From the dawn of the atomic age, art and popular culture have played an essential role interpreting nuclear issues to the public and investigating the implications of nuclear weapons to the future of human civilization. Political and social forces often seemed paralyzed in thinking beyond the advent of nuclear weapons and articulating a creative response to the dilemma posed by this apocalyptic technology. Art and popular culture are uniquely suited to grapple with the implications of the bomb and the disruptions in the continuity of traditional narratives about the human future endemic to the atomic age. Filling the Hole in the Nuclear Future explores the diversity of visions evoked in American and Japanese society by the mushroom cloud hanging over the future of humanity during the last half of the twentieth century. It presents historical scholarship on art and popular culture alongside the work of artists responding to the bomb, as well as artists discussing their own work. From the effect of nuclear testing on sci-fi movies during the mid-fifties in both the U.S. and Japan, to the socially engaged visual discussion about power embodied in Japanese manga, Filling the Hole in the Nuclear Future takes readers into unexpected territory

From the dawn of the atomic age, art and popular culture have played an essential role interpreting nuclear issues to the public and investigating the implications of nuclear weapons to the future of human civilization. Political and social forces often seemed paralyzed in thinking beyond the advent of nuclear weapons and articulating a creative response to the dilemma posed by this apocalyptic technology. Art and popular culture are uniquely suited to grapple with the implications of the bomb and the disruptions in the continuity of traditional narratives about the human future endemic to the atomic age. Filling the Hole in the Nuclear Future explores the diversity of visions evoked in American and Japanese society by the mushroom cloud hanging over the future of humanity during the last half of the twentieth century. It presents historical scholarship on art and popular culture alongside the work of artists responding to the bomb, as well as artists discussing their own work. From the effect of nuclear testing on sci-fi movies during the mid-fifties in both the U.S. and Japan, to the socially engaged visual discussion about power embodied in Japanese manga, Filling the Hole in the Nuclear Future takes readers into unexpected territory

Numerous books on the topic of the atomic bombing of Hiroshima and Nagasaki have been published hitherto. Yet, no one has written about the fire and atomic bombings in the context of the U.S. justification of the crime of indiscriminate bombings and its relationship to Japan's political exploitation of the atomic bombing to cover up Hirohito's war responsibility. Further, no one has analyzed the fundamental contradiction in Japan's peace constitution between the concealment of Hirohito's war crimes and the responsibility of the U.S. Readers will learn how Japanese and U.S. official war memories were crafted to justify their respective wartime performances, exposing the flaws and failing of present-day democracy in Japan and the U.S. This book also explores how Japanese people could potentially create a truly powerful cultural memory of war, utilizing various forms of artwork including Japan's traditional performing art, Noh. It should appeal to many readers-historians (both modern American and Japanese history specialists), constitutional scholars, students, peace and anti-nuclear activists, intellectuals as well as general readers.

This landmark book documents little-known wartime Japanese atrocities during World War II. Yuki Tanaka's case studies, still remarkably original and significant, include cannibalism; the slaughter and starvation of prisoners of war; the rape, enforced prostitution, and murder of noncombatants; and biological warfare experiments. The author describes how desperate Japanese soldiers consumed the flesh of their own comrades killed in fighting as well as that of Australians, Pakistanis, and Indians. He traces the fate of sixty-five shipwrecked Australian nurses and British soldiers who were shot or stabbed to death by their captors. Another thirty-two nurses were captured and sent to Sumatra to become "comfort women"-sex slaves for Japanese soldiers. Tanaka recounts how thousands of Australian and British POWs were massacred in the infamous Sandakan camp in the Borneo jungle in 1945, while those who survived were forced to endure a tortuous 160-mile march on which anyone who dropped out of line was immediately shot. This new edition also includes a powerful chapter on the island of Nauru, where thirty-nine leprosy patients were killed and thousands of Naurans were ill-treated and forced to leave their homes. Without denying individual and national responsibility, the author explores individual atrocities in their broader social, psychological, and institutional milieu and places Japanese behavior during the war in the broader context of the dehumanization of men at war. In his substantially revised conclusion, Tanaka brings in significant new interpretations to explain why Japanese imperial forces were so brutal, tracing the historical processes that created such a unique military structure and ideology. Finally, he investigates why a strong awareness of their collective responsibility for wartime atrocities has been and still is lacking among the Japanese.

This book documents the previously hidden Japanese atrocities in World War ll, including cannibalism; the slaughter and starvation of prisoners of war; the rape, enforced prostitution, and murder of noncombatants; and biological warfare experiments.

This book documents for the first time previously hidden Japanese atrocities in World War II, including cannibalism; the slaughter and starvation of prisoners of war; the rape, enforced prostitution, and murder of noncombatants; and biological warfare experiments. The author describes how desperate Japanese soldiers consumed the flesh of their own comrades killed in fighting as well as that of Australians, Pakistanis, and Indians. Another chapter traces the fate of 65 shipwrecked Australian nurses and British soldiers who were shot or stabbed to death by Japanese soldiers. Thirty-two other nurses, who landed on another island, were captured and sent to Sumatra to become aEUROoecomfort womenaEURO-prostitutes for Japanese soldiers. Tanaka recounts how thousands of Australian and British POWs died in the infamous Sandakan camp in the Borneo jungle in 1945. Those who survived were forced to endure a tortuous 160-mile march on which anyone who dropped out of line was immediately shot. Only six escapees lived to tell the tale. Based on exhaustive research in previously closed archives, this book represents a landmark analysis of Japanese war crimes. The author explores individual atrocities in their broader social, psychological, and institutional milieu and places Japanese behavior during the war in the broader context of the dehumanization of men at war-without denying individual and national responsibility.

Japan's Comfort Women tells the harrowing story of the "comfort women" who were forced to enter prostitution to serve the Japanese Imperial army, often living in appalling conditions of sexual slavery. Using a wide range of primary sources, the author for the first time links military controlled prostitution with enforced prostitution. He uncovers new and controversial information about the role of the US' occupation forces in military controlled prostitution, as well as the subsequent "cover-up" of the existence of such a policy. This groundbreaking book asks why US occupation forces did little to help the women, and argues that military authorities organised prostitution to prevent the widespread incidence of GI rape of Japanese women, and to control the spread of sexually transmitted diseases.

This landmark book documents little-known wartime Japanese atrocities during World War II. Yuki Tanaka's case studies, still remarkably original and significant, include cannibalism; the slaughter and starvation of prisoners of war; the rape, enforced prostitution, and murder of noncombatants; and biological warfare experiments. The author describes how desperate Japanese soldiers consumed the flesh of their own comrades killed in fighting as well as that of Australians, Pakistanis, and Indians. He traces the fate of sixty-five shipwrecked Australian nurses and British soldiers who were shot or stabbed to death by their captors. Another thirty-two nurses were captured and sent to Sumatra to become "comfort women"-sex slaves for Japanese soldiers. Tanaka recounts how thousands of Australian and British POWs were massacred in the infamous Sandakan camp in the Borneo jungle in 1945, while those who survived were forced to endure a tortuous 160-mile march on which anyone who dropped out of line was immediately shot. This new edition also includes a powerful chapter on the island of Nauru, where thirty-nine leprosy patients were killed and thousands of Naurans were ill-treated and forced to leave their homes. Without denying individual and national responsibility, the author explores individual atrocities in their broader social, psychological, and institutional milieu and places Japanese behavior during the war in the broader context of the dehumanization of men at war. In his substantially revised conclusion, Tanaka brings in significant new interpretations to explain why Japanese imperial forces were so brutal, tracing the historical processes that created such a unique military structure and ideology. Finally, he investigates why a strong awareness of their collective responsibility for wartime atrocities has been and still is lacking among the Japanese.

From Comfort Woman: "We began the day with breakfast, after which we swept and cleaned our rooms. Then we went to the bathroom downstairs to wash the only dress we had and to bathe. The bathroom did not even have a door, so the soldiers watched us. We were all naked, and they laughed at us, especially me and the other young girl who did not have any pubic hair. "At two, the soldiers came. My work began, and I lay down as one by one the soldiers raped me. Every day, anywhere from twelve to over twenty soldiers assaulted me. There were times when there were as many as thirty; they came to the garrison in truckloads." "I lay on the bed with my knees up and my feet on the mat, as if I were giving birth. Whenever the soldiers did not feel satisfied, they vented their anger on me. Every day, there were incidents of violence and humiliation. When the soldiers raped me, I felt like a pig. Sometimes they tied up my right leg with a waist band or a belt and hung it on a nail in the wall as they violated me. "I shook all over. I felt my blood turn white. I heard that there was a group called the Task Force on Filipino Comfort Women looking for women like me. I could not forget the words that blared out of the radio that day: 'Don't be ashamed, being a sex slave is not your fault. It is the responsibility of the Japanese Imperial Army. Stand up and fight for your rights.'" In April 1943, fifteen-year-old Maria Rosa Henson was taken by Japanese soldiers occupying the Philippines and forced into prostitution as a "comfort woman." In this simply told yet powerfully moving autobiography, Rosa recalls her childhood as the illegitimate daughter of a wealthy landowner, her work for Huk guerrillas, her wartime ordeal, and her marriage to a rebel leader who left her to raise their children alone. Her triumph against all odds is embodied by her decision to go public with the secret she had held close for fifty years. Now in a second edition with a new introduction and foreword that bring the ongoing controversy over the comfort women to the present, this powerful memoir will be essential reading for all those concerned with violence against women.

From Comfort Woman: "We began the day with breakfast, after which we swept and cleaned our rooms. Then we went to the bathroom downstairs to wash the only dress we had and to bathe. The bathroom did not even have a door, so the soldiers watched us. We were all naked, and they laughed at us, especially me and the other young girl who did not have any pubic hair. "At two, the soldiers came. My work began, and I lay down as one by one the soldiers raped me. Every day, anywhere from twelve to over twenty soldiers assaulted me. There were times when there were as many as thirty; they came to the garrison in truckloads." "I lay on the bed with my knees up and my feet on the mat, as if I were giving birth. Whenever the soldiers did not feel satisfied, they vented their anger on me. Every day, there were incidents of violence and humiliation. When the soldiers raped me, I felt like a pig. Sometimes they tied up my right leg with a waist band or a belt and hung it on a nail in the wall as they violated me. "I shook all over. I felt my blood turn white. I heard that there was a group called the Task Force on Filipino Comfort Women looking for women like me. I could not forget the words that blared out of the radio that day: 'Don't be ashamed, being a sex slave is not your fault. It is the responsibility of the Japanese Imperial Army. Stand up and fight for your rights.'" In April 1943, fifteen-year-old Maria Rosa Henson was taken by Japanese soldiers occupying the Philippines and forced into prostitution as a "comfort woman." In this simply told yet powerfully moving autobiography, Rosa recalls her childhood as the illegitimate daughter of a wealthy landowner, her work for Huk guerrillas, her wartime ordeal, and her marriage to a rebel leader who left her to raise their children alone. Her triumph against all odds is embodied by her decision to go public with the secret she had held close for fifty years. Now in a second edition with a new introduction and foreword that bring the ongoing controversy over the comfort women to the present, this powerful memoir will be essential reading for all those concerned with violence against women.

Japan's Comfort Women tells the harrowing story of the "comfort women" who were forced to enter prostitution to serve the Japanese Imperial army, often living in appalling conditions of sexual slavery. Using a wide range of primary sources, the author for the first time links military controlled prostitution with enforced prostitution. He uncovers new and controversial information about the role of the US' occupation forces in military controlled prostitution, as well as the subsequent "cover-up" of the existence of such a policy. This groundbreaking book asks why US occupation forces did little to help the women, and argues that military authorities organised prostitution to prevent the widespread incidence of GI rape of Japanese women, and to control the spread of sexually transmitted diseases.

Many people feel music affects human, which means we feel activated or inspired when we hear music tailored to our feelings. This effect has been the basis of music therapy. However, no scientifically systematic approach for investigating the effects of music on human health has been proposed, although a set of analytic methods or apparatuses for evaluating human responses to music has been described. Herein is a new book entitled Systematic Approach Elucidating Effects of Music on Human Health: Trinity of Medicine, Musicology, and Engineering, which states and proposes a new systemic approach to elucidate effects of music on human health. This book proposes a concept that supposes humans as a black box and tries to elucidate its behaviors by analyzing the input and output from the black box: the input is music, while output is human reactions. This book then describes two aspects of input analysis that are musicology and engineering, and two aspects of output analysis that are medicine and engineering. After stating the analysis method in detail, this book shows integration processes of these analysis aspects, presenting three research examples. These research examples are Effects of Ethnic Music on Elderly Dementia Patients, the Effect of Music upon Awakening from a Nap, and the Effect of Music on Biological Responses during Sports Activities. Though these research examples may look to focus on different research subjects, a single and robust systemic approach underlies the research. This book is useful for researchers who have interests in studying the effect of music on human health with some knowledge of musicology, engineering, psychology, and neuroscience. This book proposes a firm systemic methodology for them and helps them to perform further studies of their own. Music therapists, music composers, and music artists also may feel interested in this book.