The one and only Zadie Smith, prize-winning, bestselling author of Swing Time and White Teeth, is back with a second unmissable collection of essays.

No subject is too fringe or too mainstream for Zadie Smith's insatiable curiosity. From social media to the environment, from Jay-Z to Karl Ove Knausgaard, she has endless enthusiasmand the boundless wit, insight and wisdom to match. In Feel Free, pop culture, high culture, social change and political debate all get the Zadie Smith treatment, dissected with razor-sharp intellect, set brilliantly against the context of the utterly contemporary, and considered with a deep humanity and compassion.

This electrifying new collection showcases its author as a true literary powerhouse, demonstrating once again her credentials as an essential voice of her generation.

One of the most influential novels of the twentieth century.

Originally published in 1937, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.

Fair and long-legged, independent and articulate, Janie Crawford sets out to be her own person—no mean feat for a black woman in the '30s. Janie's quest for identity takes her through three marriages and into a journey back to her roots.

Truth and fiction. Jamaica and Britain. Who gets to tell their story? Zadie Smith returns with her first historical novel. Kilburn, 1873. The 'Tichborne Trial' has captivated the widowed Scottish housekeeper Mrs Eliza Touchet and all of England. Readers are at odds over whether the defendant is who he claims to be - or an imposter. Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her novelist cousin and his wives, this life and the next. But she is also sceptical. She suspects England of being a land of façades, in which nothing is quite what it seems. Andrew Bogle meanwhile finds himself the star witness, his future depending on telling the right story. Growing up enslaved on the Hope Plantation, Jamaica, he knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realise. Based on real historical events, The Fraud is a dazzling novel about how in a world of hypocrisy and self-deception, deciding what's true can prove a complicated task. PRAISE FOR ZADIE SMITH: 'A writer of remarkable wit and originality' Observer 'A brilliant writer' A M Homes 'She's a genius' Dolly Alderton 'Zadie Smith is a national treasure' James Gleick 'A tremendous talent . . . Smith is simply wonderful' Boyd Tonkin, Independent

Truth and fiction. Jamaica and Britain. Who gets to tell their story?

In her first historical novel, Zadie Smith transports the reader to a Victorian England transfixed by the real-life trial of the Tichborne Claimant, in which a cockney butcher, recently returned from Australia, lays claim to the Tichborne baronetcy, with his former slave Andrew Bogle as star witness. Watching the proceedings, and with her own story to tell, is Eliza Touchet – cousin, housekeeper and perhaps more – to failing novelist William Harrison Ainsworth.

From literary London to the Jamaica’s sugar-cane plantations, Zadie Smith weaves an enthralling story linking the rich and the poor, the free and the enslaved, and the comic and the tragic.

From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story—and who gets to be believed

It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years.

Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.

Andrew Bogle, meanwhile, grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story.

The “Tichborne Trial”—wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title—captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task. . . .

Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity and the mystery of “other people.”

Zadie Smith's first time writing for the stage, a riotous twenty-first century translation of Geoffrey Chaucer's classic The Wife of Bath "Married five times. Mother. Lover. Aunt. Friend. She plays many roles round here. And never Scared to tell the whole of her truth, whether Or not anyone wants to hear it. Wife Of Willesden: pissed enough to tell her life Story to whoever has ears and eyes . . ." In her stage-writing debut, celebrated novelist and essayist Zadie Smith brings to life a comedic and cutting twenty-first century translation of Geoffrey Chaucer's classic The Wife of Bath. The Wife of Willesden follows Alvita, a Jamaican-born British woman in her mid-50s, as she tells her life story to a band of strangers in a small pub on the Kilburn High Road. Wearing fake gold chains, dressed in knock-off designer clothes, and speaking in a mixture of London slang and patois, Alvita recalls her five marriages in outrageous, bawdy detail, rewrites her mistakes as triumphs, and shares her beliefs on femininity, sexuality, and misogyny with anyone willing to listen. A thoughtful reimagining of an unforgettable narrative of female sexual power, written with singular verve and wit, The Wife of Willesden shows why Zadie Smith is one of the sharpest and most versatile writers working today.

Winner of the 2018 National Book Critics Circle Award for Criticism A New York Times Notable Book From Zadie Smith, one of the most beloved authors of her generation, a new collection of essays Since she burst spectacularly into view with her debut novel almost two decades ago, Zadie Smith has established herself not just as one of the world's preeminent fiction writers, but also a brilliant and singular essayist. She contributes regularly to The New Yorker and the New York Review of Books on a range of subjects, and each piece of hers is a literary event in its own right. Arranged into five sections--In the World, In the Audience, In the Gallery, On the Bookshelf, and Feel Free--this new collection poses questions we immediately recognize. What is The Social Network--and Facebook itself--really about? "It's a cruel portrait of us: 500 million sentient people entrapped in the recent careless thoughts of a Harvard sophomore." Why do we love libraries? "Well-run libraries are filled with people because what a good library offers cannot be easily found elsewhere: an indoor public space in which you do not have to buy anything in order to stay." What will we tell our granddaughters about our collective failure to address global warming? "So I might say to her, look: the thing you have to appreciate is that we'd just been through a century of relativism and deconstruction, in which we were informed that most of our fondest-held principles were either uncertain or simple wishful thinking, and in many areas of our lives we had already been asked to accept that nothing is essential and everything changes--and this had taken the fight out of us somewhat." Gathering in one place for the first time previously unpublished work, as well as already classic essays, such as, "Joy," and, "Find Your Beach," Feel Free offers a survey of important recent events in culture and politics, as well as Smith's own life. Equally at home in the world of good books and bad politics, Brooklyn-born rappers and the work of Swiss novelists, she is by turns wry, heartfelt, indignant, and incisive--and never any less than perfect company. This is literary journalism at its zenith. Zadie Smith's new book, Grand Union, is on sale 10/8/2019.

A 2012 National Book Critics Circle Award Finalist * One of The New York Times Book Review's 10 Best Books of 2012 * One of TIME's Top 10 Fiction Books of 2012 * One of The Wall Street Journal's Best 10 Fiction Books of 2012 * A New York Times and Washington Post Notable Book of 2012 "[NW] is that rare thing, a book that is radical and passionate and real." -Anne Enright, The New York Times Book Review "A triumph . . . As Smith threads together her characters' inner and outer worlds, every sentence sings." -The Guardian "A powerful portrait of class and identity in multicultural London." -Entertainment Weekly Set in northwest London, Zadie Smith's brilliant tragicomic novel follows four locals-Leah, Natalie, Felix, and Nathan-as they try to make adult lives outside of Caldwell, the council estate of their childhood. In private houses and public parks, at work and at play, these Londoners inhabit a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end. Depicting the modern urban zone-familiar to city-dwellers everywhere-NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself.

The definitive cult, post-modern novel - a shocking blend of violence, transgression and eroticism - reissued with a new introduction from Zadie Smith. When Ballard, our narrator, smashes his car into another and watches a man die in front of him, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, has gathered around him a collection of alienated crash victims and experiments with a series of auto-erotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash - a head-on collision of blood, semen, engine coolant and iconic celebrity. First published in 1973 'Crash' remains one of the most shocking novels of the twentieth century and was made into an equally controversial film by David Cronenberg. This edition is part of a new commemorative series of Ballard's works, featuring introductions from a number of his admirers (including Robert Macfarlane, Martin Amis, James Lever and Ali Smith) and brand-new cover designs from the artist Stanley Donwood.

LONGLISTED FOR THE MAN BOOKER PRIZE 2017 'Smith's finest. Extraordinary, truly marvellous' Observer 'Superb' Financial Times 'Breathtaking' TLS 'Pitch-perfect' Daily Telegraph 'There is still no better chronicler of the modern British family than Zadie Smith' Telegraph SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS 2017 A dazzlingly exuberant novel moving from north west London to West Africa, from the critically acclaimed author of White Teeth, On Beauty and Grand Union Two brown girls dream of being dancers - but only one, Tracey, has talent. The other has ideas: about rhythm and time, black bodies and black music, what it means to belong, what it means to be free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten either. Bursting with energy, rhythm and movement, Swing Time is Zadie Smith's most ambitious novel yet. It is a story about music and identity, race and class, those who follow the dance and those who lead it . . .

From the MAN BOOKER PRIZE- and WOMEN'S PRIZE-SHORTLISTED author of Swing Time, White Teeth and On Beauty - a masterful and intimate novel of modern London life 'A triumph. Every sentence sings' Guardian 'Intensely funny, richly varied, always unexpected. A joyous, optimistic, angry masterpiece' Daily Telegraph 'Smith's most satisfying novel. Funny, sexy, weird, full of acute social comedy. She's up there with the best around' Evening Standard Zadie Smith's brilliant tragicomic NW follows four Londoners - Leah, Natalie, Felix and Nathan - after they've left their childhood council estate, grown up and moved on to different lives. From private houses to public parks, at work and at play, their city is brutal, beautiful and complicated. Yet after a chance encounter they each find that the choices they've made, the people they once were and are now, can suddenly, rapidly unravel. Funny, poignant and vividly contemporary, NW is as brimming with vitality as the city itself.

‘Zadie Smith's fizzing first novel is ... an astonishingly assured debut, funny and serious, and the voice has real writerly idiosyncrasy. I was delighted by White Teeth, and often impressed.’
Salman Rushdie

One of the most talked about fictional débuts of recent years, White Teeth is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book.

White Teeth has won awards for Best Book and Best Female Newcomer at the BT Emma Awards (Ethnic and Multicultural Media Awards), the Guardian First Book Award, the Whitbread Prize for a first novel in 2000, the James Tait Black Memorial Prize for fiction 2000, the WH Smith Book Award for New Talent, the Frankfurt ebook Award for Best Fiction Work and both the Commonwealth Writers First Book Award and Overall Commonwealth Writers Prize.

"Smith's thrilling cultural insights never overshadow the wholeness of her characters, who are so keenly observed that one feels witness to their lives." -O, The Oprah Magazine "A sweeping meditation on art, race, and identity that may be [Smith's] most ambitious work yet." -Esquire A New York Times bestseller * Finalist for the National Book Critics Circle Award for Fiction * Longlisted for the Man Booker Prize An ambitious, exuberant new novel moving from North West London to West Africa, from the multi-award-winning author of White Teeth and On Beauty. Two brown girls dream of being dancers-but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either. Tracey makes it to the chorus line but struggles with adult life, while her friend leaves the old neighborhood behind, traveling the world as an assistant to a famous singer, Aimee, observing close up how the one percent live. But when Aimee develops grand philanthropic ambitions, the story moves from London to West Africa, where diaspora tourists travel back in time to find their roots, young men risk their lives to escape into a different future, the women dance just like Tracey-the same twists, the same shakes-and the origins of a profound inequality are not a matter of distant history, but a present dance to the music of time. Zadie Smith's newest book, Grand Union, published in 2019.

Published in the first month of the first year of the new century, Zadie Smith's debut novel White Teeth - winner of the Guardian First Book Award and the Whitbread First Novel Award - was an immediate bestseller and stunningly acclaimed. One of the most talked about fictional debuts of ever, White Teeth is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book. 'Funny, clever ... and a rollicking good read' Independent 'An astonishingly assured debut, funny and serious ... I was delighted' Salman Rushdie 'The almost preposterous talent was clear from the first pages' Julian Barnes, Guardian 'Quirky, sassy and wise ... a big, splashy, populous production reminiscent of books by Dickens and Salman Rushdie ... demonstrates both an instinctive storytelling talent and a fully fashioned voice that's street-smart and learned, sassy and philosophical all at the same time' New York Times 'Smith writes like an old hand, and, sometimes, like a dream' New Yorker 'Outstanding ... A strikingly clever and funny book with a passion for ideas, for language and for the rich tragic-comedy of life' Sunday Telegraph 'Do believe the hype' The Times 'Relentlessly funny ... idiosyncratic, and deeply felt' Guardian Zadie Smith was born in north-west London in 1975. Her debut novel, White Teeth, won the Whitbread First Novel Award, the Guardian First Book Award, the James Tait Black Memorial Prize for Fiction, and the Commonwealth Writers' First Book Prize, and was included in TIME 100 Best English-language Novels from 1923 to 2005. Her second novel, On Beauty, was shortlisted for the Man Booker Prize and won the Orange Prize for Fiction. She has written two further novels, The Autograph Man and NW, a collection of essays Changing My Mind, and also edited short story anthology The Book of Other People. Zadie Smith was chosen by Granta as one of its twenty best young British novelists in 2003, and as well as to Granta has contributed writing to the New Yorker and the Guardian. Zadie Smith's new novel, NW, is available from September 2012.

A stunning new edition of one of the most iconic fictional debuts of all time, to mark the 25th anniversary of this modern classic - perfect for any Zadie Smith fan!

‘What’s past is prologue…’

First published in the year 2000, Zadie Smith’s White Teeth was one of the most celebrated novels of the new millennium. Adored by critics and readers alike, it remains a perennial bestseller, which still delights with the audacity of its scope and vision, its fresh-minted style, and the wit and warmth of its voice.

Funny, generous and big-hearted, it deals – among many other things – with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle.

A life affirming, riotous must-read of a book, it won the Guardian First Book Award, the James Tait Black Memorial Prize for Fiction and the Whitbread First Novel Award.

LONGLISTED FOR THE MAN BOOKER PRIZE 2017 SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS 2017 'Smith's finest. Extraordinary, truly marvellous' Observer A dazzlingly exuberant novel moving from north west London to West Africa, from the critically acclaimed author of White Teeth, On Beauty and Grand Union Two brown girls dream of being dancers - but only one, Tracey, has talent. The other has ideas: about rhythm and time, black bodies and black music, what it means to belong, what it means to be free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten either. Bursting with energy, rhythm and movement, Swing Time is Zadie Smith's most ambitious novel yet. It is a story about music and identity, race and class, those who follow the dance and those who lead it . . . 'Superb' Financial Times 'Breathtaking' TLS 'Pitch-perfect' Daily Telegraph 'There is still no better chronicler of the modern British family than Zadie Smith' Telegraph

Longlisted for the Carnegie Medal! A dazzling collection of short fiction Zadie Smith has established herself as one of the most iconic, critically respected, and popular writers of her generation. In her first short story collection, she combines her power of observation and her inimitable voice to mine the fraught and complex experience of life in the modern world. Interleaving eleven completely new and unpublished stories with some of her best-loved pieces from The New Yorker and elsewhere, Smith presents a dizzyingly rich and varied collection of fiction. Moving exhilaratingly across genres and perspectives, from the historic to the vividly current to the slyly dystopian, Grand Union is a sharply alert and prescient collection about time and place, identity and rebirth, the persistent legacies that haunt our present selves and the uncanny futures that rush up to meet us. Nothing is off limits, and everything-when captured by Smith's brilliant gaze-feels fresh and relevant. Perfectly paced and utterly original, Grand Union highlights the wonders Zadie Smith can do.

Zadie Smith’s dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith’s voice is remarkably, fluently, and altogether wonderfully her own.

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. Set against London’s racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.

Cover design by Harlem renaissance artist Lois Mailou Jones When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ... 'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece of prose, as emotionally satisfying as it is impressive. There is no novel I love more' Zadie Smith 'One of the greatest writers of our time' Toni Morrison

Winner of the 2006 Orange Prize for fiction and from the celebrated author of "White Teeth" comes another bestselling masterwork
Having hit bestseller lists from the "New York Times" to the "San Francisco Chronicle," this wise, hilarious novel reminds us why Zadie Smith has rocketed to literary stardom. "On Beauty" is the story of an interracial family living in the university town of Wellington, Massachusetts, whose misadventures in the culture warsaon both sides of the Atlanticaserve to skewer everything from family life to political correctness to the combustive collision between the personal and the political. Full of dead-on wit and relentlessly funny, this tour de force confirms Zadie Smithas reputation as a major literary talent.
Named one of the Ten Best Books of the Year by the "New York Times Book Review, Entertainment Weekly, Time," and "Publishers Weekly" A "New York Times, Wall Street Journal, USA Today, San Francisco Chronicle, Los Angeles Times, Boston Globe, Denver Post," and "Publishers Weekly" bestseller A "Los Angeles Times, Boston Globe, Chicago Tribune, San Francisco Chronicle, Atlantic Monthly, Newsday, Christian Science Monitor," and "Minneapolis Star Tribune" Best Book of the Year Short-listed for the Man Booker Prize BACKCOVER: Praise for "On Beauty":
aA thoroughly original tale . . . wonderfully engaging, wonderfully observed . . . That rare thing: a novel that is as affecting as it is entertaining, as provocative as it is humane.a
aMichiko Kakutani, "The New York Times"
aA thing of beauty. Oh happy day when a writer as gifted as Zadie Smith fulfills her early promise with a novel as accomplished, substantive and penetrating as "On Beauty."a
a"Los Angeles Times"
aSmithas specialty is her ability to render the new world, in its vibrant multiculturalism, with a kind of dancing, daring joy. . . . Her plots and people sing with life. . . . One of the best of the year, a splendid treat. a
a"Chicago Tribune"
aShort-listed for [the 2005] Man Booker Prize, On Beauty is a rollicking satire . . . a tremendously good read.a
a"San Francisco Chronicle"