The essays within this collection explore the possibilities and potentialities of all three positions, presenting encounters that are, at times contradictory, at other times supportive, as well as complementary. The collection thereby enriches the questions that are being raised within contemporary cinematic studies.

This book theorizes five youth television series: "Dawson""'s Creek, Freaks and Geeks, Buffy the Vampire Slayer, Roswell, " and" Smallville "from a psychoanalytic perspective drawing on the meeting ground between Jacques Lacan, Gilles Deleuze, and Felix Guattari. jagodzinski develops the notion of self-refleXivity (as distinct from self-reflection and self reflexion) to identify that aspect of the inhuman within ourselves, namely the order of the drives that these series explore. It is argued that the narratology of the post-Gothic form of "Buffy, Roswell, "and" Smallville" is the structure of paranoid schizophrenia. A hyper-self-reflexivity informs "Dawson's Creek," while "Freaks and Greeks" deals with ethical dilemmas.

"Music in Youth Culture" examines the fantasies of post-Oedipal youth cultures as displayed on the landscape of popular music from a post-Lacanian perspective. jagodzinski, an expert on Lacan, psychoanalysis, and education's relationship to media, maintains that a new set of signifiers is required to grasp the sliding signification of contemporary "youth." He discusses topics such as the figurality of noise, the perversions of the music scene by boyz/bois/boys and the hysterization of it by gurlz/girls/grrrls. "Music in Youth Culture "also examines the postmodern "fan(addict)," techno music, and pop music icons. jagodzinski raises the Lacanian question of "an ethics of the Real" and asks educators to re-examine "youth" culture.

This book theorizes five youth television series: "Dawson""'s Creek, Freaks and Geeks, Buffy the Vampire Slayer, Roswell, " and" Smallville "from a psychoanalytic perspective drawing on the meeting ground between Jacques Lacan, Gilles Deleuze, and Felix Guattari. jagodzinski develops the notion of self-refleXivity (as distinct from self-reflection and self reflexion) to identify that aspect of the inhuman within ourselves, namely the order of the drives that these series explore. It is argued that the narratology of the post-Gothic form of "Buffy, Roswell, "and" Smallville" is the structure of paranoid schizophrenia. A hyper-self-reflexivity informs "Dawson's Creek," while "Freaks and Greeks" deals with ethical dilemmas.

The essays within this collection explore the possibilities and potentialities of all three positions, presenting encounters that are, at times contradictory, at other times supportive, as well as complementary. The collection thereby enriches the questions that are being raised within contemporary cinematic studies.