Dala Antique Rub is an easy to use, rub-on paste ideal for adding an antique mock guilded finish to items like ornate frames; wooden chests and boxes, small moulded accents and more.

Dala Antique Rub is an easy to use, rub-on paste ideal for adding an antique mock guilded finish to items like ornate frames; wooden chests and boxes, small moulded accents and more.

Add a classy and sophisticated look to items by gilding them with gold leaf. Gold leaf is an extremely thin and lightweight foil sheet product used for the gilding of picture frames, adding an antique look to crockery, pottery, jewellery, bric-a-brac and more!

Use in conjunction with a dala Gold leaf Size and Dala Gold Leaf varnish.

Dala Antique Rub is an easy to use, rub-on paste ideal for adding an antique mock guilded finish to items like ornate frames; wooden chests and boxes, small moulded accents and more.

Add a classy and sophisticated look to items by gilding them with gold leaf. Gold leaf is an extremely thin and lightweight foil sheet product used for the gilding of picture frames, adding an antique look to crockery, pottery, jewellery, bric-a-brac and more!

Use in conjunction with a dala Gold leaf Size and Dala Gold Leaf varnish.

Dala Antique Rub is an easy to use, rub-on paste ideal for adding an antique mock guilded finish to items like ornate frames; wooden chests and boxes, small moulded accents and more.

Dala Antique Rub is an easy to use, rub-on paste ideal for adding an antique mock guilded finish to items like ornate frames; wooden chests and boxes, small moulded accents and more.

Gold Leaf Size is a white, liquid adhesive suited to working with gold leaf sheets. It is quick drying and irremovable.

Please Note: Not be used as a top coat or varnish. Use Dala Gold Leaf Varnish for a glossy overcoat.

Gold Leaf Varnish is a glossy, clear varnish formulated for use in conjunction with Dala Gold Leaf Sheets and Dala Gold Leaf Size in the antiquing and gilding of items.

Add a classy and sophisticated look to items by gilding them with gold leaf. Gold leaf is an extremely thin and lightweight foil sheet product used for the gilding of picture frames, adding an antique look to crockery, pottery, jewellery, bric-a-brac and more!

Use in conjunction with a dala Gold leaf Size and Dala Gold Leaf varnish.

This domed mop brush is made from extremely soft mixed natural hair. Also called a "French Polishing Mop" traditionally used for applying french polish and by gilders and craftsmen for various applications.

A versatile brush which is ideal for watercolour washes and experimental techniques. A great alternative to squirrel.

This domed mop brush is made from extremely soft mixed natural hair. Also called a "French Polishing Mop" traditionally used for applying french polish and by gilders and craftsmen for various applications.

A versatile brush which is ideal for watercolour washes and experimental techniques. A great alternative to squirrel.

Bronze powder is made up of fine particles of metal carefully mixed to produce shades approximating the colours of gold. These powders are often used in restoring gilt finishes; when mixed with a medium such as Gilt Wax Medium, they can be applied to a surface much like a paint.

Made from pure squirrel hair, these tips are for picking up and applying ?loose? gold leaf.

Made from pure squirrel hair, these tips are for picking up and applying ?loose? gold leaf.

This domed mop brush is made from extremely soft mixed natural hair. Also called a "French Polishing Mop" traditionally used for applying french polish and by gilders and craftsmen for various applications.

A versatile brush which is ideal for watercolour washes and experimental techniques. A great alternative to squirrel.

This domed mop brush is made from extremely soft mixed natural hair. Also called a "French Polishing Mop" traditionally used for applying french polish and by gilders and craftsmen for various applications.

A versatile brush which is ideal for watercolour washes and experimental techniques. A great alternative to squirrel.

Made from pure squirrel hair, these tips are for picking up and applying loose gold leaf.

The Handover Gilding set contains all of the materials you will need to start gilding, together with the instructional paperback 'Practical Gilding' which aims to demystify the process. The set consists of a Wooden Storage Box of sustainable kiln-dried Beech (32 x 17 x 4cm) filled with the following gilding materials and instructional matter:

1x Instruction leaflet/Sticker
1x Handover Wundasize Acrylic Gold Size 50ml
1x Handover Universal Lacquer 50ml
1x Handover Soft Hair Mop Quill #6
1x Handover Squirrel Hair Flat Lacquer Brush 1/2 in.
1x Handover 23ct Gold Leaf Transfer 80 x 80 mm Extra Thick 13g
1x Practical Gilding Book

Descriptions and explanations of the materials, equipment and traditional, professional methods of oil and water gilding are clearly set out in 'Practical Gilding'. Originally conceived as a pamphlet for musical instrument makers, the authors soon discovered that by expanding the text they had written a book that would be an essential tool for craftspeople, conservators, gilders, decorative artists, antique dealers and collectors. This Archetype edition is a facsimile of the original book published by Mac & Me Ltd.

Roberson Liquid Metals have a rich deep colour and are ideal for a range of applications and surfaces. All colours are intermixable and can be used on surfaces such as plaster, wood, paper & canvas. The paint gives the appearance of metal but will not tarnish and is not required to be varnished.

Roberson Liquid Metals are creamy acrylic colours that can be used on most surfaces including plaster, wood, paper & canvas. The rich, deep colour gives the appearance of metal but it will not tarnish and is not required to be varnished.

The 24 colour range includes 13 shades of gold, brass and bronze; eight shades of silver, pewter and platinum; a steel, a graphite and an interference, glittery colour (called Twinkle).
All colours are intermixable with each other and other acrylic paints. When mixed they add both their colour and their sparkle to other acrylic paints.

The colours are all transparent but in thicker applications they can cover quite well. The paints can be thinned with water and as the paint becomes more transparent the metallic shimmer is still visible. Clean up is with soap and water. If you intend to paint large things, the pots list the paint’s coverage as: 7 square metres per litre

Speciality Colours
Two of the 24 colour range are slightly different to the rest and have slightly different prices:

Twinkle: This variation of liquid metals produces colour changing effects with a hint of glitter. The use of different backgrounds will change the effects, for example dark backgrounds will show the glitter properties whereas light backgrounds provide a colour changing effect dependant on angle of view. It can be added to other colours to create a range of interesting effects.

Solid Silver: This variation of Liquid Metals differs from other silver shades within the range as it contains aluminium particles – this makes the liquid metal more opaque to provide excellent coverage.

Roberson Liquid Metals have a rich deep colour and are ideal for a range of applications and surfaces. All colours are intermixable and can be used on surfaces such as plaster, wood, paper & canvas. The paint gives the appearance of metal but will not tarnish and is not required to be varnished.

Roberson Liquid Metals are creamy acrylic colours that can be used on most surfaces including plaster, wood, paper & canvas. The rich, deep colour gives the appearance of metal but it will not tarnish and is not required to be varnished.

The 24 colour range includes 13 shades of gold, brass and bronze; eight shades of silver, pewter and platinum; a steel, a graphite and an interference, glittery colour (called Twinkle).
All colours are intermixable with each other and other acrylic paints. When mixed they add both their colour and their sparkle to other acrylic paints.

The colours are all transparent but in thicker applications they can cover quite well. The paints can be thinned with water and as the paint becomes more transparent the metallic shimmer is still visible. Clean up is with soap and water. If you intend to paint large things, the pots list the paint’s coverage as: 7 square metres per litre

Speciality Colours
Two of the 24 colour range are slightly different to the rest and have slightly different prices:

Twinkle: This variation of liquid metals produces colour changing effects with a hint of glitter. The use of different backgrounds will change the effects, for example dark backgrounds will show the glitter properties whereas light backgrounds provide a colour changing effect dependant on angle of view. It can be added to other colours to create a range of interesting effects.

Solid Silver: This variation of Liquid Metals differs from other silver shades within the range as it contains aluminium particles – this makes the liquid metal more opaque to provide excellent coverage.

Liquid Leaf is a remarkable gilding paint that contains its own red primer and film of lustrous gold, pre-mixed into a single liquid. This is the most effective finish you can use on carved and ornamental furniture, frames, mouldings, decorative ceilings, lamps, figurines and objects.

Treasure Gold is a metallic wax, which is unexcelled in restoring gold leaf and the finishing touches for antiquing. Blend any of the colours for just the right shade and depth of tone. Apply with fingers and buff lightly with a cloth. The metallic lustre won't fade or tarnish. It is easy to use on furniture, frames, ceramics, glass or virtually any surface.

Treasure Gold is a metallic wax, which is unexcelled in restoring gold leaf and the finishing touches for antiquing. Blend any of the colours for just the right shade and depth of tone. Apply with fingers and buff lightly with a cloth. The metallic lustre won't fade or tarnish. It is easy to use on furniture, frames, ceramics, glass or virtually any surface.

Bronze powder is made up of fine particles of metal carefully mixed to produce shades approximating the colours of gold. These powders are often used in restoring gilt finishes; when mixed with a medium such as Gilt Wax Medium, they can be applied to a surface much like a paint.