This is the first comprehensive book that presents the manifold aspects of divination and prognostication in traditional and modern China, from the early period of oracle bones to present-day fortune-tellers. It introduces what is out there in the field of Chinese divination and prognostication, and how we can further explore it especially through different disciplines. Eminent specialists outline the classifications of divination, recently excavated texts, the relationship between practitioners and clients, the place of the "occult" arts in cosmology, literature and religion, and the bureaucratic system. Contributors are: Constance Cook, Richard J. Smith, Marc Kalinowski, Stephen R. Bokenkamp, Lu Lingfeng, Liao Hsien-huei, Philip Clart, Fabrizio Pregadio, Esther-Maria Guggenmos, Andrew Schonebaum, and Stephanie Homola.

What do dice and gods have in common? What is the relationship between dice divination and dice gambling? This interdisciplinary collaboration situates the tenth-century Chinese Buddhist "Divination of Mahesvara" within a deep Chinese backstory of divination with dice and numbers going back to at least the 4th century BCE. Simultaneously, the authors track this specific method of dice divination across the Silk Road and into ancient India through a detailed study of the material culture, poetics, and ritual processes of dice divination in Chinese, Tibetan, and Indian contexts. The result is an extended meditation on the unpredictable movements of gods, dice, divination books, and divination users across the various languages, cultures, and religions of the Silk Road.

Riding on the success of 3D cinema blockbusters and advances in stereoscopic display technology, 3D video applications have gathered momentum in recent years. 3D-TV System with Depth-Image-Based Rendering: Architectures, Techniques and Challenges surveys depth-image-based 3D-TV systems, which are expected to be put into applications in the near future. Depth-image-based rendering (DIBR) significantly enhances the 3D visual experience compared to stereoscopic systems currently in use. DIBR techniques make it possible to generate additional viewpoints using 3D warping techniques to adjust the perceived depth of stereoscopic videos and provide for auto-stereoscopic displays that do not require glasses for viewing the 3D image. The material includes a technical review and literature survey of components and complete systems, solutions for technical issues, and implementation of prototypes. The book is organized into four sections: System Overview, Content Generation, Data Compression and Transmission, and 3D Visualization and Quality Assessment. This book will benefit researchers, developers, engineers, and innovators, as well as advanced undergraduate and graduate students working in relevant areas.

Zhao Lu analyses the eclectic, fictitious representations of Confucius that have been widely celebrated by communities of people throughout history, from antiquity until the present. While mainstream scholarship mostly considers Confucius in terms of his role as a celebrated man of wisdom and as a teacher with a humanistic worldview, in this book Lu addresses his weirder representations. He considers depictions Confucius as a prophet, a fortune-teller, a powerful demon hunter, a shrewd villain of 19th century American newspapers, and as an embodiment of feudal evils in the Cultural Revolution. In doing so, he asks why different communities of people would risk contradicting the well-accepted image of Confucius with such representations. To answer this question, Lu shows that these representations reflect the specific anxieties of these communities. He reveals not only how people across history perceived Confucius in diverse ways, but more importantly how they used Confucius in daily life, ranging from calming their anxiety about the future, to legitimizing a dynasty, to stereotyping Chinese people, and even to forging a new sense of history.

Riding on the success of 3D cinema blockbusters and advances in stereoscopic display technology, 3D video applications have gathered momentum in recent years. 3D-TV System with Depth-Image-Based Rendering: Architectures, Techniques and Challenges surveys depth-image-based 3D-TV systems, which are expected to be put into applications in the near future. Depth-image-based rendering (DIBR) significantly enhances the 3D visual experience compared to stereoscopic systems currently in use. DIBR techniques make it possible to generate additional viewpoints using 3D warping techniques to adjust the perceived depth of stereoscopic videos and provide for auto-stereoscopic displays that do not require glasses for viewing the 3D image. The material includes a technical review and literature survey of components and complete systems, solutions for technical issues, and implementation of prototypes. The book is organized into four sections: System Overview, Content Generation, Data Compression and Transmission, and 3D Visualization and Quality Assessment. This book will benefit researchers, developers, engineers, and innovators, as well as advanced undergraduate and graduate students working in relevant areas.

In 1835 young Chinese scholar Cai Tinglan was caught in a typhoon while sailing across the Taiwan Strait. He and his shipmates spent a harrowing week at sea before drifting to the coast of central Vietnam. With an escort of Vietnamese soldiers, Cai traveled north along the famous "Mandarin Road," meeting governors-general of each province he passed through along his overland journey to Fujian Province in China. Cai documented his experiences in Miscellany of the South Seas (Hainan zazhu), a vivid account of clothing, food, religious practices, government affairs, and other aspects of daily life in early Nguyễn dynasty Vietnam. Cai's encounters with diasporic Chinese show the Hokkien merchant community's penetration into Vietnamese society, while his warm embrace by Nguyễn officials illustrates a shared elite world of classical culture across international borders. In this first English translation, Kathlene Baldanza and Zhao Lu provide a comprehensive introduction that puts Cai's account in social, political, and economic context, along with extensive annotation and a glossary.

In 1835 young Chinese scholar Cai Tinglan was caught in a typhoon while sailing across the Taiwan Strait. He and his shipmates spent a harrowing week at sea before drifting to the coast of central Vietnam. With an escort of Vietnamese soldiers, Cai traveled north along the famous "Mandarin Road," meeting governors-general of each province he passed through along his overland journey to Fujian Province in China. Cai documented his experiences in Miscellany of the South Seas (Hainan zazhu), a vivid account of clothing, food, religious practices, government affairs, and other aspects of daily life in early Nguyễn dynasty Vietnam. Cai's encounters with diasporic Chinese show the Hokkien merchant community's penetration into Vietnamese society, while his warm embrace by Nguyễn officials illustrates a shared elite world of classical culture across international borders. In this first English translation, Kathlene Baldanza and Zhao Lu provide a comprehensive introduction that puts Cai's account in social, political, and economic context, along with extensive annotation and a glossary.

This book presents for the first time a full translation and analysis of a newly discovered bamboo divination manual from the fourth century BCE China, called the Stalk Divination Method (Shifa). It was used as an alternative to the better-known Zhouyi (popularly known as the I-Ching). The Shifa manual presents a competing method of interpreting the trigrams, the most basic elements of the distinctive sixty-four hexagrams in the Zhouyi. This newly discovered method looks at the combination of four trigrams as a fluid, changeable pattern or unit reflective of different circumstances in an elite man's life. Unlike the Zhouyi, this new manual provides case studies that explain how to read the trigram patterns for different topics. This method is unprecedented in early China and has left no trace in later Chinese divination traditions. Shifa must be understood then as a competing voice in the centuries before the Zhouyi became the hegemonic standard. The authors of this book have translated this new text and "cracked the code" of its logic. This new divination will change our understanding of Chinese divination and bring new light to Zhouyi studies.