This book is the first book devoted entirely to Hughes as an environmental activist and writer. Drawing on the rapidly-growing interest in poetry and the environment, the book deploys insights from ecopoetics, ecocriticism and Anthropocene studies to analyse how Hughes's poetry reflects his environmental awareness. Hughes's understanding of environmental issues is placed within the context of twentieth-century developments in 'green' ideology and politics, challenging earlier scholars who have seen his work as apolitical. The unique strengths of this book lie in its combination of cutting-edge insights on ecocriticism with extensive work on the British Library's new Ted Hughes archive. It will appeal to readers who enjoy Hughes's work, as well as students and academics.

Anthropocene Poetry: Place, Environment and Planet argues that the idea of the Anthropocene is inspiring new possibilities for poetry. It can also change the way we read and interpret poems. If environmental poetry was once viewed as linked to place, this book shows how poets are now grappling with environmental issues from the local to the planetary: climate change and the extinction crisis, nuclear weapons and waste, plastic pollution and the petroleum industry. This book intervenes in debates about culture and science, traditional poetic form and experimental ecopoetics, to show how poets are collaborating with environmental scientists and joining environmental activist movements to respond to this time of crisis. From the canonical work of Ted Hughes and Seamus Heaney, to award-winning poets Alice Oswald, Pascale Petit, Kei Miller, and Karen McCarthy Woolf, this book explores major figures from the past alongside acclaimed contemporary voices. It reveals Seamus Heaney’s support for conservation causes and Ted Hughes’s astonishingly forward-thinking research on climate change; it discusses how Pascale Petit has given poetry to Extinction Rebellion and how Karen McCarthy Woolf set sail with scientists to write about plastic pollution. This book deploys research on five poetry archives in the UK, USA and Ireland, and the author’s insider insights into the commissioning processes and collaborative methods that shaped important contemporary poetry publications. Anthropocene Poetry finds that environmental poetry is flourishing in the face of ecological devastation. Such poetry speaks of the anxieties and dilemmas of our age, and searches for paths towards resilience and resistance.

Burning Season is a book about fire and survival, climate change and nature’s defiance. Yvonne Reddick’s understanding of climate change is uniquely personal: her father was a petroleum engineer, and many members of her family worked in the fossil fuel industry. The collection speaks of the paradox that her Dad’s gift to her was her love of nature and mountain landscapes. Burning Season includes a series of vivid, moving and heartfelt poems that explore her grief following her father’s death in a hiking accident. These are set against a wider backdrop of ecological loss and heartbreak. The book combines poems with nature diaries and lyric essays to trace an intriguing family history. It tells the story of a father who worked on North Sea oil platforms and Omani oilfields, and who transported the entire family to Kuwait four years after the first Gulf War. Reddick’s mother worked in seismology, detecting deposits of oil deep below the ground. This family story forms the bedrock of Burning Season. Here, too, are poems that celebrate nature’s vibrant resilience: planting oak saplings, spotting rare ptarmigan in the Highland winter, imagining life in an underwater city. Yvonne Reddick’s first book-length collection builds on the achievement of her pamphlets Translating Mountains (Seren, 2017), winner of the Mslexia Pamphlet Competition, and Spikenard (Laureate’s Choice, 2019), which was a poetry recommendation for early 2019 in the London Review of Books.

Five Northern writers of the fantastic take us from gothic fairytale to pop-culture satire.