The only collaboration between the two brightest lights of the Harlem Renaissance--Zora Neale Hurston and Langston Hughes

In 1930, two giants of African American literature joined forces to create a lively, insightful, often wildly farcical look inside a rural Southern black community--the three-act play "Mule Bone." In this hilarious story, Jim and Dave are a struggling song-and-dance team, and when a woman comes between them, chaos ensues in their tiny Florida hometown. This extraordinary theatrical work broke new ground while triggering a bitter controversy between the collaborators that kept it out of the public eye for sixty years.

This edition of the rarely seen stage classic features Hurston's original short story, "The Bone of Contention," as well as the complete recounting of the acrimonious literary dispute that prevented Mule Bone from being produced or published until decades after the authors' deaths.

Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s.

The bittersweet and often hilarious tales -- which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners -- reveal attitudes about faith, love, family, slavery, race, and community. Together, this collection of nearly 500 folktales weaves a vibrant tapestry that celebrates African American life in the rural South and represents a major part of Zora Neale Hurston's literary legacy.

Based on acclaimed author Zora Neale Hurston's personal experiences in Haiti and Jamaica--where she participated as an initiate rather than just an observer during her visits in the 1930s--"Tell My Horse" is a fascinating firsthand account of the mysteries of Voodoo. An invaluable resource and remarkable guide to Voodoo practices, rituals, and beliefs, it is a travelogue into a dark, mystical world that offers a vividly authentic picture of ceremonies, customs, and superstitions.

From 'one of the greatest writers of our time' (Toni Morrison) - the author of Their Eyes Were Watching God and Barracoon - a collection of remarkable short stories from the Harlem Renaissance With a foreword by Tayari Jones, author of An American Marriage 'Genius' Alice Walker 'Rigorous, convincing, dazzling' Zadie Smith on Their Eyes Were Watching God In 1925, college student Zora Neale Hurston - the sole black student at Barnard College, New York - was living in the city, 'desperately striving for a toe-hold on the world.' During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognised as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston's 'lost' Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humour, as well as more serious tales reflective of the cultural currents of Hurston's world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer's voice and her contributions to America's literary traditions.

One of the most important works of twentieth-century American literature, Zora Neale Hurston's beloved 1937 classic, Their Eyes Were Watching God, is an enduring Southern love story sparkling with wit, beauty, and heartfelt wisdom. Told in the captivating voice of a woman who refuses to live in sorrow, bitterness, fear, or foolish romantic dreams, it is the story of fair-skinned, fiercely independent Janie Crawford, and her evolving selfhood through three marriages and a life marked by poverty, trials, and purpose. A true literary wonder, Hurston's masterwork remains as relevant and affecting today as when it was first published--perhaps the most widely read and highly regarded novel in the entire canon of African American literature.

Abducted from Africa, sold in America. "A deeply affecting record of an extraordinary life"- Daily Telegraph A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker. The true story of one of the last-known survivors of the Atlantic slave trade. In August 1931, famed anthropologist Zora Neale Hurston travelled to Alabama to visit ninety-year-old Cudjo Lewis, a former slave. Over three months, Cudjo shared heart-rending memories of his childhood in Africa; the horrors of being captured - fifty years after slavery was outlawed - and held in the Ouidah barracoons for selection by American slavers; the harrowing ordeal of the Middle Passage aboard the Clotilda with over one hundred other souls; and the years he spent in slavery. Barracoon brings to life Cudjo's singular voice in an invaluable contribution to history and culture, a work as poignant as it is profound.

Acclaimed for her pitch-perfect accounts of rural black life and culture, Zora Neale Hurston explores new territory with her novel Seraph on the Suwanee--a story of two people at once deeply in love and deeply at odds, set among the community of "Florida Crackers" at the turn of the twentieth century. Full of insights into the nature of love, attraction, faith, and loyalty, it follows young Arvay Henson, convinced she will never find true happiness, as she defends herself from unwanted suitors with hysterical fits and religious fervor. But into her life comes bright and enterprising Jim Meserve, who knows that Arvay is the woman for him, and nothing she can do will dissuade him.

Alive with the same passion and understanding of the human heart that made Their Eyes Were Watching God a classic, Hurston's Seraph on the Suwanee masterfully explores the evolution of a marriage and the conflicting desires of an unforgettable young woman in search of herself and her place in the world.

Acclaimed for her pitch-perfect accounts of rural black life and culture, Zora Neale Hurston explores new territory with her novel Seraph on the Suwanee--a story of two people at once deeply in love and deeply at odds, set among the community of "Florida Crackers" at the turn of the twentieth century. Full of insights into the nature of love, attraction, faith, and loyalty, it follows young Arvay Henson, convinced she will never find true happiness, as she defends herself from unwanted suitors with hysterical fits and religious fervor. But into her life comes bright and enterprising Jim Meserve, who knows that Arvay is the woman for him, and nothing she can do will dissuade him.

Alive with the same passion and understanding of the human heart that made Their Eyes Were Watching God a classic, Hurston's Seraph on the Suwanee masterfully explores the evolution of a marriage and the conflicting desires of an unforgettable young woman in search of herself and her place in the world.

Cover design by Harlem renaissance artist Lois Mailou Jones When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ... 'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece of prose, as emotionally satisfying as it is impressive. There is no novel I love more' Zadie Smith 'One of the greatest writers of our time' Toni Morrison

With a Foreword by Edwidge Danticat and an Afterword by Henry Louis Gates, Jr.

One of the most important works of twentieth-century American literature, Zora Neale Hurston's beloved 1937 classic, Their Eyes Were Watching God, is an enduring Southern love story sparkling with wit, beauty, and heartfelt wisdom. Told in the captivating voice of a woman who refuses to live in sorrow, bitterness, fear, or foolish romantic dreams, it is the story of fair-skinned, fiercely independent Janie Crawford, and her evolving selfhood through three marriages and a life marked by poverty, trials, and purpose. A true literary wonder, Hurston's masterwork remains as relevant and affecting today as when it was first published--perhaps the most widely read and highly regarded novel in the entire canon of African American literature.

From "one of the greatest writers of our time" (Toni Morrison)--the author of Barracoon and Their Eyes Were Watching God--a collection of remarkable stories, including eight "lost" Harlem Renaissance tales now available to a wide audience for the first time. New York Times' Books to Watch for Buzzfeed's Most Anticipated Books Newsweek's Most Anticipated Books Forbes.com's Most Anticipated Books E!'s Top Books to Read Glamour's Best Books Essence's Best Books by Black Authors In 1925, Barnard student Zora Neale Hurston--the sole black student at the college--was living in New York, "desperately striving for a toe-hold on the world." During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston's "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston's world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer's voice and her contributions to America's literary traditions.

She was stretched on her back beneath the pear tree soaking in the alto chant of the visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her . . . When sixteen-year-old Janie is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before she finally meets the man of her dreams - who offers not diamonds, but a packet of flowering seeds. 'Their Eyes Were Watching God is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece of prose, as emotionally satisfying as it is impressive. There is no novel I love more' - Zadie Smith Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

“Kendi and Yangni collaborate to introduce young children to the African American folklore tradition and to Hurston’s importance within that tradition.� —The Horn Book A First Folktale from the creators of Magnolia Flower, Zora Neale Hurston and Ibram X. Kendi, about the origin of butterflies. The Creator wuz all finished and thru makin’ de world. But soon, the Creator finds themselves flying through the sky, making gorgeous butterflies of every color, shape, and size. Find out why butterflies were made in Zora Neale Hurston's stunning and layered African American folktale retold by #1 New York Times bestselling and National Book Award–winning author Ibram X. Kendi and illustrated by Kah Yangni. This accessible and sizable board book is perfect for introducing the youngest of readers to the beauty of Hurston's storytelling and will spark curiosity in children about how things in our world came to be.

With a new introduction by JESMYN WARD 'Zora Neale Hurston was a knockout in her life, a wonderful writer and a fabulous person. Devilishly funny and academically solid: delicious mixture' MAYA ANGELOU First published in 1942 at the height of her popularity, Dust Tracks on a Road is Zora Neale Hurston's candid, exuberant account of her rise from childhood poverty in the rural South to a prominent place among the leading artists and intellectuals of the Harlem Renaissance. As compelling as her acclaimed fiction, Hurston's literary self-portrait offers a revealing, often audacious glimpse into the life - public and private - of an extraordinary artist, anthropologist, chronicler and champion of the black experience in America. Full of the wit and wisdom of a proud, spirited woman who started off low and climbed high: 'I have been in Sorrow's kitchen and licked out all the pots. Then I have stood on the peaky mountain wrapped in rainbows with a harp and a sword in my hands.' 'One of the greatest writers of our time' TONI MORRISON

When an essay is due and dreaded exams loom, here's the lit-crit help students need to succeed! SparkNotes Literature Guides make studying smarter, better, and faster. They provide chapter-by-chapter analysis, explanations of key themes, motifs and symbols, a review quiz and essay topics. Lively and accessible, SparkNotes is perfect for late-night studying and paper writing.

‘One of the greatest writers of our time.’ Toni Morrison ‘You Don’t Know Us Negroes adds immeasurably to our understanding of Hurston … her words make it impossible for readers to consider her anything but one of the intellectual giants of the 20th century.’ The New York Times Book Review Introduction by New York Times bestselling author Henry Louis Gates Jr. and Genevieve West Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an author. You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it. She argues that in the process of surviving, Black people re-interpreted every aspect of American culture—"modif[ying] the language, mode of food preparation, practice of medicine, and most certainly religion.� White supremacy prevents the world from seeing or completely recognizing Black people in their full humanity and Hurston made it her job to lift the veil and reveal the heart and soul of the race. These pages reflect Hurston as the controversial figure she was – someone who stated that feminism is a mirage and that the integration of schools did not necessarily improve the education of Black students. Also covered is the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing her lover, a white doctor. Demonstrating the breadth of this revered and influential writer’s work, You Don’t Know Us Negroes and Other Essays is an invaluable chronicle of a writer’s development and a window into her world and mind.

In this 1939 novel based on the familiar story of the Exodus, Zora Neale Hurston blends the Moses of the Old Testament with the Moses of black folklore and song to create a compelling allegory of power, redemption, and faith. Narrated in a mixture of biblical rhetoric, black dialect, and colloquial English, Hurston traces Moses's life from the day he is launched into the Nile river in a reed basket, to his development as a great magician, to his transformation into the heroic rebel leader, the Great Emancipator. From his dramatic confrontations with Pharaoh to his fragile negotiations with the wary Hebrews, this very human story is told with great humor, passion, and psychological insight--the hallmarks of Hurston as a writer and champion of black culture.

With a new introduction by JESMYN WARD Born on the wrong side of the creek, John Buddy Pearson, the son of a slave, has come a long way since his shoeless days. With some schooling, a job and marriage to clever Lucy Potts, his fortunes are looking up. But, unable to resist the lure of women or a fight, he's forced to flee town or face life on the chain gang. John finds himself in Sanford, Florida, and sends for Lucy and the children. There, he discovers a talent for preaching, and, with the support of his wife, becomes pastor of Zion Hope Church, rousing his congregation with his fervent sermons. He is now a pillar of the community, respected and popular. Before long, though, he is praying for his own sins - for his powers of persuasion aren't limited to the pulpit - and the town won't stand for his philandering ways. Originally published in 1934, this is Zora Neale Hurston's first novel.

"I have been in Sorrow's kitchen and licked out all the pots. Then I have stood on the peaky mountain wrapped in rainbows with a harp and a sword in my hands."

First published in 1942 at the crest of her popularity, this is Zora Neale Hurston's unrestrained account of her rise from childhood poverty in the rural South to prominence among the leading artists and intellectuals of the Harlem Renaissance. Full of wit and wisdom, and audaciously spirited, "Dust Tracks on a Road" offers a rare, poignant glimpse of the life -- public and private -- of a premier African-American writer, artist, anthropologist and champion of the black heritage."Warm, witty, imaginative, and down-to-earth by turns, this is a rich and winning book by one of our genuine, Grade A, folk writers." "--The New Yorker"