Recipient of the Nobel Prize in Literature in 1968, the novelist Yasunari Kawabata felt the essence of his art was to be found not in his longer works but in a series of short stories--which he called "Palm-of-the-Hand Stories"--written over the span of his career. In them we find loneliness, love, and the passage of time, demonstrating the range and complexity of a true master of short fiction.

Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Tired of the bustling city, a man takes the train through the snow to Japan's mountains, to meet with a geisha he believes he loves. Beautiful and innocent, she is tightly bound by the rules of a rural geisha, and lives a life of servitude and seclusion. Snow Country, Yasunari Kawabata's masterpiece, is a delicate, subtle meditation on love and its limits. 'A work of beauty and strangeness, one of the most distinguished and moving of Japanese novels' New York Herald Tribune

With the Second World War only a few years in the past, and Japan still reeling from its effects, two sisters - born to the same father but different mothers - struggle to make sense of the new world in which they are coming of age. Asako, the younger, has become obsessed with locating a third sibling, while also experiencing love for the first time. While Momoko, their father's first child - haunted by the loss of her kamikaze boyfriend and their final, disturbing days together - seeks comfort in a series of unhealthy romances. And both sisters find themselves unable to outrun the legacies of their late mothers. A thoughtful, probing novel about the enduring traumas of war, the unbreakable bonds of family and the inescapability of the past, The Rainbow is a searing, melancholy work from one of Japan's greatest writers. Translated by Haydn Trowell

"The Old Capital is one of the three novels cited specifically by the Nobel Committee when they awarded Kawabata the Nobel Prize for Literature in 1968. With the ethereal tone and aesthetic styling characteristic of Kawabata's prose, "The Old Capital tells the story of Chieko, the adopted daughter of a Kyoto kimono designer, Takichiro, and his wife, Shige.
Set in the traditional city of Kyoto, Japan, this deeply poetic story revolves around Chieko who becomes bewildered and troubled as she discovers the true facets of her past. With the harmony and time-honored customs of a Japanese backdrop, the story becomes poignant as Chieko's longing and confusion develops.

The exquisite last novel from Nobel Prize-winning author Yasunari Kawabata Ineko has lost the ability to see things. At first it was a ping-pong ball, then it was her fiance. The doctors call it 'body blindness', and she is placed in a psychiatric clinic to recover. As Ineko's mother and fiance walk along the riverbank after visiting time, they wonder: is her condition a form of madness - or an expression of love? Exploring the distance between us, and what we say without words, Kawabata's transcendent final novel is the last word from a master of Japanese literature. 'Lusciously peculiar' Paris Review

Kikuji has been invited to a tea ceremony by a mistress of his dead father. He is shocked to find there the mistress's rival and successor, Mrs. Ota, and that the ceremony has been awkwardly arranged for him to meet his potential future bride. But he is most shocked to be drawn into a relationship with Mrs. Ota - a relationship that will bring only suffering and destruction to all of them. Thousand Cranes reflects the tea ceremony's poetic precision with understated, lyrical style and beautiful prose.

Ogata Shingo is growing old, and his memory is failing him. At night he hears only the sound of death in the distant rumble from the mountain. The relationships which have previously defined his life - with his son, his wife, and his attractive daughter-in-law - are dissolving, and Shingo is caught between love and destruction. Lyrical and precise, The Sound of the Mountain explores in immaculately crafted prose the changing roles of love and the truth we face in ageing.

Records the struggles of the Master as he attempts to defend his title and ideals while playing a young challenger in the Japanese game of go.

Available again, a newly translated collection of twenty-three stories from one of the most influential figures in modern Japanese literature. "He employs devices from those long poetic traditions in order to create in modern prose his remarkable effects: juxtaposition of image upon image to open up the depths of feeling lurking behind placid surface reality." Washington Post"We owe Martin Holman this insight, for in rendering these important early writings into English, it is he who has shown us that the author in his youth was already the mature Yasunari Kawabata."Japan TimesYasunari Kawabata is widely known for his innovative short stories, some called "palm-of-the-hand" stories short enough to fit into ones palm. This collection reflects Kawabata's keen perception, deceptive simplicity, and the deep melancholy that characterizes much of his work. The stories were written between 1923 and 1929, and many feature autobiographical events and themes that reflect the painful losses he experienced early in his life.

With a restraint that barely conceals the ferocity of his characters' passions, one of Japan's great postwar novelists tells the luminous story of Kikuji and the tea party he attends with Mrs. Ota, the rival of his dead father's mistress. A tale of desire, regret, and sensual nostalgia, every gesture has a meaning, and even the most fleeting touch or casual utterance has the power to illuminate entire lives--sometimes in the same moment that it destroys them. Translated from the Japanese by Edward G. Seidensticker.



"A novel of exquisite artistry...rich suggestibility...and a story that is human, vivid and moving."--New York Herald Tribune


Kawabata is a poet of the gentlest shades, of the evanescent, the imperceptible. This is a tragedy in soft focus, but its passions are fierce."--Commonweal

Shimamura is tired of the bustling city. He takes the train through the snow to the mountains of the west coast of Japan, to meet with a geisha he believes he loves. Beautiful and innocent, Komako is tightly bound by the rules of a rural geisha, and lives a life of servitude and seclusion that is alien to Shimamura, and their love offers no freedom to either of them. Snow Country is both delicate and subtle, reflecting in Kawabata's exact, lyrical writing the unspoken love and the understated passion of the young Japanese couple.

The stories of Yasunari Kawabata evoke an unmistakably Japanese atmosphere in their delicacy, understatement, and lyrical description. Like his later works, First Snow on Fuji is concerned with forms of presence and absence, with being, with memory and loss of memory, with not-knowing. Kawabata lets us slide into the lives of people who have been shattered by war, loss, and longing. These stories are beautiful and melancholy, filled with Kawabatas unerring vision of human psychology. First Snow on Fuji was originally published in Japan in 1958, ten years before Kawabata received the Nobel Prize. Kawabata selected the stories for this collection himself, and the result is a stunning assembly of disparate moods and genres. This new edition is the first to be published in English.

"Freedman and Richie bring to the non-Japanese reading public the chance to read a heretofore untranslated work by Nobel-prizewinner Yasunari Kawabata, one of Japan's most famous modern authors. "The Scarlet Gang of Asakusa is a revealing recreation of the rough and racy atmosphere of Tokyo called Asakusa during the late 1920s and early 30s, and it is quite different from notions of aestheticized Japan often associated with Kawabata's other work. The translator is to be commended for turning an idiosyncratic and difficult text into compelling English."--Liza Dalby, author of "Geisha"Kawabata is an important writer in world literature, best known for delicate, sometimes other-worldly novels like "Snow Country. The Scarlet Gang of Asakusa shows another side of the writers, which is experimental and most definitely of this world. Nevertheless, one can see aspects of the novelist-especially his relationship to women and their (in his eyes) short-lived physical beauty-which would be developed and refined in his later work. The book also evokes aspects of urban Japan at the end of the 1920s better than anything else I have read. Donald Richie's introduction is a great asset to the book."--Theodore W. Goossen, editor of "The Oxford Book of Japanese Short Stories

Go is a game of strategy in which two players attempt to surround each other's black or white stones. Simple in its fundamentals, infinitely complex in its execution, it is an essential expression of the Japanese sensibility. And in his fictional chronicle of a match played between a revered and invincible Master and a younger, more progressive challenger, Yasunari Kawabata captured the moment in which the immutable traditions of imperial Japan met the onslaught of the twentieth century. The competition between the Master of Go and his opponent, Otake, is waged over several months and layered in ceremony. But beneath the game's decorum lie tensions that consume not only the players themselves but their families and friends - tensions that turn this particular contest into a duel that can only end in one man's death. Luminous in its detail, both suspenseful and serene, The Master of Go is an elegy for an entire society, written with the poetic economy and psychological acumen that brought Kawabata the Nobel Prize for Literature.

The successful writer Oki has reached middle age and is filled with regrets. He returns to Kyoto to find Otoko, a young woman with whom he had a terrible affair many years before, and discovers that she is now a painter, living with a younger woman as her lover. Otoko has continued to love Oki and has never forgotten him, but his return unsettles not only her but also her young lover. This is a work of strange beauty, with a tender touch of nostalgia and a heartbreaking sensitivity to those things lost forever.