Seeking revenge on the women who betrayed him, Shunsuke, an aging misogynist, enlists the help of Yuichi, a young homosexual, whose experiences in the gay underworld vividly depict the corruption of postwar Tokyo. Reprint. 15,000 first printing.

Little Clothbound Classics- irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith Filled with rich description and luxurious beauty, these ten tales of loss and longing from one of Japan's greatest writers show the pull between duty and desire, ecstasy and death- a mother lost in mourning, a moonlit journey to fulfil a wish, a night of infidelity, a young lieutenant who ends his life.

Nine of Yukio Mishima's finest stories were selected by Mishima himself for translation in this book; they represent his extraordinary ability to depict a wide variety of human beings in moments of significance. Often his characters are sophisticated modern Japanese who turn out to be not so liberated from the past as they had thought.

'Interplanetary, quite extraordinary . . . awash with dark humour and scenes of intense beauty' Financial Times 'One of the greatest avant-garde Japanese writers of the twentieth century' New Yorker Beautiful Star is a 1962 tale of family, love, nuclear war and UFOs, and was considered by Mishima to be one of his very best books. Translated into English for the first time, this atmospheric black comedy tells the story of the Osugi family, who come to the sudden realization that each of them hails from a different planet: Father from Mars, mother from Jupiter, son from Mercury and daughter from Venus. This extra-terrestrial knowledge brings them closer together, and convinces them that they have a mission: to find others of their kind, and save humanity from the imminent threat of the atomic bomb...

Mishima's greatest novel, and one of the greatest of the past century' The Times A band of savage thirteen-year-old boys reject the adult world as illusory, hypocritical, and sentimental, and train themselves in a brutal callousness they call 'objectivity'. When the mother of one of them begins an affair with a ship's officer, he and his friends idealise the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard this disillusionment as an act of betrayal on his part - and the retribution is deliberate and horrifying. VINTAGE JAPANESE CLASSICS - five masterpieces of Japanese fiction in gorgeous new gift editions.

By now, Yukio Mishima s (1925-1970) dramatic demise through an act of seppuku after an inflammatory public speech has become the stuff of literary legend. With Patriotism, Mishima was able to give his heartwrenching patriotic idealism an immortal vessel. A lieutenant in the Japanese army comes home to his wife and informs her that his closest friends have become mutineers. He and his beautiful loyal wife decide to end their lives together. In unwavering detail Mishima describes Shinji and Reiko making love for the last time and the couple s seppuku that follows."

A haunting novella of fame and disillusionment by a Japanese literary icon All eyes are upon Rikio. And he likes it, mostly. His fans cheer from a roped-off section, screaming and yelling to attract his attention. They would kill for a moment alone with him. Finally the director sets up the shot, the camera begins to roll, someone yells "action"; Rikio, for a moment, transforms into another being, a hardened young yakuza, but as soon as the shot is finished, he slumps back into his own anxieties and obsessions. Written shortly after Yukio Mishima himself had acted in the film Afraid to Die, this novella is a rich and unflinching psychological portrait of a celebrity coming apart at the seams as the absurdity of his existence comes sharply into focus. With exquisite, vivid prose, Star begs the question: is there ever any escape from how we are seen by others?

A great, ancient art form, brought right up to date by one of Japan's foremost writers Noh is a form of classical Japanese dance-drama that has been performed since the 14th century. Based on tales from traditional literature, and structured according to strict rules, at the heart of Noh often lies an accidental encounter through which the workings of Fate are revealed. Often one of the persons is not what he or she seems to be: perhaps a ghost, or a character who has suffered a dramatic reversal of fortune. These five pieces, written between 1950 and 1955 and presented as modern plays at the time, are as suited to being performed on any stage in the world, as they are to being read in Donald Keene's pitch-perfect translation. In them, Yukio Mishima preserves the weird and haunting mood of classical Noh, whilst lending his characters and situations the directness and hardness of an encounter on a modern city street.

'There is in this world a kind of desire like stinging pain' A Japanese teenager is overcome with longing for his male classmate. He imagines his body punctured with arrows, like the body of St Sebastian in the painting that obsesses him. Over and over again, each night in his private fantasies, the objects of his lust are tortured, killed and maimed. But, in the rigid world of imperial wartime Japan there is no place for such transgressive desires. He must wear a false mask and hide his true nature, whatever the cost. 'A terrific and astringent work of beauty' The Times Literary Supplement 'Mishima is lucid in the midst of emotional confusion, funny in the midst of despair' Christopher Isherwood 'Never has a "confession" been freer from self-pity' Sunday Times

An important contribution to Japan's postwar literature and politics, this early work by Yukio Mishima, one of twentieth-century Japan's greatest novelists, is based on the strike which took place in the mid-1950s at Omi Kenshi, a silk manufacturer not far from Kyoto. Mishima's characters are fascinating and thoroughly believable, and the events described faithfully reflect the management/labor tensions of that period.

Superbly translated by Hiro Sato, this is one of the last works of Mishima to be translated into English. It remains a fascinating work of literature and an excellent piece of social commentary on the transformation of Japanese business from the old paternalism -- which was by no means all that benevolent -- to a new world where labor unions were as active as any social institution in enhancing their image

Published in 1964, Silk and Insight (Kinu to Meisatsu), is one of the last works of Yukio Mishima to be translated into English. Besides being a good novel, as one would expect from Mishima, it stands as an excellent piece of social commentary on the transformation of Japanese business from the old paternalism to a new world where labor unions were as active as any other institution in changing their image.

One of Mishima's early novels and highly significant as a contribution to Japan's postwar literature and politics, Silk and Insight is based on the strike -- often described as the most significant in the history of Japan's postwar labor movement -- which took place at Omi Kenshi, a silk thread and fabric manufacturer not far from Kyoto. While Mishima has populated the book with interesting and thoroughly believable fictional characters, the events he narrates faithfully reflect the tensions of that period and give a unique picture of the strife upon which Japan's later successful management/labor relations were built.

Confessions of a Mask tells the story of Kochan, an adolescent boy tormented by his burgeoning attraction to men: he wants to be "normal." Kochan is meek-bodied, and unable to participate in the more athletic activities of his classmates. He begins to notice his growing attraction to some of the boys in his class, particularly the pubescent body of his friend Omi. To hide his homosexuality, he courts a woman, Sonoko, but this exacerbates his feelings for men. As news of the War reaches Tokyo, Kochan considers the fate of Japan and his place within its deeply rooted propriety. Confessions of a Mask reflects Mishima's own coming of age in post-war Japan. Its publication in English-praised by Gore Vidal, James Baldwin, and Christopher Isherwood- propelled the young Yukio Mishima to international fame.

The chronicle of a conspiracy and a novel about the roots and nature of Japanese fanaticism in the years that led to war--an era marked by depression, social change and political violence.

Introduction by Donald Keene; Translation by Ivan Morris

'The best book I've read this year ... darkly comedic and full of tension and surprise' Marina Abramovic 'Life for sale. Use me as you wish. I am a twenty-seven-year-old male. Discretion guaranteed. Will cause no bother at all.' When Hanio Yamada realises the future holds little of worth to him, he puts his life for sale in a Tokyo newspaper, thus unleashing a series of unimaginable exploits. A world of murderous mobsters, hidden cameras, a vampire woman, poisoned carrots, code-breaking, a hopeless junkie heiress and makeshift explosives reveals itself to the unwitting hero. Is there nothing he can do to stop it? Resolving to follow the orders of his would-be purchasers, he comes to understand what life is worth, and whether we can indeed name our price.

Though best known for his novels, Yukio Mishima published more than sixty plays, almost all of which were produced during his lifetime. Among them are kabuki plays and others inspired by No dramas -- two types used in classical Japanese theater. Of play-writing Mishima once observed, "I started writing dramas just as water flows toward a lower place. In me, the topography of dramas seems to be situated far below that of novels. It seems to be in a place which is more instinctive, closer to child's play." For English readers, these plays have been one of Japan's best-kept secrets -- until now.

In this anthology, Hiroaki Sato translates the brilliance and richness of Yukio Mishima's writing into the English language. He has selected five major plays and three essays on dramaturgy, providing informative introductions to guide the reader. Sato's translations offer a broad historical and personal context in which those new to Mishima's work can place his writing. For those more familiar with Mishima, these translations offer another medium in which one can access his ingenious work.

'A work of art...altogether a joyous and lovely thing' New York Times Set in a remote fishing village in Japan, The Sound of Waves is a timeless story of first love. It tells of Shinji, a young fisherman and Hatsue, the beautiful daughter of the wealthiest man in the village. Shinji is entranced at the sight of Hatsue in the twilight on the beach and they fall in love. When the villagers' gossip threatens to divide them, Shinki must risk his life to prove his worth. 'A sunny masterpiece' Los Angeles Times

Tokyo, 1912. The closed world of the ancient aristocracy is being breached for the first time by outsiders - rich provincial families, a new and powerful political and social elite. Kiyoaki has been raised among the elegant Ayakura family - members of the waning aristocracy - but he is not one of them. Coming of age, he is caught up in the tensions between old and new, and his feelings for the exquisite, spirited Satoko, observed from the sidelines by his devoted friend Honda. When Satoko is engaged to a royal prince, Kiyoaki realises the magnitude of his passion.

THE SAILOR WHO FELL FROM GRACE WITH THE SEA tells of a band of savage thirteen-year-old boys who reject the adult world as illusory, hypocritical, and sentimental, and train themselves in a brutal callousness they call 'ojectivity'. When the mother of one of them begins an affair with a ship's officer, he and his friends idealise the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard their disappointment in him as an act of betrayal on his part and react violently.

As the dramatic climax of The Sea of Fertility, The Decay of the Angel brings together the dominant themes of the three previous novels: the meaning and decay of Japan's courtly tradition and samurai ideal; the essence and value of Buddhist philosophy and aesthetics; and, underlying all, Mishima's apocalyptic vision of the modern era, which saw the dissolution of the moral and cultural forces that throughout the ages nourished a people and a world.

The time is the late 1960s. Honda, now an aged and wealthy man, discovers and adopts a sixteen-year-old orphan, Toru, as his heir, identifying him with the tragic protagonists of the three previous novels, each of whom died at the age of twenty. Honda raises and educates the boy, yet watches him, waiting.

Because of the boyhood trauma of seeing his mother make love to another man in the presence of his dying father, Mizoguchi becomes a hopeless stutterer. Taunted by his schoolmates, he feels utterly alone until he becomes an acolyte at a famous temple in Kyoto. He quickly becomes obsessed with the beauty of the temple. Even when tempted by a friend into exploring the geisha district, he cannot escape its image. In the novel's soaring climax, he tries desperately to free himself from his fixation.

The first novel of Mishima's landmark tetralogy, The Sea of fertility

Spring Snow is set in Tokyo in 1912, when the hermetic world of the ancient aristocracy is being breached for the first time by outsiders -- rich provincial families unburdened by tradition, whose money and vitality make them formidable contenders for social and political power.

Among this rising new elite are the ambitious Matsugae, whose son has been raised in a family of the waning aristocracy, the elegant and attenuated Ayakura. Coming of age, he is caught up in the tensions between old and new -- fiercely loving and hating the exquisite, spirited Ayakura Satoko. He suffers in psychic paralysis until the shock of her engagement to a royal prince shows him the magnitude of his passion, and leads to a love affair that is as doomed as it was inevitable.