Reading Rio de Janeiro blazes a new trail for understanding the cultural history of 19th-century Brazil. To bring the social fabric of Rio de Janeiro alive, Zephyr Frank flips the historian's usual interest in literature as a source of evidence and, instead, uses the historical context to understand literature. By focusing on the theme of social integration through the novels of Jose de Alencar, Machado de Assis, and Aluisio Azevedo, the author draws the reader's attention to the way characters are caught between conflicting moral imperatives as they encounter the newly mobile, capitalist, urban society, so different from the slave-based plantations of the past. Some characters grow and triumph in this setting; others are defeated by it. Though literature infuses this social history of 19th-century Rio, it is replete with maps, graphs, non-fiction sources, and statistical data and analysis that are the historian's stock-in-trade. By connecting a literary understanding of the social problems with the quantitative data traditional historical methods provide, Frank creates a richer and deeper understanding of society in 19th-century Rio.

Reading Rio de Janeiro blazes a new trail for understanding the cultural history of 19th-century Brazil. To bring the social fabric of Rio de Janeiro alive, Zephyr Frank flips the historian's usual interest in literature as a source of evidence and, instead, uses the historical context to understand literature. By focusing on the theme of social integration through the novels of Jose de Alencar, Machado de Assis, and Aluisio Azevedo, the author draws the reader's attention to the way characters are caught between conflicting moral imperatives as they encounter the newly mobile, capitalist, urban society, so different from the slave-based plantations of the past. Some characters grow and triumph in this setting; others are defeated by it. Though literature infuses this social history of 19th-century Rio, it is replete with maps, graphs, non-fiction sources, and statistical data and analysis that are the historian's stock-in-trade. By connecting a literary understanding of the social problems with the quantitative data traditional historical methods provide, Frank creates a richer and deeper understanding of society in 19th-century Rio.

Demonstrating that globalization is a centuries-old phenomenon, From Silver to Cocaine examines the commodity chains that have connected producers in Latin America with consumers around the world for five hundred years. In clear, accessible essays, historians from Latin America, England, and the United States trace the paths of many of Latin America's most important exports: coffee, bananas, rubber, sugar, tobacco, silver, henequen (fiber), fertilizers, cacao, cocaine, indigo, and cochineal (insects used to make dye). Each contributor follows a specific commodity from its inception, through its development and transport, to its final destination in the hands of consumers. The essays are arranged in chronological order, according to when the production of a particular commodity became significant to Latin America's economy. Some-such as silver, sugar, and tobacco-were actively produced and traded in the sixteenth century; others-such as bananas and rubber-only at the end of the nineteenth century; and cocaine only in the twentieth.By focusing on changing patterns of production and consumption over time, the contributors reconstruct complex webs of relationships and economic processes, highlighting Latin America's central and interactive place in the world economy. They show how changes in coffee consumption habits, clothing fashions, drug usage, or tire technologies in Europe, Asia, and the Americas reverberate through Latin American commodity chains in profound ways. The social and economic outcomes of the continent's export experience have been mixed. By analyzing the dynamics of a wide range of commodities over a five-hundred-year period, From Silver to Cocaine highlights this diversity at the same time that it provides a basis for comparison and points to new ways of doing global history. Contributors. Marcelo Bucheli, Horacio Crespo, Zephyr Frank, Paul Gootenberg, Robert Greenhill, Mary Ann Mahony, Carlos Marichal, David McCreery, Rory Miller, Aldo Musacchio, Laura Nater, Ian Read, Mario Samper, Steven Topik, Allen Wells

Demonstrating that globalization is a centuries-old phenomenon, "From Silver to Cocaine "examines the commodity chains that have connected producers in Latin America with consumers around the world for five hundred years. In clear, accessible essays, historians from Latin America, England, and the United States trace the paths of many of Latin America's most important exports: coffee, bananas, rubber, sugar, tobacco, silver, henequen (fiber), fertilizers, cacao, cocaine, indigo, and cochineal (insects used to make dye). Each contributor follows a specific commodity from its inception, through its development and transport, to its final destination in the hands of consumers. The essays are arranged in chronological order, according to when the production of a particular commodity became significant to Latin America's economy. Some--such as silver, sugar, and tobacco--were actively produced and traded in the sixteenth century; others--such as bananas and rubber--only at the end of the nineteenth century; and cocaine only in the twentieth.

By focusing on changing patterns of production and consumption over time, the contributors reconstruct complex webs of relationships and economic processes, highlighting Latin America's central and interactive place in the world economy. They show how changes in coffee consumption habits, clothing fashions, drug usage, or tire technologies in Europe, Asia, and the Americas reverberate through Latin American commodity chains in profound ways. The social and economic outcomes of the continent's export experience have been mixed. By analyzing the dynamics of a wide range of commodities over a five-hundred-year period, "From Silver to Cocaine" highlights this diversity at the same time that it provides a basis for comparison and points to new ways of doing global history.

"Contributors." Marcelo Bucheli, Horacio Crespo, Zephyr Frank, Paul Gootenberg, Robert Greenhill, Mary Ann Mahony, Carlos Marichal, David McCreery, Rory Miller, Aldo Musacchio, Laura Nater, Ian Read, Mario Samper, Steven Topik, Allen Wells

Big Water explores four centuries of the overlapping histories of Brazil, Argentina, and Paraguay (the Triple Frontier), and the colonies that preceded them. Examining an important area that includes some of the first national parks established in Latin America and one of the world's largest hydroelectric dams, this transnational approach illustrates how three nation-states have interacted over time. From the Jesuit reductions in the seventeenth century to the flows of capital and goods accelerated by contemporary trade agreements, the Triple Frontier region has proven fundamental to the development of Brazil, Argentina, and Paraguay as well as to the Southern Cone and South America itself. Although historians from each of these three countries have tended to construct narratives that stop at their respective borders, the contributors call for a reinterpretation that goes beyond the material and conceptual boundaries of the Triple Frontier. In offering a transnational approach, Big Water helps transcend nation-centered blind spots and approach new understanding of how space and society have developed throughout Latin America. The essays achieve the goals of complicating traditional frontier histories and also balancing the excessive weight previously given to empires, nations, and territorial expansion. Overcoming stagnant comparisons between national cases, the research explores regional identity beyond border and geopolitical divides. In so doing, Big Water focuses on the uniquely overlapping character of the Triple Frontier and emphasizes a perspective usually left at the periphery of national histories. Contributors: Shawn Michael Austin, Jacob Blanc, Bridget Maria Chesterton, Christine Folch, Zephyr Frank, Frederico Freitas, Michael Kenneth Huner, Evaldo Mendes da Silva, Eunice Nodari, Graciela Silvestri, Guillermo Wilde, Daryle Williams.