High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Pastels measure approximately 2-1/8in long × 5/8in diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

Pastel pencils 60 in metal tin ~ in metal tin with sharpener - kneadable eraser - blender

This set contains the following colours in a metal tin:

Carmine Red DeepVermilion RedIndian YellowNeutral YellowLeaf GreenCyan BlueUltramarine BluePrussian BlueEnglish Red DeepBisterNeutral BlackTitanium WhiteViolet LightMagentaCarmine Red MiddleOrangeIvoryGolden OchreLeaf Green MiddleOlive GreenEmerald GreenTurquoise BlueViolet DeepBurnt UmberCold Gray 1Flesh Tint LightDark OchreRaw UmberViridian MattLeaf Green PaleEmerald Green LightSky BlueUltramarine Blue LightPurpleCarmine RedOrange YellowParisian BlueCobalt BlueUltramarine Blue MiddleLeaf Green DeepCaput Mortuum VioletCaput Mortuum Violet LightCaput Mortuum RedBurnt SiennaNaples YellowGray 1French Red OchreCold Gray 2Gray WhiteBurnt OchreDark Flesh TintSiennaGolden Ochre LightGray 3Gray 4Gray 5Cold Gray 3Cold Gray 4Lamp BlackPayne's Gray

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Pastels measure approximately 2-1/8in long × 5/8in diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

Range of 84 rich and vibrant colours.Powdery texture, generous shading.Purity of shades, high concentration of ultra-fine pigments.Powerful coverage, exceptional lightfastness (Blue Wool scale).Easy, even shading. Rich colours that are particularly popular with pastel artists.

The particular grain of the surface and the highly lightfast colours are the principal characteristics of this laid paper. It is acid free and particulary recommended for deluxe editions, advertising (company presentations, posters, calendars, brochures, leaflets and catalogues), fancy paperwork and book binding applications, drawing (pastel, charcoal) and collage. The grain directions runs parallel to the 100 cm side and the cross lines are parallel to the 70 cm side. This pastel paper is 160gsm, mould-made, wood-free and laid watermarked. Suitable for all dry media, especially soft pastels and pastel pencils.

Wonderfully dry and dusty stroke, just like charcoal.

Can be dry mixed and blended or used as a water colour.

Brilliant results on dark backgrounds too.

Available in 60 shades, various ranges and also individually.

High pigmentation guarantees great luminosity and opacity as well as colour-fastness and colour brilliance.

The soft lead also draws perfectly on delicate paper.

The wooden shaft protects the lead from breaking.

This Faber Castell Paper Stump is suitable for use with pastels, charcoal and graphite, though it was specifically designed for use with coloured pencils. It can be sharpened with sandpaper, a knife or even a large pencil sharpener for precision, and is great for blending colours and softening edges. This Paper Blender is 14cm long and 1.2cm in diameter.

This set contains the follwing colours in a metal tin:

Carmine Red DeepVermilion RedIndian YellowNeutral YellowLeaf GreenCyan BlueUltramarine BluePrussian BlueEnglish Red DeepBisterNeutral BlackTitanium WhiteViolet LightMagentaCarmine Red MiddleOrangeIvoryGolden OchreLeaf Green MiddleOlive GreenEmerald GreenTurquoise BlueViolet DeepBurnt UmberCold Gray 1Flesh Tint LightDark OchreRaw UmberViridian MattLeaf Green PaleEmerald Green LightSky BlueUltramarine Blue LightPurpleCarmine RedOrange Yellow

This short cone sharpener is specially designed for use with Stabilo Carbothello Pastel Pencils. The special blade will make sure that your pencil is correctly sharpened and not splitting the chalk lead. It can also be used with Faber Castell Pitt Pastel Pencils. To find out more about sharpeners read our blog post on them by clicking here.Measurements: 2.75 cm x 1.75 cm x 1.5 cm.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

A black Cretacolor pastel pencil that combines perfectly with charcoal, sanguine, sepia, and white. Essential for sketching and drawing.

The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.

Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.

Soft and velvety texture

Does not powder, does not dry out

Range of 96 brilliant colours with good coverage

Lightfastness

Soluble in turpentine, water-resistant

Good thermal stability

Stumping and mixed dry with finger

Contains the following colours in a metal tin:

Carmine Red Deep

Vermilion Red

Indian Yellow

Neutral Yellow

Leaf Green

Cyan Blue

Ultramarine Blue

Prussian Blue

English Red Deep

Bister

Neutral Black

Titanium White

Unison’s Soft Pastel Midnight Set contains 8 soft pastels in rich, deep colours that allow you to create depth, night scenes and distinct contrast in your pastel paintings. One of the included colours have been made in collaboration with pastel artist Robert Dutton and the other five are exciting new colours as well as two (Dark 19, Dark 20) That were already part of their range.Made in NorthumberlandContain pure pigment and a cycle of related hues to ensure intensityHandmadeVery little binder is used so they are soft and smoothEach pastel measures approximately 2-1/8in long

The particular grain of the surface and the highly lightfast colours are the principal characteristics of this laid paper. It is acid free and particulary recommended for deluxe editions, advertising (company presentations, posters, calendars, brochures, leaflets and catalogues), fancy paperwork and book binding applications, drawing (pastel, charcoal) and collage. The grain directions runs parallel to the 100 cm side and the cross lines are parallel to the 70 cm side. This pastel paper is mould-made, wood-free and laid watermarked. Suitable for all dry media, especially soft pastels and pastel pencils.

Wonderfully dry and dusty stroke, just like charcoal.

Can be dry mixed and blended or used as a water colour.

Brilliant results on dark backgrounds too.

Available in 60 shades, various ranges and also individually.

High pigmentation guarantees great luminosity and opacity as well as colour-fastness and colour brilliance.

The soft lead also draws perfectly on delicate paper.

The wooden shaft protects the lead from breaking.

Stabilo Carbothello : Pastel Pencil Set Of 48 ~ In metal tin with sharpener, kneadable eraser and blender.

This set contains the following colours:

Carmine Red DeepVermilion RedIndian YellowNeutral YellowLeaf GreenCyan BlueUltramarine BluePrussian BlueEnglish Red DeepBisterNeutral BlackTitanium WhiteViolet LightMagentaCarmine Red MiddleOrangeIvoryGolden OchreLeaf Green MiddleOlive GreenEmerald GreenTurquoise BlueViolet DeepBurnt UmberCold Gray 1Flesh Tint LightDark OchreRaw UmberViridian MattLeaf Green PaleEmerald Green LightSky BlueUltramarine Blue LightPurpleCarmine RedOrange YellowParisian BlueCobalt BlueUltramarine Blue MiddleLeaf Green DeepCaput Mortuum VioletCaput Mortuum Violet LightCaput Mortuum RedBurnt SiennaNaples YellowGray 1French Red OchreCold Gray 2

PanPastel Colours are professional grade soft pastel colours packed in a unique pan format (cake-like) so that they can be mixed and applied like paint. They are very low dust for a cleaner working environment.All 80 PanPastel Colours are made using a unique manufacturing process requiring minimal binder and fillers, resulting in rich, ultra soft and low dust formulations.Only professional artists' grade pigments are used for the most concentrated colours possible. The colours have excellent lightfastness and are fully erasable.Each pan contains 40%* more material than the average pastel stick, and yields approx. 4-5 times more coverage than sticks.

PanPastel Colours are fully compatible with:

Pastel sticks, pencils, markers.

Other artist's colours and mediums for mixed media techniques.

Most art & craft surfaces (from delicate handmade papers to toothy pastel surfaces).

Conventional spray fixatives.

*Average based on a survey of leading brands

Wonderfully dry and dusty stroke, just like charcoal.

Can be dry mixed and blended or used as a water colour.

Brilliant results on dark backgrounds too.

Available in 60 shades, various ranges and also individually.

High pigmentation guarantees great luminosity and opacity as well as colour-fastness and colour brilliance.

The soft lead also draws perfectly on delicate paper.

The wooden shaft protects the lead from breaking.

PanPastel : Medium : Colorless Blender

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.