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Histories, Practices, Interventions: A Reader in Singapore
Contemporary Art brings together key writings about ideas,
practices, issues and art institutions that shape the understanding
of contemporary art in Singapore. This reader is conceived as an
essential resource for advancing critical debates on
post-independence Singapore art and culture. It comprises a total
of thirty-three texts by art historians, art theorists, art
critics, artists and curators. In addition, there is an
introduction by the co-editors, Jeffrey Say and Seng Yu Jin,as well
as three section introductions contributed by Seng Yu Jin; artist,
curator and writer Susie Wong; and art educator and writer Lim Kok
Boon.
Histories, Practices, Interventions: A Reader in Singapore
Contemporary Art brings together key writings about ideas,
practices, issues and art institutions that shape the understanding
of contemporary art in Singapore. This reader is conceived as an
essential resource for advancing critical debates on
post-independence Singapore art and culture. It comprises a total
of thirty-three texts by art historians, art theorists, art
critics, artists and curators. In addition, there is an
introduction by the co-editors, Jeffrey Say and Seng Yu Jin,as well
as three section introductions contributed by Seng Yu Jin; artist,
curator and writer Susie Wong; and art educator and writer Lim Kok
Boon.
Intersections, Innovations, Institutions: A Reader in Singapore
Modern Art is the second of two volumes of readers which the
editors had published on Singapore art. The first volume,
Histories, Practices, Interventions: A Reader in Singapore
Contemporary Art, was published in 2016. Like the first volume,
Intersections, Innovations, Institutions brings together
historically important writings but the scope is on modern artistic
practices in Singapore from the 19th century to the 1980s. The aim
of this book is to make these writings accessible for research and
scholarship and for new histories and narratives to be constructed
about the modern in Singapore art.
Intersections, Innovations, Institutions: A Reader in Singapore
Modern Art is the second of two volumes of readers which the
editors had published on Singapore art. The first volume,
Histories, Practices, Interventions: A Reader in Singapore
Contemporary Art, was published in 2016. Like the first volume,
Intersections, Innovations, Institutions brings together
historically important writings but the scope is on modern artistic
practices in Singapore from the 19th century to the 1980s. The aim
of this book is to make these writings accessible for research and
scholarship and for new histories and narratives to be constructed
about the modern in Singapore art.
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