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How did art reform fit into the many initiatives for social and cultural change that contributed to the New Cultural Movement that transformed the Chinese cultural landscape during the Republican period? "Modern art for a modern China" was the rallying cry of Chinese intellectuals, many of whom were artists, critics, writers, poets and educators. Wang describes how these groups discussed and implanted changes in China's conception and practice of art. She demonstrates how art reforms fit into the many initiatives for social and cultural change that contributed to the New Cultural Movement that transformed the Chinese cultural landscape during the Republican period. In doing so, she analyses two key areas in the intellectual history of Republican China: China's art reform in the early decades of the twentieth century; and the connection and intersection between colonialism, nationalism and cosmopolitanism, including their direct impact on the development of art and art practice in China. Modern Art for a Modern China is an invaluable resource for scholars and students of China's twentieth-century intellectual history and art history.
How did art reform fit into the many initiatives for social and cultural change that contributed to the New Cultural Movement that transformed the Chinese cultural landscape during the Republican period? "Modern art for a modern China" was the rallying cry of Chinese intellectuals, many of whom were artists, critics, writers, poets and educators. Wang describes how these groups discussed and implanted changes in China's conception and practice of art. She demonstrates how art reforms fit into the many initiatives for social and cultural change that contributed to the New Cultural Movement that transformed the Chinese cultural landscape during the Republican period. In doing so, she analyses two key areas in the intellectual history of Republican China: China's art reform in the early decades of the twentieth century; and the connection and intersection between colonialism, nationalism and cosmopolitanism, including their direct impact on the development of art and art practice in China. Modern Art for a Modern China is an invaluable resource for scholars and students of China's twentieth-century intellectual history and art history.
Jia Pingwa, whose novels have caused both fame and controversy, has an enormous readership throughout the Chinese speaking world. However, despite Pingwa's cultural significance and the use of his poetry, novels and prose in schools and universities, there has never been any substantial academic study of the writer and his writings. Filling that gap, this book examines the corpus of Pingwa's writing and emphasizes his importance, prominence and relevance to contemporary Chinese society. This pioneering study discusses Pingwa's works in the light of 'cultural nationalism', showing how he links the cultural identity of China with the cultural authenticity of his local Shaanxi Province. In addition, the book highlights issues of nationalism in contemporary Chinese literature and underpins the significance of regional writing in negotiating China's national identities.
Jia Pingwa, whose novels have caused both fame and controversy,
has an enormous readership throughout the Chinese speaking world.
However, despite Pingwa's cultural significance and the use of his
poetry, novels and prose in schools and universities, there has
never been any substantial academic study of the writer and his
writings. Filling that gap, this book examines the corpus of
Pingwa's writing and emphasizes his importance, prominence and
relevance to contemporary Chinese society.
This pioneering study discusses Pingwa's works in the light of 'cultural nationalism', showing how he links the cultural identity of China with the cultural authenticity of his local Shaanxi Province. In addition, the book highlights issues of nationalism in contemporary Chinese literature and underpins the significance of regional writing in negotiating China's national identities.
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