The second book in the fast-paced and witty Afrofantasy series following twelve-year-old Adia Kelbara, who must ally with a snarky goddess and a knife-wielding warrior to save her kingdom once more.

Originally published in 1988, GETTING THE LOVE YOU WANT has helped thousands of couples attain more loving, supportive and deeply satisfying relationships. In this groundbreaking book, Dr Harville Hendrix shares with you what he has learned about the psychology of love during more than thirty years of working as a therapist and helps you transform your relationship into a lasting source of love and companionship. For this edition of his classic book, Dr Hendrix and his wife, Helen LaKelly Hunt, have added a new introduction describing the powerful influence this book has had on so many people over the years. With its step-by-step programme, GETTING THE LOVE YOU WANT will help you create a loving, supportive and revitalized partnership.

There’s power in a book… They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to the Wellwood Home in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, give them up for adoption, and most important of all, to forget any of it ever happened. Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who knows she’s going to go home and marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who. Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid…and it’s usually paid in blood. In Witchcraft for Wayward Girls, the author of How to Sell a Haunted House and The Final Girl Support Group delivers another searing, completely original novel and further cements his status as a “horror master” (NPR).

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In horror movies, the final girl is the one who's left standing when the credits roll. The one who fought back, defeated the killer, and avenged her friends. The one who emerges bloodied but victorious. But after the sirens fade and the audience moves on, what happens to her? Lynnette Tarkington survived a massacre twenty-two years ago, and it has defined every day of her life since. And she's not alone. For more than a decade she's been meeting with five other final girls and their therapist in a support group for those who survived the unthinkable, putting their lives back together, piece by piece. That is until one of the women misses a meeting and Lynnette's worst fears are realized-someone knows about the group and is determined to take their lives apart again, piece by piece. But the thing about these final girls is that they have each other now, and no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.

When Louise finds out her parents have died, she dreads going home. She doesn't want to leave her daughter with her ex and fly to Charleston. She doesn't want to deal with her family home, stuffed to the rafters with the remnants of her father's academic career and her mother's lifelong obsession with puppets and dolls. She doesn't want to learn how to live without the two people who knew and loved her best in the world. Mostly, she doesn't want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success. But she'll need his help to get the house ready for sale because it'll take more than some new paint on the walls and clearing out a lifetime of memories to get this place on the market. Some houses don't want to be sold, and their home has other plans for both of them... Like his novels The Southern Book Club's Guide to Slaying Vampires and The Final Girl Support Group, How to Sell a Haunted House is classic Hendrix: equal parts heartfelt and terrifying-a gripping new read from "the horror master" (USA Today).

THE DELIGHT OF THE FATHER AND OTHER LYRICS is a collection of over sixty biblically based poems, many of which were written to be sung. The book is arranged throughout with relevant scripture on the page facing each poem.

When Mark, an American soldier serving in Germany in the early 1950s, meets Lauren, a young German girl, their lives change forever. But love is never easy, and for these two it may well be impossible. In a world still reeling from the horrors of war and genocide, the budding love between a Jewish soldier and a German Catholic girl is controversial and dangerous.

It is a time in history that demands the same dedication and focus on duty as in the war years. Both of the lovers are pressured from all sides, and each feels the impossibility of their love-but neither can deny or forget it. Mark is faced with military duty, a possible court martial, and a threatening sociopath. Lauren is expected to play the role of the dutiful German daughter who follows the path dictated by her father. In addition to her obligations to her father, she is expected to focus only on school, work, her church, and her duty to country.

Their very different backgrounds stand as obstacles they can't disregard. Neither is so naive as to ignore the considerable cultural and societal pressure they face. But the heart does not always listen to logic, and soon they are irresistibly drawn together-come what may.

Despite all the many forces they face, can they find the strength to stay together in a world that propels them apart?

An insider's look at the changes going on in Nicaragua—the internal political maneuvering of Daniel Ortega, the responses by the United States, and the success of recent American pro-democracy civil society efforts there. At the time of Ortega's return to the presidency, attorney and award-winning author Steven Hendrix was on the ground in Nicaragua working for the U.S. Agency for International Development. The New Nicaragua: Lessons in Development, Democracy, and Nation-Building for the United States is Hendrix's eyewitness account of the changes going on there. What Hendrix found in the new Nicaragua is a decidedly mixed bag: a presidential campaign marked by dirty tricks and backroom deals, yet an election held under the first neutral comprehensive observation ever in the developing world; an overt effort to appease the United States even while attempting to undermine U.S. policy in the region. Yet despite this, Hendrix saw U.S. pro-democracy, civil society efforts succeed, disproving the many skeptics who doubt that nation-building is even possible.

Sanctions for illegitimacy vary enormously across cultures and are linked to social structure. Some societies handle non-marital births in a relaxed way; others use restitutive sanctions; and others repressive sanctions. This study of 122 non-industrial societies shows that the regulation of illegitimacy is more varied than any particular theory suggests (and there are many, including Marxism, functionalism, sociobiology, and feminism). The work aims to test a variety of theoretical ideas about the possible factors involved in social regulation of illegitimacy -- social hierarchy, fraternal interest groups, female power, extended family structure, affection for children, and father involvement with infants -- and to examine combinations of these factors for predictive power. This study will be of interest to scholars and students in sociology, family studies, and cultural anthropology.