"Everything looked perfect. Sand - unique Baltic sand, the best in the world - and the calm sea. But wait. Something was amiss. Something was wrong" It starts with a day at the beach. A single white sock that somehow spoils everything. It's enough to send writer and ornithologist Stanislaw Lubienski on a quest to understand what we throw away, where it goes and whether it will be our legacy. By analysing items he unearths on his trips into nature - a plastic bottle, a tube of Russian penis-enlargement cream, a cigarette butt, an empty aerosol can - tracing their origins and explaining the harm they can do, he shows how consumer society has developed out of control, to the point of environmental catastrophe. He also looks with a birdwatcher's eye at how various animals have come to adapt to and even rely on our rubbish, and interrogates the cultural significance of waste and the origins of our throw-away lifestyles. Finally, he adds a personal touch by examining his own "environmental neurosis" and by going out with refuse crews to watch them work. While Lubienski never hectors his readers, nor shames them, his clear-eyed, persuasive and humble polemic reminds us what we, as individuals, can and cannot do to address an apocalyptic issue while there's still something worth saving. Translated from the Polish by Zosia Krasodomska-Jones

"[An] incredibly moving collection of oral histories . . . important enough to be added to the history curriculum" Telegraph "Essential reading" History Today "A moving evocation . . . An illuminating if harrowing insight into life in a totalitarian state." Clarissa de Waal, author of ALBANIA: PORTRAIT OF A COUNTRY IN TRANSITION "Albania, enigmatic, mysterious Albania, was always the untold story of the Cold War, the 1989 revolutions and the fall of the Berlin Wall. Mud Sweeter Than Honey goes a very long way indeed towards putting that right" New European After breaking ties with Yugoslavia, the USSR and then China, Enver Hoxha believed that Albania could become a self-sufficient bastion of communism. Every day, many of its citizens were thrown into prisons and forced labour camps for daring to think independently, for rebelling against the regime or trying to escape - the consequences of their actions were often tragic and irreversible. Mud Sweeter than Honey gives voice to those who lived in Albania at that time - from poets and teachers to shoe-makers and peasant farmers, and many others whose aspirations were brutally crushed in acts of unimaginable repression - creating a vivid, dynamic and often painful picture of this totalitarian state during the forty years of Hoxha's ruthless dictatorship. Very little emerged from Albania during communist times. With these personal accounts, Rejmer opens a window onto a terrifying period in the country's history. Mud Sweeter than Honey is not only a gripping work of reportage, but also a necessary and unique portrait of a nation. With an Introduction by Tony Barber *Winner of the Polityka Passport Prize**Winner of the Koscielski Award* Translated from the Polish by Zosia Krasodomska-Jones and Antonia Lloyd-Jones

"Trash is a bit like birds. Both have their favourite habitats. I thought it might be worth taking a closer look at what we throw away and what it says about us. To follow the journey of the items we buy and discard. I wanted to find out more about what they're made of and what fate the future has in store for them." It starts with a day at the beach. A single white sock in the sand that somehow seems to spoil everything. It's enough to send Polish reporter and ornithologist Stanislaw Lubienski on a quest to understand what we throw away, where it goes and whether it will be our lasting legacy. By analysing items he unearths on his trips into nature - a plastic bottle, a tube of Russian penis-enlargement cream, a cigarette butt, an empty aerosol can - tracing their origins, their destination and the harm they can do, he shows how our consumer society has developed out of our control, to the point of environmental catastrophe. He also looks with a birdwatcher's eye at how various animals have come to adapt to and even rely on the rubbish we pollute their environment with, and at the cultural significance of trash and rubbish and the origins of our throw-away society. And in the finest Gonzo traditions, he inserts himself into his narrative by exmaning his own "environmental neurosis" and by going out with refuse crews to watch them work. Translated from the Polish by Zosia Krasodomska-Jones