As an unprecedented global pandemic sweeps the planet, who better than the supercharged Slovenian philosopher Slavoj i ek to uncover its deeper meanings, marvel at its mind-boggling paradoxes and speculate on the profundity of its consequences? We live in a moment when the greatest act of love is to stay distant from the object of your affection. When governments renowned for ruthless cuts in public spending can suddenly conjure up trillions. When toilet paper becomes a commodity as precious as diamonds. And when, according to i ek, a new form of communism - the outlines of which can already be seen in the very heartlands of neoliberalism - may be the only way of averting a descent into global barbarism. Written with his customary brio and love of analogies in popular culture (Quentin Tarantino and H. G. Wells sit next to Hegel and Marx), i ek provides a concise and provocative snapshot of the crisis as it widens, engulfing us all.

We hear all the time that we're moments from doomsday. Around us, crises interlock and escalate, threatening our collective survival: Russia's invasion of Ukraine, with its rising risk of nuclear warfare, is taking place against a backdrop of global warming, ecological breakdown, and widespread social and economic unrest. Protestors and politicians repeatedly call for action, but still we continue to drift towards disaster. We need to do something. But what if the only way for us to prevent catastrophe is to assume that it has already happened-to accept that we're already five minutes past zero hour?

Too Late to Awaken sees Slavoj Žižek forge a vital new space for a radical emancipatory politics that could avert our course to self-destruction. He illuminates why the liberal Left has so far failed to offer this alternative, and exposes the insidious propagandism of the fascist Right, which has appropriated and manipulated once-progressive ideas. Pithy, urgent, gutting and witty, Žižek's diagnosis reveals our current geopolitical nightmare in a startling new light, and shows how, in order to change our future, we must first focus on changing the past.

Parallax, or the change in the position of an object viewed along two different lines of sight and more precisely, the assumption that this adjustment is not only due to a change of focus, but a change in that object's ontological status has been a key philosophical concept throughout history. Building upon Slavoj Zizek's The Parallax View, this volume shows how parallax is used as a figure of thought that proves how the incompatibility between the physical and the theoretical touches not only upon the ontological, but also politics and aesthetics. With articles written by internationally renowned philosophers such as Frank Ruda, Graham Harman, Paul Livingston and Zizek himself, this book shows how modes of parallax remain in numerous modern theoretical disciplines, such as the Marxian parallax in the critique of political economy and politics; and the Hegelian parallax in the concept of the work of art, while also being important to debates surrounding speculative realism and dialectical materialism. Spanning philosophy, parallax is then a rich and fruitful concept that can illuminate the studies of those working in epistemology, ontology, German Idealism, political philosophy and critical theory.

With irrepressible humor, Slavoj i ek dissects our current political and social climate, discussing everything from Jordan Peterson and sex "unicorns" to Greta Thunberg and Chairman Mao. Taking aim at his enemies on the Left, Right, and Center, he argues that contemporary society can only be properly understood from a communist standpoint. Why communism? The greater the triumph of global capitalism, the more its dangerous antagonisms multiply: climate collapse, the digital manipulation of our lives, the explosion in refugee numbers - all need a radical solution. That solution is a Left that dares to speak its name, to get its hands dirty in the real world of contemporary politics, not to sling its insults from the sidelines or to fight a culture war that is merely a fig leaf covering its political and economic failures. As the crises caused by contemporary capitalism accumulate at an alarming rate, the Left finds itself in crisis too, beset with competing ideologies and prone to populism, racism, and conspiracy theories. A Left that Dares to Speak Its Name is i ek's attempt to elucidate the major political issues of the day from a truly radical Leftist position. The first three parts explore the global political situation and the final part focuses on contemporary Western culture, as i ek directs his polemic to topics such as wellness, Wikileaks, and the rights of sexbots. This wide-ranging collection of essays provides the perfect insight into the ideas of one of the most influential radical thinkers of our time.

What do sex doll sales, locust swarms and a wired-brain pig have to do with the coronavirus pandemic? Everything--according to that "Giant of Lubliana," the inimitable Slovenian philosopher Slavoj i ek. In this exhilarating sequel to his acclaimed Pandemic!: COVID-19 Shakes the World, i ek delves into some of the more surprising dimensions of lockdowns, quarantines, and social distancing--and the increasingly unruly opposition to them by "response fatigued" publics around the world. i ek examines the ripple effects on the food supply of harvest failures caused by labor shortages and the hyper-exploitation of the global class of care workers, without whose labor daily life would be impossible. Through such examples he pinpoints the inability of contemporary capitalism to safeguard effectively the public in times of crisis. Writing with characteristic daring and zeal, i ek ranges across critical theory, pop-culture, and psychoanalysis to reveal the troubling dynamics of knowledge and power emerging in these viral times.

Film theory is in crisis. The dominant psychoanalytical paradigm is contested by cognitive models and post-theory. In the background is a wider crisis in cultural studies, particularly as regards the public role of the politically engaged intellectual.
In this major new study Slavoj Zizek challenges both cognitivist-historicist accounts of cinema and conventional film theory. Arguing that the reading of Lacan operative in the '70s and '80s was particularly reductive, Zizek asserts that there is "another Lacan," in reference to whom film theory, cultural studies, and critical thought as such can be transformed and revitalized. He supports and expands this argument with an extensive reading of the work of Kieslowski and, in a substantial appendix, with a discussion of the relationship between Christianity, Gothicism and the "progressive digitalisation of our life-world."

Contents:
Introduction 1.Why Does a Letter Always Arrive at Its Destination 1.1 Death and Sublimation: The Final Scene of City Lights 1.2 Imaginary, Symbolic, Real 2.Why is Woman a Symptom of a Man? 2.1 Why is Suicide the Only Successful Act? 2.2 The Night of the World 3.Why is Every Act a Repetition? 3.1 Beyond Distributive Justice 3.2.Identity and Authority 4.Why Does the Phallus Appear? 4.1 Grimaces of the Real 4.2 Phallophany of the Anal Father 5.Why are there Always Two Fathers? 5.1 At the Origins of Noir: The Humiliated Father 5.2 Die Versagung Index

Zizek argues that the physical violence we see is often generated by the systemic violence that sustains our political and economic systems. With the help of eminent philosophers like Marx, Engel and Lacan, as well as frequent references to popular culture, he examines the real causes of violent outbreaks like those seen in Israel and Palestine and in terrorist acts around the world. Ultimately, he warns, doing nothing is often the most violent course of action we can take.

What do we know about Hegel? What do we know about Marx? What do we know about democracy and totalitarianism? Communism and psychoanalysis? What do we know that isn't a platitude that we've heard a thousand times - or a self-satisfied certainty? Through his brilliant reading of Hegel, Slavoj Zizek - one of the most provocative and widely-read thinkers of our time - upends our traditional understanding, dynamites every cliche and undermines every conviction in order to clear the ground for new ways of answering these questions. When Lacan described Hegel as the most sublime hysteric , he was referring to the way that the hysteric asks questions because he experiences his own desire as if it were the Other's desire. In the dialectical process, the question asked of the Other is resolved through a reflexive turn in which the question begins to function as its own answer. We had made Hegel into the theorist of abstraction and reaction, but by reading Hegel with Lacan, Zizek unveils a Hegel of the concrete and of revolution - his own, and the one to come. This early and dazzlingly original work by Zizek offers a unique insight into the ideas which have since become hallmarks of his mature thought. It will be of great interest to anyone interested in critical theory, philosophy and contemporary social thought.

A spirit is haunting contemporary thought - the spirit of Hegel. All the powers of academia have entered into a holy alliance to exorcize this spirit: Vitalists and Eschatologists, Transcendental Pragmatists and Speculative Realists, Historical Materialists and even 'liberal Hegelians'. Which of these groups has not been denounced as metaphysically Hegelian by its opponents? And which has not hurled back the branding reproach of Hegelian metaphysics in its turn? Progressives, liberals and reactionaries alike receive this condemnation. In light of this situation, it is high time that true Hegelians should openly admit their allegiance and, without obfuscation, express the importance and validity of Hegelianism to the contemporary intellectual scene. To this end, a small group of Hegelians of different nationalities have assembled to sketch the following book - a book which addresses a number of pressing issues that a contemporary reading of Hegel allows a new perspective on: our relation to the future, our relation to nature and our relation to the absolute.

Slavoj Zizek's critical engagement with Christian theology goes much further than his seminal The Fragile Absolute (2000), or his The Puppet and the Dwarf (2003), or even his discussion with noted theologian John Milbank in The Monstrosity of Christ (2009). His reading of Christianity, utilising his signature elements of Lacanian psychoanalysis and Hegelian philosophy with modern philosophical currents, can be seen as a genuinely original contribution to the philosophy of religion. This book focuses on these aspects of Zizek's thought with either philosophy and cultural theory, or Christian theology, serving as starting points of enquiry. Written by a panel of international contributors, each chapter teases out various strands of Zizek's thought concerning Christianity and religion and brings them into a wider conversation about the nature of faith. These essays show that far from being an outright rejection of Christian thought and intellectual heritage, Zizek's work could be seen as a perverse affirmation thereof. Thus, what he has to say should be of direct interest to Christian theology itself. Touching on thinkers such as Badiou, Lacan, Chesterton and Schelling, this collection is a dynamic reading and re-reading of Zizek's relationship to Christianity. As such, scholars of theology, the philosophy of religion and Zizek more generally will all find this book to be of great interest.

What is the basis of belief in an era when globalization, multiculturalism and big business are the new religion? Slavoj Zizek, renowned philosopher and irrepressible cultural critic takes on all comers in this compelling and breathless new book.
From 'cyberspace reason' to the paradox that is 'Western Buddhism', On Belief gets behind the contours of the way we normally think about belief, in particular Judaism and Christianity. Holding up the so-called authenticity of religious belief to critical light, Zizek draws on psychoanalysis, film and philosophy to reveal in startling fashion that nothing could be worse for believers than their beliefs turning out to be true.
On Belief is essential reading for anyone interested in how we continue to hold beliefs in this postmodern age.

What do sex doll sales, locust swarms and a wired-brain pig have to do with the coronavirus pandemic? Everything--according to that "Giant of Lubliana," the inimitable Slovenian philosopher Slavoj i ek. In this exhilarating sequel to his acclaimed Pandemic!: COVID-19 Shakes the World, i ek delves into some of the more surprising dimensions of lockdowns, quarantines, and social distancing--and the increasingly unruly opposition to them by "response fatigued" publics around the world. i ek examines the ripple effects on the food supply of harvest failures caused by labor shortages and the hyper-exploitation of the global class of care workers, without whose labor daily life would be impossible. Through such examples he pinpoints the inability of contemporary capitalism to safeguard effectively the public in times of crisis. Writing with characteristic daring and zeal, i ek ranges across critical theory, pop-culture, and psychoanalysis to reveal the troubling dynamics of knowledge and power emerging in these viral times.

With a new introduction by the author In this deliciously polemical work, a giant of cultural theory immerses himself in the ideas of a giant of French thought. In his inimical style, Zizek links Deleuze's work with both Oedipus and Hegel, figures from whom the French philosopher distanced himself. Zizek turns some Deleuzian concepts around in order to explore the 'organs without bodies' in such films as Fight Club and the works of Hitchcock. Finally, he attacks what he sees as the 'radical chic' Deleuzians, arguing that such projects turn Deleuze into an ideologist of today's 'digital capitalism'. With his brilliant energy and fearless argumentation, Zizek sets out to restore a truer, more radical Deleuze than the one we thought we knew.

A spirit is haunting contemporary thought - the spirit of Hegel. All the powers of academia have entered into a holy alliance to exorcize this spirit: Vitalists and Eschatologists, Transcendental Pragmatists and Speculative Realists, Historical Materialists and even 'liberal Hegelians'. Which of these groups has not been denounced as metaphysically Hegelian by its opponents? And which has not hurled back the branding reproach of Hegelian metaphysics in its turn? Progressives, liberals and reactionaries alike receive this condemnation. In light of this situation, it is high time that true Hegelians should openly admit their allegiance and, without obfuscation, express the importance and validity of Hegelianism to the contemporary intellectual scene. To this end, a small group of Hegelians of different nationalities have assembled to sketch the following book - a book which addresses a number of pressing issues that a contemporary reading of Hegel allows a new perspective on: our relation to the future, our relation to nature and our relation to the absolute.

While democratic ideals are cherished by many worldwide, practice and competence in democratic procedures and behaviors are fading. Educating for democracy involves teaching skills that contribute to the democratic ideals, such as fairness, due process, and respect for the dignity, rights, and autonomy of others. In this volume, researchers from throughout the world draw from the Dual-Aspect Theory, the Konstanz Method of Dilemma Discussion, and the Moral Judgment Test, developed by German psychologist Georg Lind to advance democratic competencies. Grounded in Lawrence Kohlberg's theory of moral judgment, contributors report research at various levels of social engagement, such as schools, workplaces, governments, prisons, and communities, to describe how people can, and do, develop democratic competencies that hold promise for creating interactions and institutions that are just and fair.

Contents:
Introduction: An encounter, not a Dialogue; Deleuze; The Reality of the Virtual; Becoming versus History; "Becoming-Machine"; Un jour, peut-être, le siècle sera empiriomoniste?; Quasi-Cause; Spinoza; Kant, Hegel: Hegel 1: Taking Deleuze from Behind; Hegel 2: From Epistemology to Ontology... and back; Hegel 3: The Minimal Distance; The Torsion of Meaning; A Comic Hegelian Interlude: Dumb and Dumber; The Becoming-Oedipal of Deleuze; Phallus; Fantasy; RIS; On the Permanent Actuality for Revolutionary Cultural Politics of President Mao Ze Dong's Slogan "Long Live the Great Proletarian Cultural Revolution"; Consequences; Science: Cognitivism with Freud; "Autopoiesis"; Memes, Memes Everywhere; Against Hyphen-Ethics; Cognitive Closure?; "Little jolts of enjoyment"; Art: The Talking Heads; Kino-Eye; Hitchcock as Anti-Plato; The Cut of the Gaze; When the Fantasy Falls Apart; "I, the truth, am speaking"; Beyond Morality; Politics: the Ongoing "Soft Revolution"; A Yuppie Reads Deleuze; Micro-Fascisms; Netocracy; Blow against the Empire; The Liberal Fake; How to Live with Catastrophes?; A Modest Proposal for an Act in the Middle East

The latest book by the Slovenian critic Slavoj Zizek takes the work of French philosopher Gilles Deleuze as the beginning of a dazzling inquiry into the realms of radical politics, philosophy, film (Hitchcock, Fight Club), and psychoanalysis. Of Organs Without Bodies Joan Copjec (Imagine There's No Woman) has written: 'With all his usual humor and invention, Zizek -- the acknowledged master of the 180 degree turn -- here takes a trip into "enemy" territory to deliver Deleuze of a marvelously rebellious child, one that seriously challenges Deleuze's other progeny with a surprising but convincing bid for succession. Those who thought Deleuze's forward march into the future would follow a straight path are forced to rethink their stance. From now on all readings of Deleuze will have to take a detour through this important -- even necessary -- book.' Eric Santner (On the Psychopathology of Everyday Life) describes Organs Without Bodies as offering 'an entirely new degree of conceptual clarity and political urgency. Through his deep engagement with the logic of Deleuze's project, Zizek opens up new possibilities of thought beyond the terms of the current political debates on globalization, democratization, war on terror. Once again, Zizek has produced an utterly timely and radically untimely meditation.' Recently profiled in the New Yorker, and hailed by the Village Voice as 'the giant of Ljubljana,' Zizek is one of the most provocative and entertaining thinkers at work today.

Operas are about the meaning of love and life, and also very much about the meaning of death. Opera as a form, however, might even be dead itself. The last great operas are said to be those written around 1900.
But, the psychoanalytic critic and philosopher Slavoj Zizek is quick to point out, 1900 is also the year in which Freud 'invents' psychoanalysis. Can this be a coincidence? Opera's Second Death is a passionate exploration of opera---the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the strange compulsions that overpower characters in Mozart and Wagner, as well as our own desires to die and to go to the opera.
Mozart's understanding of psychoanalysis and Wagner's sense of humor are but two of the many surprises in Zizek and Dolar's operatic tour de force. Opera's Second Death is an extended aria on a subject that is far from dead.

Operas are about the meaning of love and life, and also very much about the meaning of death. Opera as a form, however, might even be dead itself. The last great operas are said to be those written around 1900.
But, the psychoanalytic critic and philosopher Slavoj Zizek is quick to point out, 1900 is also the year in which Freud 'invents' psychoanalysis. Can this be a coincidence? Opera's Second Death is a passionate exploration of opera---the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the strange compulsions that overpower characters in Mozart and Wagner, as well as our own desires to die and to go to the opera.
Mozart's understanding of psychoanalysis and Wagner's sense of humor are but two of the many surprises in Zizek and Dolar's operatic tour de force. Opera's Second Death is an extended aria on a subject that is far from dead.

What is the basis of belief in an era when globalization, multiculturalism and big business are the new religion? Slavoj Zizek, renowned philosopher and irrepressible cultural critic takes on all comers in this compelling and breathless new book.
From 'cyberspace reason' to the paradox that is 'Western Buddhism', On Belief gets behind the contours of the way we normally think about belief, in particular Judaism and Christianity. Holding up the so-called authenticity of religious belief to critical light, Zizek draws on psychoanalysis, film and philosophy to reveal in startling fashion that nothing could be worse for believers than their beliefs turning out to be true.
On Belief is essential reading for anyone interested in how we continue to hold beliefs in this postmodern age.

No other Marxist text has come close to achieving the fame and influence of The Communist Manifesto. Translated into over 100 languages, this clarion call to the workers of the world radically shaped the events of the twentieth century. But what relevance does it have for us today? In this slim book Slavoj Zizek argues that, while exploitation no longer occurs the way Marx described it, it has by no means disappeared; on the contrary, the profit once generated through the exploitation of workers has been transformed into rent appropriated through the privatization of the 'general intellect'. Entrepreneurs like Bill Gates and Mark Zuckerberg have become extremely wealthy not because they are exploiting their workers but because they are appropriating the rent for allowing millions of people to participate in the new form of the 'general intellect' that they own and control. But, even if Marx's analysis can no longer be applied to our contemporary world of global capitalism without significant revision, the fundamental problem with which he was concerned, the problem of the commons in all its dimensions - the commons of nature, the cultural commons, and the commons as the universal space of humanity from which no one should be excluded - remains as relevant as ever. This timely reflection on the enduring relevance of The Communist Manifesto will be of great value to everyone interested in the key questions of radical politics today.

  Welche Bedeutung haben Sozialisationstheorie und –forschung sowie damit verbundene Konzepte und empirische Zugänge gegenwärtig für die Kindheits- und Jugendforschung und vice versa? Die Diskussion  über den Ertrag und Weiterentwicklungen auf dem Gebiet einer Kindheits- und Jugendforschung, die sich in Beziehung setzt zu sozialisationstheoretischen Fragen, soll durch die im Band versammelten konzeptuellen und empirischen Beiträge weiter befruchtet werden.

Hoe kunnen we nog geloven en regels hebben in dit postmoderne tijdperk waarin naar verluidt niets is om in te geloven en geen regels zijn. De beroemde filosoof en onstuitbaar cultuurcriticus Slavoj Zizek daagt iedereen uit in dit overtuigende en adembenemende nieuwe boek.In Geloof, dat van 'cyberspace-denken' tot de paradox van het 'westerse boeddhisme' gaat, legt Zizek de vooronderstellingen bloot achter de manier waarop we gewoonlijk over geloof denken, met name in juda e en christendom. Door de zogenaamde authenticiteit van het religieuze geloof tegen een kritisch licht te houden en te putten uit psychoanalyse, film en filosofie, laat hij op schokkende wijze zien dat de basis van onze fundamenteelste overtuigingen minder rotsvast is dan wij denken.