When a family emergency brings Cyborg back home to Detroit, Victor Stone surprisingly finds himself enjoying returning to the simpler life--where everybody sees him for who he really is and always was, rather than a larger-than-life superhero. It’s been a while since Vic’s been able to lower his guard and seek a purpose outside of being Cyborg 24/7. But a lot has changed in Detroit while Victor’s been away. An aggressive new company is turning the Motor City into an overclocked engine for revolutionary artificial intelligence...and no one knows better than Cyborg that technological transformation always comes at a steep human price!

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

What happens when two sets of parent's meet up to deal with the unruly behaviour of their children? A calm and rational debate between grown-ups about the need to teach kids how to behave properly? Or a hysterical night of name-calling, tantrums and tears before bedtime? Boys will be boys, but the adults are usually worse - much worse. God of Carnage won the Olivier Award for Best Comedy and the Tony award for Best Play.

One killer can hide in a city of millions When a homeless man is found dead in an abandoned tube station, DI Denning and DS Fisher are shocked to find out he has been stabbed. Who would want to kill a homeless man? And why? As they uncover his identity as a man involved in a serious fraud case several years ago, it leads to even more questions. Why are the victim's family so reluctant to help them solve the case? Who else is involved? Faced with a wall of silence, the squad finds only one man willing to share what he saw of the murder. But when he too is found dead, it's clear that someone will take brutal lengths to hide their secrets. Driven by his conviction that the dead man is owed justice and finding that some very dangerous individuals are tied up with the case, Denning won't rest until he solves the crime - but can he find the killer before he kills again? Meanwhile, Molly realises she is being stalked. Could this somehow be connected to the case, or is there someone in her personal life who wishes her harm? Join DI Denning and DS Fisher for another unputdownable London crime thriller, for fans of Stuart MacBride and Cara Hunter. Readers can't get enough of the Denning and Fisher series: ‘fast paced and utterly gripping, with plenty to keep you guessing from start to finish. Thoroughly entertaining.’ The Bookwormery ‘Well-paced, with a few clever twists, I was never quite sure I knew who the killer was. Graeme Hampton’s writing is fabulous.’ Jessica Belmont ‘This story starts with a bang and holds your attention throughout… fast paced and multi layered, each twist and turn drawing us further in’ Book Bound ‘Enough twists to keep you guessing in this solid, engrossing and well plotted police procedural… thoroughly entertaining’ The Bookwormery ‘Wow I really enjoyed this book… It is a complex, intriguing, grabbing book that you can sink your teeth into. I was hooked from beginning to end’ Reading Through the Pain

Interior designer Leslie Banker grew up learning the trade by her decorator mother s side. The most important thing her mother taught her was that thinking like a decorator means focusing on developing the story of the space and its inhabitants. That story is what gives a place style, depth, character, and its own unique look, as well as most importantly makes the people who live there happy. Think Like a Decorator shows readers how to do just that. Banker teaches readers how to drill down and articulate what appeals to them. She explains how to drop anchors for the project, whether it s a favorite paint color or an inherited family piece, and what is essential to living comfortably in a home (hint: enough chairs at the dinner table). Banker also covers how to identify what is not working currently (the pile of backpacks that grows at the end of each day in that neglected corner) and how to solve the inevitable issues that will arise (the paint color that turned garish on the wall). Witty and entertaining, with Q and As from noted designers including Alexa Hampton, Tom Scheerer, Amanda Nisbet, Katie Ridder, and Christopher Spitzmiller, Think Like a Decorator is, ultimately, about how to live happily and well at home.

Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what? I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premiered at the Kiln Theatre, London, in February 2019.

Andre and Madeleine have been in love for over fifty years. This weekend, as their daughters visit, something feels unusual. A bunch of flowers arrive, but who sent them? A woman from the past turns up, but who is she? And why does Andre feel like he isn't there at all? Christopher Hampton's translation of Florian Zeller's The Height of the Storm was first performed at Richmond Theatre, London, and opened in the West End at Wyndham's Theatre in October 2018.

Valor is the magnificent story of a genuine American hero who survived the fall of the Philippines and brutal captivity under the Japanese, from New York Times bestselling author Dan Hampton. Lieutenant William Frederick "Bill" Harris was 25 years old when captured by Japanese forces during the Battle of Corregidor in May 1942. This son of a decorated Marine general escaped from hell on earth by swimming eight hours through a shark-infested bay; but his harrowing ordeal had just begun. Shipwrecked on the southern coast of the Philippines, he was sheltered by a Filipino aristocrat, engaged in guerilla fighting, and eventually set off through hostile waters to China. After 29 days of misadventures and violent storms, Harris and his crew limped into a friendly fishing village in the southern Philippines. Evading and fighting for months, he embarked on another agonizing voyage to Australia, but was betrayed by treacherous islanders and handed over to the Japanese. Held for two years in the notorious Ofuna prisoner-of-war camp outside Yokohama, Harris was continuously starved, tortured, and beaten, but he never surrendered. Teaching himself Japanese, he eavesdropped on the guards and created secret codes to communicate with fellow prisoners. After liberation on August 30, 1945, Bill represented American Marine POWs during the Japanese surrender in Tokyo Bay before joining his father and flying to a home he had not seen in four years. Valor is a riveting new look at the Pacific War. Through military documents, personal photos, and an unpublished memoir provided by his daughter, Harris' experiences are dramatically revealed through his own words in the expert hands of bestselling author and retired fighter pilot Dan Hampton. This is the stunning and captivating true story of an American hero.

Found in our archives, the Black's Sketchbooks are a series of books produced in the early 20th century by a group of well-known artists. Each book contains pen sketches of iconic English and Scottish cities and counties. There are also some books on Continental cities such as Paris and Venice. The result is a charming series of books that present a fascinating look at British and European locations as they were almost a century ago. This title is a delightful look at Brighton and its environs in 1919.