERA 2014 HUA ZHONG WORLD CHINESE LITERATURE PRIZE 2013 FINALIST FOR THE MAN BOOKER INTERNATIONAL PRIZE 2013 WINNER OF THE HUA ZHONG WORLD CHINESE LITERATURE PRIZE 2013 SHORTLISTED FOR THE INDEPENDENT FOREIGN FICTION PRIZE 2012 SHORTLISTED FOR THE PRIX FEMINA ETRANGER 2012 SHORTLISTED FOR THE MAN ASIAN LITERARY PRIZE 2011 WINNER OF THE LAO SHE LITERATURE AWARD 2004 WINNER OF THE LU XUN AWARD 1997

Yan Lianke--"China's most feted and most banned author" (Financial Times)--is a master of imaginative satire, and his prize-winning works have been published around the world to the highest honors. Now, his two most acclaimed novellas are collected here in a single volume--masterfully crafted stories that explore the sacrifices made for family, the driving will to survive, and the longing to leave behind a personal legacy. Marrow is the haunting tale of a widow who goes to extremes to provide a normal life for her four disabled children. When she discovers that bones--especially those of kin--can cure their illnesses and prevent future generations from the same fate, she feeds them a medicinal soup made from the skeleton of her dead husband. But after running out of soup, she resorts to a measure that only a mother can take. In the luminous, moving title story, The Years, Months, Days--a bestselling, classic fable in China, and winner of the prestigious Lu Xun Literary Prize--an elderly man stays behind in his small village after a terrible drought forces everyone to leave. Unable to make the grueling march through the mountains, he becomes the lone inhabitant, along with a blind dog. As he fends off the natural world from overtaking his hometown, every day is a victory over death. With touches of the fantastical and with deep humanity, these two magnificent novellas--masterpieces of the short form--reflect the universality of mankind's will to live, live well, and live with purpose.

A mystifying climatic incongruity begins the award-winning novel Lenin's Kisses--an absurdist, tragicomic masterpiece set in modern day China. Nestled deep within the Balou mountains, spared from the government's watchful eye, the harmonious people of Liven had enough food and leisure to be fully content. But when their crops and livelihood are obliterated by a seven-day snowstorm in the middle of a sweltering summer, a county official arrives with a lucrative scheme both to raise money for the district and boost his career. The majority of the 197 villagers are disabled, and he convinces them to start a traveling performance troupe highlighting such acts as One-Eye's one-eyed needle threading. With the profits from this extraordinary show, he intends to buy Lenin's embalmed corpse from Russia and install it in a grand mausoleum to attract tourism, in the ultimate marriage of capitalism and communism. However, the success of the Shuanghuai County Special-Skills Performance Troupe comes at a serious price. Yan Lianke, one of China's most distinguished writers--whose works often push the envelope of his country's censorship system--delivers a humorous, daring, and riveting portrait of the trappings and consequences of greed and corruption at the heart of humanity.

Multi-prizewinning and internationally acclaimed Yan Lianke -- 'China's most controversial novelist' (New Yorker) -- returns with a campus novel like no other following a young Buddhist as she journeys through worldly temptation To tell the truth, religious faith is really just a matter of believing stories. The world is governed by stories, and it is for the sake of stories that everyone lives on this earth. Yahui is a young Buddhist at university. But this is no ordinary university. It is populated by every faith in China: Buddhists, Daoists, Catholics, Protestants and Muslims who jostle alongside one another in the corridors of learning, and whose deities are never far from the classroom. Her days are measured out making elaborate religious papercuts, taking part in highly charged tug-of-war competitions between the faiths and trying to resist the daily temptation to return to secular life and abandon the ascetic ideals that are her calling. Everything seems to dangle by a thread. But when she meets a Daoist student called Mingzheng, an inexorable romance of mythic proportions takes hold of her. In this profoundly otherworldly novel, Chinese master Yan Lianke remakes the campus novel in typically visionary fashion, dropping readers into an allegorical world ostensibly far from our own, but which reflects our own questions and struggles right back at us. ** Beautiful edition illustrated throughout with beautiful original papercuts ** 'One of China's greatest living authors' Guardian 'His talent cannot be ignored' New York Times 'China's foremost literary satirist' Financial Times

LONGLISTED FOR THE MAN BOOKER INTERNATIONAL 2017 With the Yi River on one side and the Balou Mountains on the other, the village of Explosion was founded a thousand years ago by refugees fleeing a volcanic eruption. But in the post-Mao era, the name takes on a new significance as the rural community grows explosively from a small village to a town to a city to a vast megalopolis. Behind this rapid expansion are three rival clans linked together by a web of ambition, madness and greed. Together they transform their hometown into a Babylon of modern times -- an unrivalled urban superpower built on lies, sex and thievery. 'One of the masters of modern Chinese literature' Jung Chang

'The new masterpiece by eminent Chinese writer Yan Lianke . . . two revolutionaries take matters disastrously into their own hands while conducting a crazed affair' MARGARET ATWOOD on Twitter A breakneck adventure story following the erotic love affair of party cadres Aijun and Hongmei during China's Cultural Revolution This is the story of the freewheeling love affair between married soldier Aijun and Hongmei, a beautiful young woman from his village in the Balou Mountains. Intoxicated with one another, Aijun and Hongmei hurl themselves into their town's revolutionary struggle. Spending their days and nights stamping out feudalism, writing pamphlets and organising rallies, they become inseparable: they are the engines of history. But as their political activity reaches new heights, so does the danger of getting caught... 'A blistering tour-de-force... Sensuous and riveting' MADELEINE THIEN, Booker-shortlisted author of Do Not Say We Have Nothing 'Fascinating... This tale of an illicit tryst during the Cultural Revolution is a stinging satire' The Times **A FINANCIAL TIMES BEST FICTION IN TRANSLATION BOOK 2021**

‘One of the masters of modern Chinese literature’ Jung Chang

This gripping dystopia contrasts the reality of life in China today with the sunny optimism of the ‘Chinese dream’.

One dusk in early June, in a town deep in the Balou mountains, fourteen-year-old Li Niannian notices that something strange is going on. As the residents would usually be settling down for the night, instead they start appearing in the streets and fields. There are people everywhere.

Li Niannian watches, mystified. Until he realises the people are dreamwalking, carrying on with their daily business as if the sun hadn’t already gone down. And before too long, as more and more people succumb, in the black of night all hell breaks loose.

Set over the course of one night, The Day the Sun Died pits chaos and darkness against the bright ‘Chinese dream’ promoted by President Xi Jinping. We are thrown into the middle of an increasingly strange and troubling waking nightmare as Li Niannian and his father struggle to save the town, and persuade the beneficent sun to rise again.

A FINALIST FOR THE MAN BOOKER INTERNATIONAL PRIZE Deep within the Balou mountains lies a small rural town populated by disabled people. Blind, deaf and disfigured, the 197 citizens of the Village of Liven have until now enjoyed a peaceful, mutually supportive life out of sight and mind of the government. But when an unseasonal snowstorm wipes out that year's crops, a county official dreams up a scheme that will raise money for the district and boost his career. He convinces the villagers to set up a travelling freak-show, to include Blind Tonghua's Acute Listening Act and Deafman Ma's Firecrackers-on-the-Ear. With the money, he intends to buy Lenin's embalmed corpse from an ailing Russia and install it in a splendid mausoleum in the mountains to attract tourism to this sleepy district. However, as we all know, even the best intentions can go awry.

A breakneck adventure story following the erotic love affair of party cadres Aijun and Hongmei during China's Cultural Revolution 'The new masterpiece by eminent Chinese writer Yan Lianke . . . two revolutionaries take matters disastrously into their own hands while conducting a crazed affair' MARGARET ATWOOD on Twitter 'A blistering tour de force' MADELEINE THIEN On his return to his village in the Balou Mountains, soldier Gao Aijun sees a young woman wandering barefoot along the railway tracks in the warm late-afternoon sun. Her name is Hongmei. Aijun is instantly intoxicated, his wife - waiting patiently for him at home - quickly forgotten. Both Aijun and Hongmei hurl themselves into their town's revolutionary struggle. Spending their days and nights stamping out feudalism, writing pamphlets and organising rallies, they become inseparable: they are the engines of history. The couple dig a 'tunnel of love' - to further the revolution, of course, but also to connect their homes and provide a chamber for their secret rendezvous. While the unsuspecting villagers sleep, they sing political songs and compete in shouting-matches of Maoist slogans before making earth-shattering love. But when Hongmei's husband finds them together one evening, their dreams of a life together begin to fall apart. Hard Like Water is a novel of immense emotional force from one of China's greatest contemporary writers, a universal human drama about the nature of power and the dangers of hubris, as well as the freewheeling momentum of love and sexual desire. **A FINANCIAL TIMES BEST FICTION IN TRANSLATION BOOK 2021**

Told through the eyes of Xiao Qiang, a young boy killed by his family's neighbours, this seminal novel tells the tragic and shocking story of the blood-contamination scandal in China's Henan province. Villagers, coerced into selling vast quantities of blood for money, are infected with the AIDS virus when they're injected with plasma to prevent the onset of anaemia. Whole villages are wiped out as the sickness spreads, but no one takes responsibility for the epidemic and nothing is done to care for those left behind. As Xiao tells of the fate of his village, his family is torn apart by suspicion and retribution. This searing novel relates the tragedy of one village among many and the absurdity of a situation caused and perpetuated by the Chinese government. With black humour and biting satire, Yan Lianke's novel is a powerful allegory of the moral vacuum at the heart of Communist China, tracing the relentless destruction of a community. 'I come from the bottom of society. All my relatives live in Henan, one of the poorest areas of China. When I think of people's situation there, it is impossible not to feel angry and emotional. Anger and passion are the soul of my work.' Yan Lianke