Richard Mosse is an Irish conceptual documentary photographer living and working in New York. The focus of this volume, Broken Spectre 2018–20, is his most ambitious project to date. Comprising film and photography made over three years spent in the Amazon rainforest it has been described by the Economist as ‘Powerful and urgent – a reminder of art’s ability of shift perceptions.’ The Tate Photography Series is a celebration of photography by artists in the Tate collection, presenting the work of some of the most significant photographers in the world today. Each book features a specially selected sequence of images alongside an introduction and a conversation with or about each photographer’s practice. The unifying theme for this second group of titles in the series is Ecology and Environment.

For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape-from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it is quarried via explosive blasts and subsequently incorporated into the construction of new buildings. In particular, Hatakeyama has routinely returned to the Tokyo-Yokohama metropolis, exploring this ever-evolving urban sprawl from both below and above, mapping the growth and expansion of these sites over time. Additional series focus on other forms of human intervention with the landscape and natural materials, including factories and building sites in Japan and abroad. Finally, his most recent photographs of his hometown of Rikuzentakata, a fishing town that was almost completely destroyed by the March 11, 2011 earthquake and tsunami, are also included-an ongoing series begun almost immediately following the disaster. These photographs hauntingly embody the death and rebirth of the city, manifesting a deeply personal connection to the ongoing intersection of geology, architecture, and time.

The first book in the Tate Photography Series presents a new series of images called Time Don't Run Here made by photographer Liz Johnson Artur during the Black Lives Matter protests throughout summer 2020 in London, UK. Liz Johnson Artur is a Ghanaian-Russian photographer and photojournalist based in London. Her work documents the lives of Black people from across the African Diaspora, more recently focusing on the richness and complexity of Black British life. Her work can be found in galleries and exhibitions around the world and also in fashion and music magazine editorials. Liz Johnson Artur's work captures and celebrates the everyday, subtly complex and varied nuances of each of the lives that she encounters. The Tate Photography Series is a celebration of international photography in the Tate collection and an introduction to some of the greatest photographers at work today. With the direct involvement of living photographers in collaboration with photography curators, these books showcase the best and most notable images taken across the globe, from city streets to seashores, moving across landscapes and through subcultures, in a visual travelogue of our world. Each book contains a new conversation between curator and photographer and is prefaced with a short introduction. The theme for the first four titles is Community and Solidarity. Also available in this series are: Sirkka-Liisa Konttinen (978-1-84976-800-9) Sabelo Mlangeni (978-1-84976-802-3) Sheba Chhachhi (978-1-84976-803-0)