Flatervrye mosaïek projekte soos plantbakke, meubels en ornamente vir jou tuin

• Van eenvoudige projekte soos sierpanele tot ’n sprankelende waterverfraaiing en ’n mosaïektafelblad

• Uitvoerige bespreking van tegnieke, volledige aanwysings, patrone en wenke om ’n professionele afwerking te verseker

Mosaïek is ’n een van die duursaamste kuns vorme in die wêreld, wat dit perfek maak om die ruimte buite jou huis te versier. Die projekte in Mosaïek vir jou tuin is geskik vir alles, van ’n klein terras tot ’n groot tuin en wys jou hoe om jou buitenshuise ruimte op die mees bekoorlike, unieke en blywende manier te versier.

Die uitgebreide tegniek-afdeling toon hoe om die regte teëls vir jou omgewing te kies, asook hoe om dit te gebruik. Die groot verskeidenheid teëls wat vandag in die handel beskikbaar is, is beter as ooit tevore en hierdie boek benut dié skatkis nuwe materiaal, onder andere versierde teëls, of selfs goedkoop (dog outentieke) bladgoudteëls ten volle. Namate jy vorder, kan jy jou kreatiwiteit ontwikkel met wenke vir bypassende teël- en kleurskemas wat jou in staat stel om die projekte effektief aan te pak en kunswerke te skep wat heeltemal eie is aan jou en jou tuin.

Al 25 projekte is geskik vir beginners en strek van eenvoudige dekoratiewe stukke, soos die betowerende kindervoetspore en skoenlapperklippe, tot praktiese en stewige weerbestande stukke soos die geruite trompe l’oeil-tafelblad en bekoorlike plantbakke wat veral in die vaal wintermaande sal bydra tot die kleur in jou tuin. Sommige projekte, soos die kershouer, kan binne twee uur voltooi word.

Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences, business and law, expertly written by the world's leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas. With disasters increasing in both frequency and intensity, this timely Advanced Introduction provides a fresh perspective on how the concepts established in the Sendai Framework can be put into practice to reduce disaster risk, improve preparedness in cost-effective ways, and develop whole-of-society approaches to increasing resilience. Key Features: Provides evidence-informed coverage of the core areas of disaster risk reduction Identifies the implementation issues and challenges to anticipation, preparedness, evaluation and governance and the strategies that can be used to facilitate it Discusses individual and collective ways to manage recovery and to learn from disaster experiences and programmes such as Build Back Better to prepare people to deal with disasters more effectively in the future Incorporating research on preparedness modelling, evaluation strategies, adaptive governance, and transformative learning, this Advanced Introduction will be invaluable to students and scholars of environmental management, governance and regulation interested in disaster risk reduction. It will also be a vital resource to policymakers looking to strengthen their disaster preparedness and recovery measures.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.