Eisenstein tracks developments such as racialized ethnic and gender conflict; the new male democracies of eastern Europe; the new Democrats of the Clinton era - exploring the `politics of hate.'

A personal and political manifesto vying for an antiracist socialist feminist movement of movements The world is burning, flooding, and politically exploding, to the point where it's become clear that neoliberal feminism--the kind that aims to elect The First Woman President--will never be enough. In this book, Zillah Eisenstein asks us to consider what it would mean to thread "socialism" to feminism; then, what it would mean to thread "abolitionism" to socialist feminism. She asks all of us, especially white women, to consider what it would mean to risk everything to abolish white supremacy, to uproot the structural knot of sex, race, gender, and class growing from that imperial whiteness. If we are to create a revolution that is totally liberatory, we need to pool together in a new working class, building a radical movement made of movements. Eisenstein's manifesto is built on almost half a century of her antiracist socialist feminist work. But now, she writes with a new urgency and imaginativeness. Eisenstein asks us not to be limited by reforms, but to radicalize each other on differing fronts. Our task is to build bridges, to connect disparate and passionate people across aisles, state lines, picket lines, and more. The genius force demanding that we abolish white supremacy can also create a new "we" for all of us--a humanity universally accepting of our complexities and differences. We are in uncharted waters, but that is exactly where we need to be.

A new understanding of humanity and feminism from the starting point of breast health is the ultimate goal of Zillah Eisenstein's political memoir of her family's experience with breast cancer. The well-known feminist author argues that politics always needs the personal, and that the personal is never enough on its own. Her return to the personal side of the political combines the two for a radicalized way of seeing, viewing, and knowing.

The author strives to bring together a critique of environmental damage and the health of women's bodies, gain perspective on the role race plays as a factor in breast cancers and in political agendas, link prevention and treatment, and connect individual support and political change.

Eisenstein was sixteen when her forty-five-year-old mother successfully battled breast cancer. Her two sisters, Sarah and Giah, were in their twenties when they were diagnosed, but neither of them survived. She received her own diagnosis when she was forty.

Despite her family history, however, Eisenstein rejects the simple argument that genes are simply determining, rather than liable to influence by external factors. She also questions the dominance of the theory that breast cancer is caused by high lifetime exposure to estrogen. Instead, she views breast cancer as an environmental disease, best understood in terms of ecological, racial, economic, and sexual influences on individual women. She uses the term "manmade" to indicate not only industrial carcinogens and other cultural causes, but also the male-dominated and -defined scientific practices of research and treatment.

In response, Manmade Breast Cancers offers a retelling of the meaning of breast cancerand a discussion of universal feminist issues about the body. The author says she writes "to discover a more just globe which will treasure the health of all of our bodies". The emotional depth and intellectual breadth of her argument adds new dimensions to how we understand breast cancer.

"Eisenstein's lucid analysis is formed around the factual datum of the global cybereconomy, which even a cursory glance reveals as appallingly inequitable: 'Eighty-four percent of computer users are found in north america and northern europe.'"
--"Signs"

The New York Times devotes the cover of its magazine to America's declining interest in politics and its obsession with money, finance, and the markets. Bill Gates builds a $50 million mansion while food pantries and homeless shelters overflow with the desperate. The explosive expansion of media and cyber conglomerates creates dreamworlds while the ecology of our actual world is jeopardized. Public space and public democracy withers, as is evidenced by the fact that the closest facsimile of a town square is the local Barnes and Noble.

New geographies of power are defined by sex scandals, plant closings, cyberporn, sweatshop labor, information webs, and stock market schizophrenia. Global capitalism and its cyberrelations use this chaos to construct modern forms of sexual and racial exploitation.

Into this world steps Zillah Eisenstein, with a book of profound despair and yet also great hope, informed by her trademark sharp analysis and her unrelenting passion for a more humane world. Exposing the purported democratic effect of new media for the global mirage it is, Eisenstein shows how transnational capital and its patriarchal obsessions threaten us all, while at the same time creating possibilities for a new democratic society.

A new understanding of humanity and feminism from the starting point of breast health is the ultimate goal of Zillah Eisenstein's political memoir of her family's experience with breast cancer. The well-known feminist author argues that politics always needs the personal, and that the personal is never enough on its own. Her return to the personal side of the political combines the two for a radicalized way of seeing, viewing, and knowing.

The author strives to bring together a critique of environmental damage and the health of women's bodies, gain perspective on the role race plays as a factor in breast cancers and in political agendas, link prevention and treatment, and connect individual support and political change.

Eisenstein was sixteen when her forty-five-year-old mother successfully battled breast cancer. Her two sisters, Sarah and Giah, were in their twenties when they were diagnosed, but neither of them survived. She received her own diagnosis when she was forty.

Despite her family history, however, Eisenstein rejects the simple argument that genes are simply determining, rather than liable to influence by external factors. She also questions the dominance of the theory that breast cancer is caused by high lifetime exposure to estrogen. Instead, she views breast cancer as an environmental disease, best understood in terms of ecological, racial, economic, and sexual influences on individual women. She uses the term "manmade" to indicate not only industrial carcinogens and other cultural causes, but also the male-dominated and -defined scientific practices of research and treatment.

In response, Manmade Breast Cancers offers a retelling of the meaning of breast cancerand a discussion of universal feminist issues about the body. The author says she writes "to discover a more just globe which will treasure the health of all of our bodies". The emotional depth and intellectual breadth of her argument adds new dimensions to how we understand breast cancer.

In this book, Zillah Eisenstein continues her unforgiving indictment of neoliberal imperial politics. She charts its most recent militarist and masculinist configurations through discussions of the Afghan and Iraq wars, violations at Guantanamo and Abu Ghraib, the 2004 US Presidential election, and Hurricane Katrina. She warns that women's rights rhetoric is being manipulated, particularly by Condoleezza Rice and other women in the Bush administration, as a ploy for global dominance and a misogynistic capture of democratic discourse. However, Eisenstein also believes that the plural and diverse lives of women will lay the basis for an assault on these fascistic elements. This new politics will both confound and clarify feminisms, and reconfigure democracy across the globe.

In this exciting and insightful new work, Zillah Eisenstein engages the 2008 election of Barack Obama as a site of new anti-imperial possibility. Contiuning her relentless anti-racist feminist narrative to uncover the new shiftings and changes surrounding the meanings and practices of race, gender, and class, she likens the end of the Bush/Cheney presidency to the fall of Stalin, or Pinochet and asks whether this is a key historical moment that will alter race and gender in newly unknown ways. Tracing the social and political presence of Hillary Clinton, Michelle Obama, Sarah Palin and Barack Obama, the book present 25 conceptual "frames" of fast-paced critical analysis that places the US presidential election in the context of; the global economic crisis, the new positions of China and India, Islamic feminisms and new secularisms. Illuminated by Eisenstein's distinctive style and personal narrative as she travels the world, Eisenstein challenges her readers to always be looking for the "newly new" political configurations in order to create a politics of and for the globe.

Women across the globe are being dramatically affected by war as currently waged by the USA. But there has been little public space for dialogue about the complex relationship between feminism, women, and war. The editors of Feminism and War have brought together a diverse set of leading theorists and activists who examine the questions raised by ongoing American military initiatives, such as: What are the implications of an imperial nation/state laying claim to women's liberation? What is the relation between this claim and resulting American foreign policy and military action? Did American intervention and invasion in fact result in liberation for women in Afghanistan and Iraq? What multiple concepts are embedded in the phrase "women's liberation"? How are these connected to the specifics of religion, culture, history, economics, and nation within current conflicts? What is the relation between the lives of Afghan and Iraqi women before and after invasion, and that of women living in the US? How do women who define themselves as feminists resist or acquiesce to this nation/state claim in current theory and organizing? Feminism and War reveals and critically analyzes the complicated ways in which America uses gender, race, class, nationalism, imperialism to justify, legitimate, and continue war. Each chapter builds on the next to develop an anti-racist, feminist politics that places imperialist power, and forms of resistance to it, central to its comprehensive analysis.

Women across the globe are being dramatically affected by war as currently waged by the USA. But there has been little public space for dialogue about the complex relationship between feminism, women, and war. The editors of Feminism and War have brought together a diverse set of leading theorists and activists who examine the questions raised by ongoing American military initiatives, such as: What are the implications of an imperial nation/state laying claim to women's liberation? What is the relation between this claim and resulting American foreign policy and military action? Did American intervention and invasion in fact result in liberation for women in Afghanistan and Iraq? What multiple concepts are embedded in the phrase "women's liberation"? How are these connected to the specifics of religion, culture, history, economics, and nation within current conflicts? What is the relation between the lives of Afghan and Iraqi women before and after invasion, and that of women living in the US? How do women who define themselves as feminists resist or acquiesce to this nation/state claim in current theory and organizing? Feminism and War reveals and critically analyzes the complicated ways in which America uses gender, race, class, nationalism, imperialism to justify, legitimate, and continue war. Each chapter builds on the next to develop an anti-racist, feminist politics that places imperialist power, and forms of resistance to it, central to its comprehensive analysis.

In Against Empire, Zillah Eisenstein extends her critique of neoliberal globalization and its capture of democratic possibilities. Faced with an aggressive American empire hostage to ideological extremism and violently promoting the narrowest of its interests around the globe, Eisenstein urgently looks to a global anti-war movement to counter U.S. power. Looking beyond the distortions of mainstream history, Eisenstein detects the silencing of racialized, sex/gendered and classed ways of seeing. Against Empire insists that 'the' so-called West is as much fiction as reality, while the sexualized black slave trade emerges as an early form of globalization. 'The' West and western feminisms do not monopolize authorship; there is a need for plural understandings of feminisms as other-than-western. Black America, India, the Islamic world and Africa envision unique conceptions of what it is to be fully, 'polyversally', human. Professor Eisenstein offers a rich picture of women's activism across the globe today. If there is to be hope of a more peaceful, more just and happier world, it lies, she believes, in the understandings and activism of women today.

"Eisenstein's lucid analysis is formed around the factual datum of the global cybereconomy, which even a cursory glance reveals as appallingly inequitable: 'Eighty-four percent of computer users are found in north america and northern europe.'"
--"Signs"

The New York Times devotes the cover of its magazine to America's declining interest in politics and its obsession with money, finance, and the markets. Bill Gates builds a $50 million mansion while food pantries and homeless shelters overflow with the desperate. The explosive expansion of media and cyber conglomerates creates dreamworlds while the ecology of our actual world is jeopardized. Public space and public democracy withers, as is evidenced by the fact that the closest facsimile of a town square is the local Barnes and Noble.

New geographies of power are defined by sex scandals, plant closings, cyberporn, sweatshop labor, information webs, and stock market schizophrenia. Global capitalism and its cyberrelations use this chaos to construct modern forms of sexual and racial exploitation.

Into this world steps Zillah Eisenstein, with a book of profound despair and yet also great hope, informed by her trademark sharp analysis and her unrelenting passion for a more humane world. Exposing the purported democratic effect of new media for the global mirage it is, Eisenstein shows how transnational capital and its patriarchal obsessions threaten us all, while at the same time creating possibilities for a new democratic society.