Yung Ho Chang is not only renowned in China but throughout the world, and here he brings together a collection of his impressive architecture projects in an English edition for the first time. At Yung Ho Chang’s practice FCJZ, besides space and its enclosure, they tend to wonder if they can in fact “design� the way in which people encounter the world and live their lives; in other words, they seek to design experience—tangible, physical experience. Containing 44 design projects from his impressive work portfolio, this volume of design work is organised around an agenda of their research interests within experience design, as well as beyond: Experience of City, Experience of Everyday, Experience of In-Out-Door, Experience of Learning, Experience of Lifestyle, Experience of Mountain and Water, Experience of Movement, Experience of Stories, and Experience of Time and Space. These categories reflect a wide range of Chang’s research interests, which include architecture, landscape, furniture, kitchenware, jewelry, food, and clothing. The book also spotlights narratives and comments from famous architectural critics and industry experts, providing an enriching third-person perspective to complete the rich content of this work.

When architecture is the subject of an exhibition, there is almost always a dilemma: architecture can only be represented through drawings, models, and photographs; the physicality of architecture per se is missing. The abstraction of architecture for exhibition and the absence of architectural experience in architectural exhibition are in fact two sides of the same coin: The problem of the lack of an architectural reality. In this book, Yong He Chang traces the history of architectural intervention in exhibitions and answers the above questions through more than forty exhibition designs made by Chang and Atelier FCJZ. The book showcases his original approach to construction and shares his thoughts on the relationship between architecture and the timeless aspects of 'exhibition'. It also includes a discussion of a series of issues Yong He Chang and his team have encountered in designing exhibitions and installations, and the responses they came up with.