Das Air Drying Modelling Clay, easily workable by hand or can be used with a variety of modelling tools.A moist ready to use modelling clay with no need to fire the finished product. Air drying to a hard matt finish, drying time may vary. Can be painted when dry.This modeling compound is made in Italy. It is a solid modeling clay which air dries (no baking required). It is easy to use- simply knead the material briefly and form it. It can also be sanded when dry. It is super soft and very easy to shape. It is a slow drying clay so you can take your time forming it. It is not a lightweight clay so it is perfect for free form sculptures.

Specifications..Keep unused Das in a plastic bagWhite

Glassine paper can be used to protect the surface of prints, drawings, paintings and other artworks from spilling, exposure, or rubbing during storage or presentation. It will not damage or smudge pastel, charcoal or graphite. Often used in bookbinding separating (interleaving) pages containing plates or illustrations. Its smooth surface is resistant to grease, air and water, and is pH neutral (acid-free) to ensure archival protection.Please note: Glassine paper is translucent, not crystal clear. Sheet size: 50 x 75cm (19.5" x 29.5")Weight: 40gsm

Das Air Drying Modelling Clay, easily workable by hand or can be used with a variety of modelling tools.A moist ready to use modelling clay with no need to fire the finished product. Air drying to a hard matt finish, drying time may vary. Can be painted when dry.This modeling compound is made in Italy. It is a solid modeling clay which air dries (no baking required). It is easy to use- simply knead the material briefly and form it. It can also be sanded when dry. It is super soft and very easy to shape. It is a slow drying clay so you can take your time forming it. It is not a lightweight clay so it is perfect for free form sculptures.

Specifications..Keep unused Das in a plastic bagTerracotta

Individual card, with no envelope.

Can be stapled or bound together to make your own book.

Dimensions: 4.7 x 7" (120 x 180mm)

Wax free pure graphite all-purpose transfer medium which allows you to transfer designs from a sketch, pattern, template or free-hand to any surface. It makes a clean crisp tracing which can be easily removed. It is ideal for fabric painting, fine art and watercolour painting, commercial and graphic arts, ceramics and stained glass work, suitable for designing or sketching onto paper, wood, acetate, metal, cloth etc. Greaseless - can be erased like a pencil with no smear or smudge. Can be inked or painted over with no skipping or bleeding. Transfer lines can be sponged, washed out or brushed off fabric. Economical - can be reused. Graphite (grey): Excellent for illustration board and all drawing papers, wood, fabrics, canvas and metal.

R.K. Burt : Acid Free Blotting Paper : 61x86cm : 300gsm : 1 Sheet

Series number: 2

Chemical Description: Natural iron oxide, Synthetic iron oxide

Color index name: PBr7, PY42

Color index number: 77492, 77492

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: ST







Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Canvas rest – 17cm (6.7 inches). Total height – 30cm (11.8 inches). Height from canvas rest to the top – 23cm (9 inches)

Suitable for all printmaking techniques, Fabriano Unica originates from the many centuries of experience gained by the Fabriano paper mills and developed in collaboration with a group of artists from the Opificio della Rosa, an international centre dedicated to the awareness and spread of traditional and innovative methods of printmaking. Fourdrinier made, 50% cotton, acid free paper. Flexible and resistant. Also suitable for drawing mediums such as graphite, charcoal and pencil.

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

Cotton content papers have a natural lasting brightness, crisp purity, strength and elegance. During the paper making process, the long cotton fibers bond and securely intertwine creating paper with exceptional strength for the most demanding of printing techniques. Your project will benefit from using this elegant, true felt finished, cotton enhanced paper that is luxurious to the touch. Printing/Handling Tips: Paper should be allowed to acclimate to pressroom conditions of 70° – 75° F with 50% relative humidity. Twenty-four hours is recommended and slightly longer during cold weather. Due to the bulk of the 111# Cover it may require special handling. Small lifts are recommended. Make sure the cutting blade is sharp. Conventional low-tack inks are recommended. The use of an IR oven often helps drying time. Consult with your ink manufacturer for varnish or aqueous coating applications. Always score before folding with multiple folds, the primary fold should be in the grain direction. Applications: Greeting cards, business cards, book covers, inserts, shopping bags, menus, luxury packaging, folders, calendars, prestige publications, brochures, envelopes, and direct mail advertising

The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work.All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

Kneadable erasers are great for correcting, lightening or erasing work in charcoal, pencil and pastel. They can be manipulated into whatever shape the artist chooses, and will leave no residue on the erased surface. This makes them ideal for subtractive drawing.

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

Card Dimensions (folded): 4.5" × 6.75" (114mm × 171mm) Landscape Card Dimensions (unfolded): 4.5" × 13.5" (114mm × 342mm)

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This PH neutral tracing paper is highly transparent and offers superb erasability with both erasers and blades. It is designed for use with all types of pencil, drawing pens and inks. A must for designers and architects. Size: A1 / 594 x 841 mm / 23.4 x 33.1 in

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

Grafix Drafting Film is a polyester film with a one or two side matte translucent drawing surface. This film accepts lead, charcoal, graphite, coloured pencil, pen and ink with ease. It erases cleanly without smearing or leaving shadows.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work.All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.