Following up on the successful Everything Is Wild and Free puzzle and stationery set comes a new group of paper products from Flow and the artist Valesca van Waveren. Taking as its inspiration a quote from Francis Hodgson Burnett, and translating it into stunning images that capture the magic we find in nature, particularly on a starlit night, Everything Is Made Out of Magic is a suite of pure delight. Everything Is Made Out of Magic Wrapping Paper and Gift Tagselevate the wrapping to make package a gift with twelve full, folded sheets of wrapping paper (which unfold to 19"x27"), printed on both sides, and featuring themes from the entire group of products. A page of punch-out gift tags completes the set.

Based on a newly developed, practical and relatable ‘Pressure Cooker Model’ which bridges the gap between theoretical models of FND with non-FND specific CBT models. Psychology-led and firmly rooted in psychological principles: written and created by a psychologist who is passionate about psychology treatment for FND. Places a larger emphasis on the active formulation and treatment of social and environmental processes in FND to actively increase awareness of FND and help improve recovery and reduce stigma. Model has wide-spread applicability for different populations with FND, different professionals involved in FND and different therapy formats. Accompanied by an appendix of resources and templates for clinicians

The architecture of the human language faculty has been one of the main foci of the linguistic research of the last half century. This branch of linguistics, broadly known as Generative Grammar, is concerned with the formulation of explanatory formal accounts of linguistic phenomena with the ulterior goal of gaining insight into the properties of the 'language organ'. The series comprises high quality monographs and collected volumes that address such issues. The topics in this series range from phonology to semantics, from syntax to information structure, from mathematical linguistics to studies of the lexicon. To discuss your book idea or submit a proposal, please contact Birgit Sievert

It has been more than five decades ago that Henk van de Hulst predicted the observability of the 21-cm line of neutral hydrogen (HI ). Since then use of the 21-cm line has greatly improved our knowledge in many fields and has been used for galactic structure studies, studies of the interstellar medium (ISM) in the Milky Way and other galaxies, studies of the mass distribution of the Milky Way and other galaxies, studies of spiral struc ture, studies of high velocity gas in the Milky Way and other galaxies, for measuring distances using the Tully-Fisher relation etc. Regarding studies of the ISM, there have been a number of instrumen tal developments over the past decade: large CCD's became available on optical telescopes, radio synthesis offered sensitive imaging capabilities, not only in the classical 21-cm HI line but also in the mm-transitions of CO and other molecules, and X-ray imaging capabilities became available to measure the hot component of the ISM. These developments meant that Milky Way was no longer the exclusive playground for ISM studies and that by reaching out to other galaxies astronomy had gained the advantage of having an "outside" view, though at the expense of giving up some linear resolution. Studies of the ISM in other galaxies are intimately connected to studies of the ISM in the Milky Way."

Following up on the successful Everything Is Wild and Free puzzle and stationery set comes a new group of paper products from Flow and the artist Valesca van Waveren. Taking as its inspiration a quote from Francis Hodgson Burnett, and translating it into stunning images that capture the magic we find in nature, particularly on a starlit night, Everything Is Made Out of Magic is a suite of pure delight. The Everything Is Made Out of Magic Sticker Book will have sticker lovers rejoicing, as they get to play with even more images from the artist's compelling color palette. Includes 28 sheets and 1,000+ stickers to decorate a journal, notebook, envelopes, random notes, and wherever else stickers are used.

This book intends to place Nick Clements' contribution to Feature Theory in a historical and contemporary context and to introduce some of his unpublished manuscripts as well as new work with colleagues collected in this book.

In part I of this volume, experts on various language areas provide surveys of word stress/accent systems of as many languages in 'their' part of the world as they could lay their hands on. No preconditions (theoretical or otherwise) were set, but the authors were encouraged to use the StressTyp data in their chapters. Australian Languages (Rob Goedemans), Austronesian Languages (Ellen van Zanten, Ruben Stoel and Bert Remijsen), Papuan Languages (Ellen van Zanten and Philomena Dol), North American Languages (Keren Rice), South American Languages (Sergio Meira and Leo Wetzels), African Languages (Laura Downing), European Languages (Harry van der Hulst), Asian Languages (Harry van der Hulst and Rene Schiering), Middle Eastern Languages (Harry van der Hulst and Sam Hellmuth). There is an introductory chapter (Chapter 1) that will provide the reader with elementary terminology and theoretical tools to understand the variety of accentual systems that will be discussed in the subsequent chapters of this book. Chapter 2 has a double function. It presents an overview of stress patterns in Australian languages, but at the same time it is intended to (re-)familiarize readers with the coding, terminology and theoretical ideas of the StressTyp database. Chapter 11 presents statistical and typological information from the StressTyp database. Part II of this volume contains 'language profiles' which are, for each of the 511 languages contained in StressTyp (in 2009), extracts from the information that is contained in the database. This volume will be of interest to people in the field of theoretical phonology and language typology. It will function as a reference work for these groups of researchers, but also, more generally, for people working on syntax and other fields of linguistics, who might wish to know certain basic facts about the distribution of word accent systems

The series is a platform for contributions of all kinds to this rapidly developing field. General problems are studied from the perspective of individual languages, language families, language groups, or language samples. Conclusions are the result of a deepened study of empirical data. Special emphasis is given to little-known languages, whose analysis may shed new light on long-standing problems in general linguistics.

The present volume is an edited collection of original contributions which all deal with the issue of recursion in human language(s). All contributions originate as papers that were presented at a conference on the topic of recursion in human language organized by Dan Everett in March 22, 2007. For the purpose of this collection all articles underwent a double-blind peer-review process. The present chapters were written in the course of 2008. Although the 'recursive' nature of linguistic expressions, i.e. the apparent possibility of producing an infinite number of expressions with finite means, has been noted for a long time, no general agreement seems to exist concerning the empirical status as well as mathematical formalization of this 'characteristic' of human languages or of the grammars that lie behind these utterances that make up these languages. Renewed interest in this subject was sparked by recent claims that 'recursion' is perhaps the sole uniquely human and as such universal trait of human language (cf. Chomsky, Hauser and Fitch 2000). In this volume, the issue of recursion is tackled from a variety of angles. Some articles cover formal issues regarding the proper characterization or definition of recursion, while others focus on empirical issues by examining the kinds of structure in languages that suggest recursive mechanism in the grammar. Most articles discuss syntactic phenomena, but several involve morphology, the lexicon and phonology. In addition, we find discussions that involve evolutionary notions and language disorders, and the broader cognitive context of recursion.

Based on a newly developed, practical and relatable ‘Pressure Cooker Model’ which bridges the gap between theoretical models of FND with non-FND specific CBT models. Psychology-led and firmly rooted in psychological principles: written and created by a psychologist who is passionate about psychology treatment for FND. Places a larger emphasis on the active formulation and treatment of social and environmental processes in FND to actively increase awareness of FND and help improve recovery and reduce stigma. Model has wide-spread applicability for different populations with FND, different professionals involved in FND and different therapy formats. Accompanied by an appendix of resources and templates for clinicians

How does human language arise in the mind? To what extent is it innate, or something that is learned? How do these factors interact? The questions surrounding how we acquire language are some of the most fundamental about what it means to be human and have long been at the heart of linguistic theory. This book provides a comprehensive introduction to this fascinating debate, unravelling the arguments for the roles of nature and nurture in the knowledge that allows humans to learn and use language. An interdisciplinary approach is used throughout, allowing the debate to be examined from philosophical and cognitive perspectives. It is illustrated with real-life examples and the theory is explained in a clear, easy-to-read way, making it accessible for students without a background in linguistics. An accompanying website contains a glossary, questions for reflection, discussion themes and project suggestions, to further deepen students understanding of the material.

Seven studies of the representation of tone in tonal languages such as Dschang Bamileke, Ebrie, and East Asian languages. In addition to analyzing specific languages, they discuss tonal geometry, a metrical theory of intonational downstep, prosodic government, and other topics. Annotation copyright

Sign languages and spoken languages have an equal capacity to communicate our thoughts. Beyond this, however, while there are many similarities, there are also fascinating differences, caused primarily by the reaction of the human mind to different modalities, but also by some important social differences. The articulators are more visible and use larger muscles with consequent greater effort. It is difficult to visually attend to both a sign and an object at the same time. Iconicity is more systematic and more available in signs. The body, especially the face, plays a much larger role in sign. Sign languages are more frequently born anew as small groups of deaf people come together in villages or schools. Sign languages often borrow from the written form of the surrounding spoken language, producing fingerspelling alphabets, character signs, and related signs. This book examines the effects of these and other differences using observation, experimentation and theory. The languages examined include Asian, Middle Eastern, European and American sign languages, and language situations include home signers and small village signers, children, gesturers, adult signers, and non-native signers.

The term 'Maya', in Indian traditions, refers to our sensory perception of the world and, as such, to a superficial reality (or 'un-reality') that we must look beyond to find the inner reality of things. Applied to the study of language, we perceive sounds, a superficial reality, and then we seek structures, the underlying reality in what we call phonology, morphology, and syntax. This volume starts with an introduction by the editors, which shows how the various papers contained in the volume reflect the spectrum of research interests of Andrea Calabrese, as well as his influence on the work of colleagues and his students. Contributors, united in their search for the abstract structures that underlie the appearances of languages include linguists such as Adriana Belletti, Paola Beninca, Jonathan Bobaljik, Gugliemo Cinque, David Embick, Mirko Grimaldi, Harry van der Hulst, Michael Kenstowicz, Maria Rita Manzini, Andrew Nevins, Elizabeth Pyatt, Luigi Rizzi, Leonardo Savoia, Laura Vanelli, Bert Vaux, Susi Wurmbrand, as well as a few junior researchers including Mariachiara Berizzi, Giuliano Bocci, Stefano Canalis, Silvio Cruschina, Irina Monich, Beata Moskal, Diego Pescarini, Joseph Perry, Roberto Petrosino, and Kobey Schwayder.

Following up on the successful Everything Is Wild and Free puzzle and stationery set comes a new group of paper products from Flow and the artist Valesca van Waveren. Taking as its inspiration a quote from Francis Hodgson Burnett, and translating it into stunning images that capture the magic we find in nature, particularly on a starlit night, Everything Is Made Out of Magic is a suite of pure delight. Lost in the digital rush is the old-fashioned, truly mindful pleasure of writing a real letter--on real stationery. The Everything Is Made Out of Magic Stationery Set features a pad of 48 lined sheets, 32 cut-and-fold envelopes, and 53 adhesive seals and labels. Just add a fountain pen.

This magnetic notepad provides a place to jot down your list (stick it on your fridge or your file cabinet!), because the more you write down, the less you have to remember, which allows more time and space for other creative pursuits.

How does human language arise in the mind? To what extent is it innate, or something that is learned? How do these factors interact? The questions surrounding how we acquire language are some of the most fundamental about what it means to be human and have long been at the heart of linguistic theory. This book provides a comprehensive introduction to this fascinating debate, unravelling the arguments for the roles of nature and nurture in the knowledge that allows humans to learn and use language. An interdisciplinary approach is used throughout, allowing the debate to be examined from philosophical and cognitive perspectives. It is illustrated with real-life examples and the theory is explained in a clear, easy-to-read way, making it accessible for students without a background in linguistics. An accompanying website contains a glossary, questions for reflection, discussion themes and project suggestions, to further deepen students understanding of the material.

Stress and accent are central, organizing features of grammar, but their precise nature continues to be a source of mystery and wonder. These issues come to the forefront in acquisition, where the tension between the abstract mental representations and the concrete physical manifestations of stress and accent is deeply reflected. Understanding the nature of the representations of stress and accent patterns, and understanding how stress and accent patterns are learned, informs all aspects of linguistic theory and language acquisition. These two themes - representation and acquisition - form the organizational backbone of this book. Each is addressed along different dimensions of stress and accent, including the position of an accent or stress within various prosodic domains and the acoustic dimensions along which the pronunciation of stress and accent may vary. The research presented in the book is multidisciplinary, encompassing theoretical linguistics, speech science, and computational and experimental research.