This book explores the strange persistence of 'blasphemy' in modern secular democracies by examining how accepted and prohibited ways of talking and thinking about the Bible and religion have changed over time. In a series of wide-ranging studies engaging disciplines such as politics, literature and visual theory, Yvonne Sherwood brings the Bible into dialogue with a host of interlocutors including John Locke, John Donne and the 9/11 hijackers, as well as artists such as Sarah Lucas and Rene Magritte. Questions addressed include: * What is the origin of the common belief that the Bible, as opposed to the Qur'an, underpins liberal democratic values? * What kind of artworks does the biblical God specialise in? * If pre-modern Jewish, Christian and Islamic responses to scripture can be more 'critical' than contemporary speech about religion, how does this affect our understanding of secularity, modernity and critique?

Exploring a range of subjects from the human genome project to Kierkegaard's Fear and Trembling, the poetry of Jorie Graham to feminist Christian art, the contributors pose questions around the theme 'Body and Voice'. Questions raised include: 'Who speaks for the foetus and on what basis?'; 'What effect does the near-sacrifice of Isaac have on mother Sarah's body?'; and 'What do embodiment and gender mean for the resurrected body and Jesus's body?'

This book charts the mutations of the book of Jonah as it latches onto Christian and Jewish motifs and anxieties, passes through highbrow and lowbrow culture, and finally becomes something of a scavenger among the ruins, as, in its most resourceful move to date, it begins to live off the demise of faith. This book is concerned with those versions of the biblical that escape proper disciplinary boundaries: it shifts the focus from "Mainstream" to "Backwater" interpretation. It is less a navigation of interpretative history and more an interrogation of larger political/cultural issues: anti-Judaism in Biblical Studies, the secularization of the Bible, and the projection of the Bible as credulous ingenu, naive Other to our savvy post-Enlightenment selves.

Exploring a range of subjects from the human genome project to Kierkegaard's aFear and Tremblinga, the poetry of Jorie Graham to feminist Christian art, the contributors pose questions around the theme 'Body and Voice'. Questions raised include: 'Who speaks for the foetus and on what basis?'; 'What effect does the near-sacrifice of Isaac have on mother Sarah's body?'; and 'What do embodiment and gender mean for the resurrected body and Jesus's body?'

This book represents the most comprehensive attempt to date to explore and test Derrida's contribution and influence on the study of theology, biblical studies, and the philosophy of religion. Over the course of the last decade, the writings of Derrida and the key concepts that emerge from his work such as the gift, apocalypse, hospitality, and messianism have wrought far-reaching and irresistible changes in the way that scholars approach biblical texts, comparative religious studies, and religious violence, for instance, as well as the way they understand basic religious themes as myth, creation, forgiveness, one-ness, and multiplicity. In addition to original contributions from over twenty highly-regarded scholars including John Caputo, Daniel Boyarin, Edith Wyschogrod, Tim Beal, and Gil Anidjar, the volume opens with a lengthy interview with Derrida.

This book explores the strange persistence of 'blasphemy' in modern secular democracies by examining how accepted and prohibited ways of talking and thinking about the Bible and religion have changed over time. In a series of wide-ranging studies engaging disciplines such as politics, literature and visual theory, Yvonne Sherwood brings the Bible into dialogue with a host of interlocutors including John Locke, John Donne and the 9/11 hijackers, as well as artists such as Sarah Lucas and Rene Magritte. Questions addressed include: * What is the origin of the common belief that the Bible, as opposed to the Qur'an, underpins liberal democratic values? * What kind of artworks does the biblical God specialise in? * If pre-modern Jewish, Christian and Islamic responses to scripture can be more 'critical' than contemporary speech about religion, how does this affect our understanding of secularity, modernity and critique?

This book charts the mutations of the book of Jonah as it latches onto Christian and Jewish motifs and anxieties, passes through highbrow and lowbrow culture, and finally becomes something of a scavenger among the ruins, as, in its most resourceful move to date, it begins to live off the demise of faith. This book is concerned with those versions of the biblical that escape proper disciplinary boundaries: it shifts the focus from "Mainstream" to "Backwater" interpretation. It is less a navigation of interpretative history and more an interrogation of larger political/cultural issues: anti-Judaism in Biblical Studies, the secularization of the Bible, and the projection of the Bible as credulous ingenu, naive Other to our savvy post-Enlightenment selves.

This book represents the most comprehensive attempt to date to explore and test Derrida's contribution and influence on the study of theology, biblical studies, and the philosophy of religion. Over the course of the last decade, the writings of Derrida and the key concepts that emerge from his work such as the gift, apocalypse, hospitality, and messianism have wrought far-reaching and irresistible changes in the way that scholars approach biblical texts, comparative religious studies, and religious violence, for instance, as well as the way they understand basic religious themes as myth, creation, forgiveness, one-ness, and multiplicity. In addition to original contributions from over twenty highly-regarded scholars including John Caputo, Daniel Boyarin, Edith Wyschogrod, Tim Beal, and Gil Anidjar, the volume opens with a lengthy interview with Derrida.

In a world where not everyone believes in God, 'blasphemy' is surely a concept that has passed its use-by-date. And yet blasphemy (like God and religion) seems to be on the rise. In this Very Short Introduction Yvonne Sherwood asks why this should be the case, looking at factors such as the increased visibility of religious and racial minorities, new media, and engines of surveillance (which are far more omniscient than the old gods could ever be), and the legacies of colonial blasphemy laws. Throughout, Sherwood uncovers new histories, from the story of accidentally blasphemous cartoons, to the close associations between blasphemy, sex, and birth control. She also argues that blasphemy itself involves an inherent contradiction in imagining the divine as an entity that must be revered above all, yet also a being that could possibly be hurt by anything that happens in the merely human sphere. Unpicking some of the most famous cases of blasphemy, Sherwood also looks at obscure instances, asking why some 'blasphemies' have become infamous, while others have disappeared. Very Short Introductions: Brilliant, Sharp, Inspiring ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

This groundbreaking book breaks with established canons and resists some of the stereotypes of feminist biblical studies. It features a wide range of contributors who showcase new methodological and theoretical movements such as feminist materialisms, intersectionality, postidentitarian 'nomadic' politics, gender archaeology, and lived religion, and theories of the human and the posthuman. The Bible and Feminism: Remapping the Field engages a range of social and political issues, including migration and xenophobia, divorce and family law, abortion, 'pinkwashing', the neoliberal university, the second amendment, AIDS and sexual trafficking, and the politics of 'the veil'. Foundational figures in feminist biblical studies work alongside new voices and contributors from a multitude of disciplines in conversations with the Bible that go well beyond the expected canon-within-the-canon assumed to be of interest to feminist biblical scholars. Moving beyond the limits of a text-orientated model of reading, this collection looks at how biblical texts were actualized in the lives of religious revolutionaries, such as Joanna Southcott or Sor Juana Ines de la Cruz. It charts the politics of the Pauline veil in the self-understanding of Europe and reads the 'genealogical halls' in the book of Chronicles alongside acts of commemoration and forgetting in 9/11 and Tiananmen Square.

The only consensus that has been reached on Hosea 1-3 is that it is a notoriously 'problematic' text. Sherwood unpicks this rather vague statement by examining the particular complexities of the text and frictions between the text and reader that conspire to produce such a disorientating effect. Four dimensions of the 'problem' are considered: the conflict between text and reader over the 'improper' relationship between Hosea and Gomer; the bizarre prophetic sign-language that conscripts people into a cosmic charade; the text's propensity to subvert its central theses; and the emergent tensions between the feminist reader and the text. Aiming to bring together literary criticism and biblical scholarship, this book provides lucid introductions to ideological criticism, semiotics, deconstruction and feminist criticism, and looks at the implications of these approaches not only for the book of Hosea but for biblical studies in general.>

The only consensus that has been reached on Hosea 1-3 is that it is a notoriously 'problematic' text. Sherwood unpicks this rather vague statement by examining the particular complexities of the text and frictions between the text and reader that conspire to produce such a disorientating effect. Four dimensions of the 'problem' are considered: the conflict between text and reader over the 'improper' relationship between Hosea and Gomer; the bizarre prophetic sign-language that conscripts people into a cosmic charade; the text's propensity to subvert its central theses; and the emergent tensions between the feminist reader and the text. Aiming to bring together literary criticism and biblical scholarship, this book provides lucid introductions to ideological criticism, semiotics, deconstruction and feminist criticism, and looks at the implications of these approaches not only for the book of Hosea but for biblical studies in general.

Sanctified Aggression allies itself neither with the easy assumption that religions are by definition violent (and that only the secular/humanist/humane can offer a place of refuge from the ravages of religious authority) nor with the equally facile opposing view that religion expresses the "best" of human aspirations and that this best is always capable of diffusing or sublating the worst. Rather, it works from the premise that biblical, Jewish and Christian vocabularies continue to resonate, inspire and misfire. Some of the essays here explore how these vocabularies and symbols have influenced, or resonate with, events such as the massacre of Jews in Jedwabne, Poland (1941), the Rwandan Massacre (1994), the tragedy at Columbine High School (1999) and the emergence of the "Phineas Priesthood" of white supremacists in North America. Other contributors examine how themes of martyrology, sacrifice and the messianic continue to circulate and mutate in literature, music, drama and film. The collective conclusion is that it is not possible to control biblical and religious violence by simply identifying canonical trouble-spots, then fencing them off with barbed wire or holding peace summits around them. Nor is it always possible to draw clear lines between problem and non-problem texts, witnesses and perpetrators, victims and aggressors or "reality" and "art."

This groundbreaking book breaks with established canons and resists some of the stereotypes of feminist biblical studies. It features a wide range of contributors who showcase new methodological and theoretical movements such as feminist materialisms, intersectionality, postidentitarian 'nomadic' politics, gender archaeology, and lived religion, and theories of the human and the posthuman. The Bible and Feminism: Remapping the Field engages a range of social and political issues, including migration and xenophobia, divorce and family law, abortion, 'pinkwashing', the neoliberal university, the second amendment, AIDS and sexual trafficking, and the politics of 'the veil'. Foundational figures in feminist biblical studies work alongside new voices and contributors from a multitude of disciplines in conversations with the Bible that go well beyond the expected canon-within-the-canon assumed to be of interest to feminist biblical scholars. Moving beyond the limits of a text-orientated model of reading, this collection looks at how biblical texts were actualized in the lives of religious revolutionaries, such as Joanna Southcott or Sor Juana Ines de la Cruz. It charts the politics of the Pauline veil in the self-understanding of Europe and reads the 'genealogical halls' in the book of Chronicles alongside acts of commemoration and forgetting in 9/11 and Tiananmen Square.

What is a "biblical scholar"? Stephen D. Moore and Yvonne Sherwood provide a thoroughly defamiliarizing and frequently entertaining re-description of this peculiar academic species and its odd disciplinary habitat. The modern-and -biblical scholar, they argue, is a product of the Enlightenment. Even when a biblical scholar imagines that she is doing something else entirely (something confessional, theoretical, literary, or even postmodern), she is sustaining Enlightened modernity and its effects. This study poses questions for scholars across the humanities concerned with the question of the religious and the secular. It also poses pressing questions for scholars and students of biblical interpretation: What other forms might biblical criticism have taken? What untried forms might biblical criticism yet take? Contents Adobe Acrobat Document Preface Adobe Acrobat Document Chapter 1 Adobe Acrobat Document Samples require Adobe Acrobat Reader Having trouble downloading and viewing PDF samples? "A lively and readable survey of the engagement of literary and biblical studies with Theory, that is, postmodern theories. The authors challenge biblical scholars to engage Theory to understand our own disciplinary history, and thereby widen our horizons and free ourselves to be more broadly intellectually relevant. I encourage biblical scholars and graduate students to take up the challenge." -Joanna Dewey Harvey H. Guthrie, Jr. Professor Emerita of Biblical Studies Episcopal Divinity School, Cambridge, Massachusetts "No one is more conversant in literary Theory than Moore and Sherwood, who have for some time been smuggling it into biblical studies in creative ways. As literary critics become less enamored of the promise of Theory, Moore and Sherwood see new possibilities for biblical scholars to move beyond the modernist obsession with 'the Enlightenment Bible' and engage theorists who are 'getting religion.' Their critique is sometimes caustic, always right-on; their manifesto points beyond traditional historical-critical methods, identity politics, and 'contextualization' for its own sake to a new, genuine universality that may shape the future of our discipline." -Richard Horsley Distinguished Professor of Liberal Arts and the Study of Religion, retired University of Massachusetts, Boston "Tongue-in-cheek and down-to-earth, this manifesto pairs clarity with a personal voice. A breath of fresh air, it makes everyone interested in being a "good" biblical scholar sit on edge. Sit tight! It's worth it." -Mieke Bal Academy Professor Royal Netherlands Academy of Arts and Sciences