6 lightweight, wooden handled tools with various shaped metal blades. Length: All tools measure 13. 5cm

Dala Furniture Wax Finish and Craft Chalk Paint work in conjunction with one another to create beautiful vintage, shabby chic, distressed furniture and other pieces. Waxing and then buffing your painted piece will enhance the hue of the paint, as well as provide a hard, matte water resistant finish. Available in clear natural or antique dark wax.

Dala Furniture Wax Finish and Craft Chalk Paint work in conjunction with one another to create beautiful vintage, shabby chic, distressed furniture and other pieces. Waxing and then buffing your painted piece will enhance the hue of the paint, as well as provide a hard, matte water resistant finish. Available in clear natural or antique dark wax.

The wood of choice for carvers, this sturdy substrate is ready to make miracles with Cricut Maker®. Denser than balsa wood, basswood has a smooth, even wood grain – an ideal surface for clean cuts to craft models, toys, puzzles, or even small gift crates. It can be painted and stained easily without having to seal it first. For use with Cricut Maker and Knife Blade only.

These wooden craft sticks / mini dowel sticks are strong and versatile. Suitable for construction projects; model making and wooden toy making.

High quality traditional recipe containing only pure beeswax and genuine turpentine. Revives and enriches the natural patina wooden furniture to create a deep rich sheen. Suitable of all types of timber. Polishes and cleans, leaves a distinctive aroma. Manufactured in the UK.

A beveling tool ideal for creating beveled (rounded off or sloping) edges. Unlike most other beveling or chamfering tools, this beveler is extendable to allow for different thickness of material. This beveler has a red varnished beechwood handle, a metal head and steel cutting blades. Please Note: To cut the perfect bevel, we strongly advise securing your plastic or metal plate on a table or workbench before cutting.

Japanese synthetic waterstones and slipstones for sharpening lino and woodcut tools of all types.

A fine, 4000 grit multiform synthetic waterstone from Japan. On one edge the curved radius changes from 13mm to 3mm over its length. The opposite edge is tapered at an angle of about 40° making it ideal for sharpening the inside of V tools. The overall design allows the sharpening of a wide variety of tools from flat and wide to small narrow gouges and all V tools.

The 1000 grit can be described as a medium stone and is used to sharpen to an almost perfect cutting edge. The 4000 grit or fine stone is used for the final hone and polish and will leave the tool ready for use. Before use the stones will need to be soaked in water for 10 to 15 minutes. After use the stones are best air dried and wrapped in a soft cloth for storage.

This set of 6 Premium Wood Cut Knives have rounded wooden handles and are ideal for wood cutting. With a range of different blades they will enable you to create a variety of effects and textures. Great for basic and detailed carvings on wood, wax and clay.

This set of 6 contains:
1 x 6mm V-Straight Parting Chisel
1 x 7mm Spoon Gouge
1 x 7.5mm Spoon Gouge
1 x 8mm Straight Gouge
1 x 10mm Straight Flat Chisel
1 x 10mm Flat Skew Chisel
Length of handle: 9cm
Length of blade: 6cm

Lightweight yet sturdy with wooden handles, this set of 12 wood cut knives isthe perfect introduction to wood cutting. With a range of different blades, from V-Straight parting chisels to gouges, they will enable you to create a variety of effects and textures. Great for basic and detailed carvings on wood, wax and clay as well as for linoleum block carving.
Length from blade to base: 13.5cm
Length of blade: 2.5cm

Lightweight yet sturdy with wooden handles, this set of 6 wood cut knives is the perfect introduction to wood cutting. With a range of different blades, from V-Straight parting chisels to gouges, they will enable you to create a variety of effects and textures. Great for basic and detailed carvings on wood, wax and clay as well as for linoleum block carving. Presented in a wooden holder box, ideal as a neat storage solution and for traveling.

Length from blade to base: 13.5cm
Length of blade: 2.5cm

Wood engravers use Tint Tools to create incisions on the surface of woodblocks. As woodblocks are inked with a roller, these recessed incisions do not receive ink. They therefore show up white in the final print.This is a fine Tint Tool (#1), designed for cutting straight lines of a constant width. The trade engravers of the Nineteenth century referred to a series of parallel lines as a 'tint'. They used tints to depict colour and form; by varying the width and spacing of the lines that made up their tints, they were able to attain a sophisticated range of mid-tones, between the white of the paper and the black of the ink.This tool is not designed to cut curves; use a Graver or (preferably) a Spitsticker for that. The shank of the tool may be damaged if you force it to make corners.This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge. Please note, engraving tools are known by different names in the UK and the United States. Tint Tools are known as 'Angle Tints' or 'Angle Tint Tools' in the USA.

Wood engravers use Tint Tools to create incisions on the surface of woodblocks. As woodblocks are inked with a roller, these recessed incisions do not receive ink. They therefore show up white in the final print.This is a medium Tint Tool (#5), designed for cutting straight lines of a constant width. The trade engravers of the Nineteenth century referred to a series of parallel lines as a 'tint'. They used tints to depict colour and form; by varying the width and spacing of the lines that made up their tints, they were able to attain a sophisticated range of mid-tones, between the white of the paper and the black of the ink.This tool is not designed to cut curves; use a Graver or (preferably) a Spitsticker for that. The shank of the tool may be damaged if you force it to make corners.This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge. Please note, engraving tools are known by different names in the UK and the United States. Tint Tools are known as 'Angle Tints' or 'Angle Tint Tools' in the US.

Lozenge Gravers are used by wood engravers and copper engravers. The face of the tool is lozenge-shaped and will cut a line deeper than it is wide.

This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge.

Please note, engraving tools are known by different names in the U.K. and the United States. Lozenge Gravers are known as 'Lozenge Burins' in the U.S.A.

Gamblin's Gamvar Varnish Brush is a high-quality synthetic brush designed to work perfectly with Gamblin Gamvar Varnish and other picture varnishes. Designed by Gamblin and made in Germany, this brush has the ideal thickness and stiffness for varnishing. It is soft enough to contour to the texture of your work, yet stiff enough to evenly and thinly varnish your painting. Unlike animal hair bristles that load heavily and break over time, thin-fibre synthetics that "mop" varnish, or single-use sponge brushes that create bubbles, this brush is designed to load and deliver the correct amount of varnish. Works with all varnishes and Gamvar Gloss, Satin, and Matt on oil and acrylic paintings.

Gamblin's Gamvar Varnish Brush is a high-quality synthetic brush designed to work perfectly with Gamblin Gamvar Varnish and other picture varnishes. Designed by Gamblin and made in Germany, this brush has the ideal thickness and stiffness for varnishing. It is soft enough to contour to the texture of your work, yet stiff enough to evenly and thinly varnish your painting. Unlike animal hair bristles that load heavily and break over time, thin-fibre synthetics that "mop" varnish, or single-use sponge brushes that create bubbles, this brush is designed to load and deliver the correct amount of varnish. Works with all varnishes and Gamvar Gloss, Satin, and Matt on oil and acrylic paintings.

Lozenge Gravers are used by wood engravers and copper engravers. The face of the tool is lozenge-shaped and will cut a line deeper than it is wide.

This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge.

Please note, engraving tools are known by different names in the U.K. and the United States. Lozenge Gravers are known as 'Lozenge Burins' in the U.S.A.

Wood engravers use Tint Tools to create incisions on the surface of woodblocks. As woodblocks are inked with a roller, these recessed incisions do not receive ink. They therefore show up white in the final print.This is a medium-fine Tint Tool (#3), designed for cutting straight lines of a constant width. The trade engravers of the Nineteenth century referred to a series of parallel lines as a 'tint'. They used tints to depict colour and form; by varying the width and spacing of the lines that made up their tints, they were able to attain a sophisticated range of mid-tones, between the white of the paper and the black of the ink.This tool is not designed to cut curves; use a Graver or (preferably) a Spitsticker for that. The shank of the tool may be damaged if you force it to make corners.This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge. Please note, engraving tools are known by different names in the UK and the United States. Tint Tools are known as 'Angle Tints' or 'Angle Tint Tools' in the US.

Wood engravers use Square Scorpers to create incisions on the surface of woodblocks. As woodblocks are inked with a roller, these incisions do not receive ink, and therefore show up white in the final print. Because the tip of a Scorper is flat, rather than pointed (as Spitstickers and Gravers are), scorpers of larger sizes are used to clear large areas of woodblocks (often round the edge of the design, or at the corners of a block) so that they will not print.This is a medium-fine Square Scorper (#39). It has strait sides, which means that it will cut a line of a constant width. Because the tip of the cutting face is completely flat, lines cut with this tool will begin and end abruptly, with a square edge. They will not swell or taper, like lines made with a spitsticker or a graver might; nor will they be rounded at the ends, like cuts made with a Round Scorper.Scorpers are often used to lighten areas of a print by stippling: repeatedly pecking at the woodblock with the tip of the tool, so that the surface bears a carpet of tiny incisions. This tool will create large, angular, squarish dots; for rounded dots, you will need a Round Scorper.This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge. Please note, engraving tools are known by different names in the U.K. and the United States. Square Scorpers are known as 'Flat Gravers' in the U.S.A.

Square Gravers are used by wood engravers and copper engravers. The face of the tool is square-shaped and will cut a line as deep as it is wide. This is a fine Square Graver (#1).Copper engravers use Square Gravers to create incisions on the surface of metal plates, which will hold ink during the printing process. The lines thus show up as black in the final print.

This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge.

Please note, engraving tools are known by different names in the U.K. and the United States. Square Gravers are known as 'Square Burins' in the U.S.A.

Wood engravers use Spitstickers to create incisions on the surface of woodblocks. As woodblocks are inked with a roller, these incisions do not receive ink. They therefore show up white in the final print.This is a medium Spitsticker (#5). The tip of the tool is pointed, but the sides are curved. This makes it possible to draw long, fluid lines which twist and curve gracefully, and which taper away rather than terminating in a flat or round edge (like lines drawn with a scorper). Used lightly, a spitsticker will score a thin line; the line will swell if the tool is engaged further into the wood.This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge. Please note, engraving tools are known by different names in the UK and the United States. Spitstickers are known as 'Elliptic Tints' or 'Elliptic Tint Tools' in the US.

Wood engravers use Round Scorpers to create incisions on the surface of woodblocks. As woodblocks are inked with a roller, these incisions do not receive ink, and therefore show up white in the final print.This is a medium Round Scorper (#56), used to draw very thick, bold lines. Because the tip of a Scorper is flat, rather than pointed (as Spitstickers and Gravers are), scorpers of larger sizes are used to clear large areas of woodblocks (often round the edge of the design, or at the corners of a block) so that they will not print.Above a certain point, Round Scorpers have strait sides, which means that they will cut a line of a constant width if fully engaged in the wood. However, because the tip of the tool is shaped like a capital U, lines cut with it will have rounded ends.Scorpers are also useful when lightening areas of a print by stippling: repeatedly pecking at the woodblock with the tip of the tool, so that the surface bears a carpet of tiny incisions. Because of the U-shaped tip of this tool, it is perfect for creating large round dots.This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge. Please note, engraving tools are known by different names in the U.K. and the United States. Round Scorpers are known as 'Round Gravers' in the U.S.A.

When metal plates are engraved for intaglio printmaking, small ridges of cut-away metal called 'burrs' will be left either side of each linear incision. This scraper has a triangular blade, and is designed to be used during intaglio printmaking processes, to scrape away burrs thrown up during the engraving process without damaging the plate. Its sharp face can also be used to scrape and lower the plate surface.It has a wooden handle, and is made of high carbon steel.

E C Lyons mini scraper is made with high carbon tool steel. It has a solid triangular blade with three very sharp edges. Slice off or scrape away the plate surface for image making and corrections. Ideally suited to the most delicate work.

Japanese synthetic waterstones and slipstones for sharpening lino and woodcut tools of all types.

A medium, 1000 grit multiform synthetic waterstone from Japan. On one edge the curved radius changes from 13mm to 3mm over its length. The opposite edge is tapered at an angle of about 40° making it ideal for sharpening the inside of V tools. The overall design allows the sharpening of a wide variety of tools from flat and wide to small narrow gouges and all V tools.

The 1000 grit can be described as a medium stone and is used to sharpen to an almost perfect cutting edge. The 4000 grit or fine stone is used for the final hone and polish and will leave the tool ready for use. Before use the stones will need to be soaked in water for 10 to 15 minutes. After use the stones are best air dried and wrapped in a soft cloth for storage.