The Bloomsbury Research Handbook of Contemporary Japanese Philosophy examines the current vibrant trends in Japanese philosophical thinking. Situating Japanese philosophy within the larger context of global intercultural philosophical discourse and pointing to new topics of research, this Handbook covers philosophy of science, philosophy of peace, philosophy of social justice and healing. Introducing not only new readings of well-known Japanese philosophers, but also work by contemporary Japanese philosophers who are relatively unknown outside Japan, it makes a unique contribution by offering an account of Japanese philosophy from within and going beyond an objective description of it in its various facets. Also featured is the work of a younger generation of scholars and thinkers, who bring in fresh perspectives that will push the field into the future. These critical essays, by leading philosophers and rising scholars, to the past and the present of Japanese philosophy demonstrate ways of doing engaged philosophy in the present globalized age. With suggestions for further reading, a glossary, a timeline and annotated bibliography, The Bloomsbury Research Handbook of Contemporary Japanese Philosophy is an ideal research guide to understanding the origin, transformation, and reception of Japanese philosophy in the 21st century.

This text provides a balanced overview of Japanese religions. Michiko Yusa covers both major and minor Japanese beliefs including: Shinto, Buddhism, Christianity, Taoism and Confucianism. Assuming no prior knowledge on the part of the reader, this book gives a basic introduction to the faith, it's history, beliefs, and practices, and emphasizing modern developments and impacts of the world today.

A three-volume essay writing course for students in American English. Academic Writing Skills 1 takes students through a step-by-step process from writing a paragraph to essays. It is appropriate for students new to academic writing who need general training in essay writing skills.

The Bloomsbury Research Handbook of Contemporary Japanese Philosophy examines the current vibrant trends in Japanese philosophical thinking. Situating Japanese philosophy within the larger context of global intercultural philosophical discourse and pointing to new topics of research, this Handbook covers philosophy of science, philosophy of peace, philosophy of social justice and healing. Introducing not only new readings of well-known Japanese philosophers, but also work by contemporary Japanese philosophers who are relatively unknown outside Japan, it makes a unique contribution by offering an account of Japanese philosophy from within and going beyond an objective description of it in its various facets. Also featured is the work of a younger generation of scholars and thinkers, who bring in fresh perspectives that will push the field into the future. These critical essays, by leading philosophers and rising scholars, to the past and the present of Japanese philosophy demonstrate ways of doing engaged philosophy in the present globalized age. With suggestions for further reading, a glossary, a timeline and annotated bibliography, The Bloomsbury Research Handbook of Contemporary Japanese Philosophy is an ideal research guide to understanding the origin, transformation, and reception of Japanese philosophy in the 21st century.

Yusa's latest album is a celebration of the musical links between her native Cuba and Brazil, and lyrically it's a celebration of the myriad aspects of romantic love. Working in close collaboration with Brazilian producer Alˆ Siqueira, she has created a lovely if sometimes slightly befuddling album. Ironically, it might have been less befuddling if she had stuck to Spanish rather than writing so many of her lyrics in awkward English -- lines like "There's no answer in the room/Just walking heads" and "We both know/Illusions have their own horizon" are more confusing than evocative. But the rich, slightly grainy quality of her alto voice and the gorgeous arrangements more than compensate for the occasional clunky lyric -- note in particular the subtle and lovely string section on "Y Te Apareces," the gently chugging rhythm and restrainedly elegant horns on "Conga Pasajera," and the soft counterpoint between Julio Padr n's trumpet and Yusa's voice on "Par s, Muy Bien." And even if her melodies are sometimes just a bit on the dry side, they grow on you quite nicely as you keep listening. Very impressive overall. ~ Rick Anderson