This volume bridges the gap between forensic and cultural anthropology in how both disciplines describe and theorize the dead, highlighting the potential for interdisciplinary scholarship. As applied disciplines dealing with some of the most marginalized people in our society, forensic anthropologists have the potential to shed light on important and persistent social issues that we face today. Forensic anthropologists have successfully pursued research agendas primarily focused on the development of individual biological profiles, time since death, recovery, and identification. Few, however, have taken a step back from their lab bench to consider how and why people become forensic cases or place their work in a larger theoretical context. Thus, this volume challenges forensic anthropologists to reflect how we can use our toolkit and databases to address larger social issues and quandaries that we face in a world where some are spared from becoming forensic anthropology cases and others are not. As witnesses to violence, crimes against humanity, and the embodied consequences of structural violence, we have the opportunity-and arguably, the responsibility-to transcend the traditional medico-legal confines of our small sub-discipline, by synthesizing forensic anthropology casework into theoretically grounded social science with potentially transformative impacts at a global scale.

Nineteenth-century highland Madagascar was a place inhabited by the dead as much as the living. Ghosts, ancestors and the possessed were important historical actors alongside local kings and queens, soldiers, traders and missionaries. This book considers the challenges that such actors pose for historical accounts of the past and for thinking about questions of presence and representation. How were the dead made present, and how were they recognized or not? In attending to these multifarious encounters of the nineteenth century, how might we reflect on the ways in which our own history-writing makes the dead present? To tackle these questions, Zoe Crossland tells an anthropological history of highland Madagascar from a perspective rooted in archaeology and Peircean semiotics, as well as in landscape study, oral history and textual sources.