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Arts & Crafts > Fine Art Supplies > Oil Painting
Showing 1 - 25 of
2927 matches in Oil Painting
Includes the colours: Titanium White, Sap Green, Lemon Yellow,
Yellow Ochre, Cadmium Red Hue, Burnt Umber, Coeruleum Hue, Ivory
Black and French Ultramarine. Note: Colours may vary.
Series number: 1
Chemical Description: Titanium dioxide
Colour index name: PW6
Colour index number: 77891
Permanence rating: AA
ASTM Lightfastness Rating: I
Transparency/Opacity: O
As with all Winsor & Newton colours, every colour in the range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour. The vehicle (oil modified alkyd resin) allows the colour to dry quicker whilst retaining the other characteristics of conventional oil colour.Because alkyd resin has physical properties that differ slightly from those of traditional oils, the pigment load is somewhat different as well. Experienced painters will notice slightly greater transparency compared to Artists' Oil Colour. The colour has been formulated to offer the greatest degree of tinting strength possible (consistent with good handling properties), and to take full advantage of the true characteristics of each pigment.
Color number/code: 644
Series number: 1
Chemical Description: Titanium dioxide, Zinc oxide
Color index name: PW6, PW4
Color index number: 77891, 77947
Permanence rating: AA
ASTM Lightfastness Rating: I
Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.
Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.
Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.
Transparency/Opacity: O
This is a 200ml tube of Daler Rowney Graduate Oil paint. The
addition of modern drying agents makes this range reach surface
dryness in just 4 or 5 days, while remaining easy to mix and
suitable in texture for both smooth brush and impasto work. This is
a tube of Titanium White.
Series number: 1
Chemical Description: Complex sodium alumino-silicate containing sulphur
Colour index name: PB29
Colour index number: 77007
Permanence rating: A(iii)
ASTM Lightfastness Rating: I
Transparency/Opacity: T
As with all Winsor & Newton colours, every colour in the range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour. The vehicle (oil modified alkyd resin) allows the colour to dry quicker whilst retaining the other characteristics of conventional oil colour.Because alkyd resin has physical properties that differ slightly from those of traditional oils, the pigment load is somewhat different as well. Experienced painters will notice slightly greater transparency compared to Artists' Oil Colour. The colour has been formulated to offer the greatest degree of tinting strength possible (consistent with good handling properties), and to take full advantage of the true characteristics of each pigment.
Series number: 2
Chemical Description: Complex sodium alumino-silicate containing sulphur
Colour index name: PB29
Colour index number: 77007
Permanence rating: A(iii)
ASTM Lightfastness Rating: I
Transparency/Opacity: T
Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.
Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.
Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.
Whatever oil colour technique you choose, this pasty paint gives a beautiful result. Choose from a wide and balanced palette. In addition to the lively colours, you above all opt for the certainty of a good oil paint. The fineness, the colour intensity, the high content of pigment and durability contribute to the ultimate expression of your inspiration. Van Gogh oil colours are available in a wide range of 66 colours in two tube sizes.
Series number: 1
Chemical Description: Titanium dioxide
Colour index name: PW6
Colour index number: 77891
Permanence rating: AA
ASTM Lightfastness Rating: I
Transparency/Opacity: O
As with all Winsor & Newton colours, every colour in the range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour. The vehicle (oil modified alkyd resin) allows the colour to dry quicker whilst retaining the other characteristics of conventional oil colour.Because alkyd resin has physical properties that differ slightly from those of traditional oils, the pigment load is somewhat different as well. Experienced painters will notice slightly greater transparency compared to Artists' Oil Colour. The colour has been formulated to offer the greatest degree of tinting strength possible (consistent with good handling properties), and to take full advantage of the true characteristics of each pigment.
Georgian Oil Colour offers high performance at an economical and uniform price across all colours in the range. They are carefully blended and tested to produce the most brilliant colour, and match tint and texture from batch to batch. Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and even performance and finish across all colours. • High pigment loads include traditional pigments • Exceptionally permanent and brilliant colours • Colours are intermixable and consistent from wet to dry • Surface dry in 4 to 5 days • Smooth and buttery consistency • Easy mixing with mediums
There is no water within the formulation of Artisan. The linseed oil and safflower oil vehicles have been modified to allow the colour to accept water, creating a stable emulsion, while retaining the working characteristics of conventional oil colour.Artisan is ideal for:-
Oil painters who are sensitive to, or simply want to avoid exposure to solvents such as white spirit (mineral spirits) or turpentine.
Students and teachers in schools and colleges where the use of oil colour is prohibited because of the solvents.
Artists working in shared studio space where the build up of solvent levels could lead to a harmful concentration of vapours and a generally an unpleasant odour.
Artists who work within a small home environment and wish to reduce the odour of oil painting.
For travel, all Artisan products (Colour & Mediums) can be transported on aeroplanes (subject to the agreement of the airline).
The range has also been formulated with a high proportion of single pigments for brilliance of colour and clean colour mixing. The most suitable oil and methods for dispersion have been selected to bring out the individual characteristics, from opacity to natural transparency, of each pigment in the Artisan range.
Series number: 1
Chemical Description: Natural iron oxide
Colour index name: PY43
Colour index number: 77492
Permanence rating: AA
ASTM Lightfastness Rating: I
Transparency/Opacity: O
As with all Winsor & Newton colours, every colour in the range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour. The vehicle (oil modified alkyd resin) allows the colour to dry quicker whilst retaining the other characteristics of conventional oil colour.Because alkyd resin has physical properties that differ slightly from those of traditional oils, the pigment load is somewhat different as well. Experienced painters will notice slightly greater transparency compared to Artists' Oil Colour. The colour has been formulated to offer the greatest degree of tinting strength possible (consistent with good handling properties), and to take full advantage of the true characteristics of each pigment.
Series number: 4
Chemical Description: Cadmium sulphoselenide
Colour index name: PR108
Colour index number: 77202
Permanence rating: A
ASTM Lightfastness Rating: I
Transparency/Opacity: O
Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.
Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the World's Finest Colours.
Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.
There is no water within the formulation of Artisan. The linseed oil and safflower oil vehicles have been modified to allow the colour to accept water, creating a stable emulsion, while retaining the working characteristics of conventional oil colour.Artisan is ideal for:-
Oil painters who are sensitive to, or simply want to avoid exposure to solvents such as white spirit (mineral spirits) or turpentine.
Students and teachers in schools and colleges where the use of oil colour is prohibited because of the solvents.
Artists working in shared studio space where the build up of solvent levels could lead to a harmful concentration of vapours and a generally an unpleasant odour.
Artists who work within a small home environment and wish to reduce the odour of oil painting.
For travel, all Artisan products (Colour & Mediums) can be transported on aeroplanes (subject to the agreement of the airline).
The range has also been formulated with a high proportion of single pigments for brilliance of colour and clean colour mixing. The most suitable oil and methods for dispersion have been selected to bring out the individual characteristics, from opacity to natural transparency, of each pigment in the Artisan range.
Color number/code: 644
Series number: 1
Chemical Description: Titanium dioxide, Zinc oxide
Colour index name: PW6, PW4
Colour index number: 77891, 77947
Permanence rating: AA
ASTM Lightfastness Rating: I
Transparency/Opacity: O
Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.
Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the World's Finest Colours.
Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.
Series number: 1
Chemical Description: Synthetic iron oxide
Color index name: PR101
Color index number: 77491
Permanence rating: AA
ASTM Lightfastness Rating: I
Transparency/Opacity: T
Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.
Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.
Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.
High quality yet economical oil colour
Well-balanced colour spectrum of 48 brilliant colours
High concentration of pigments for an exceptional colour intensity
Excellent lightfastness
25 single-pigment-colours
Use of especially refined linseed oil and sunflower oil (pharmaceutical quality), no tendency of yellowing
Distinctive smooth buttery consistency through the use of bees wax
Surface drying in 2 to 4 days
Traditional production on three roll mills
A spoor (0.5-1.5%) of the finest bees wax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are only pure vegetable linseed and sunflower oils in special quality.
Series number: 1
Chemical Description: Basics lead carbonate, Zinc oxide, Oxide of Chromium, Antimony, and Titanium
Color index name: PW!, PW4, PBr24
Color index number: 77597, 77947, 77310
Permanence rating: A
ASTM Lightfastness Rating: N/L
Transparency/Opacity: O
Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.
Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.
Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.
Series number: 1
Chemical Description: Natural iron oxide
Color index name: PY43
Color index number: 77492
Permanence rating: AA
ASTM Lightfastness Rating: I
Transparency/Opacity: ST
Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.
Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.
Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.
Series number: 1
Chemical Description: Copper phthalocyanine, Chlorinated copper phthalocyanine, Titanium dioxide
Colour index name: PB15, PG7, PW6
Colour index number: 74160, 74260, 77891
Permanence rating: A
ASTM Lightfastness Rating: I
Transparency/Opacity: O
As with all Winsor & Newton colours, every colour in the range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour. The vehicle (oil modified alkyd resin) allows the colour to dry quicker whilst retaining the other characteristics of conventional oil colour.Because alkyd resin has physical properties that differ slightly from those of traditional oils, the pigment load is somewhat different as well. Experienced painters will notice slightly greater transparency compared to Artists' Oil Colour. The colour has been formulated to offer the greatest degree of tinting strength possible (consistent with good handling properties), and to take full advantage of the true characteristics of each pigment.
Darker than linseed oil. Helps oil to flow and increases brightness. Good drying. May yellow over time.
PB29 Fast Drying. Transparent. Excellent Lightfastness. Average Oil Content. An obviously beautiful mid blue.
Michael Harding Oil paints are widely thought to be the world's
finest oil colours. This tube of paint measures 225ml and is of the
colour Titanium White 1. It has been made with Safflower Oil, which
is paler than linseed. Safflower also has less of a tendency to
yellow. youtube=MxMwEkiffsY
PB29 Fast Drying. Transparent. Excellent Lightfastness. Average Oil Content. An obviously beautiful mid blue.
Series number: 2
Chemical Description: Anthraquinone
Colour index name: PR177
Colour index number: 65300
Permanence rating: A
ASTM Lightfastness Rating: -
Transparency/Opacity: T
As with all Winsor & Newton colours, every colour in the range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour. The vehicle (oil modified alkyd resin) allows the colour to dry quicker whilst retaining the other characteristics of conventional oil colour.Because alkyd resin has physical properties that differ slightly from those of traditional oils, the pigment load is somewhat different as well. Experienced painters will notice slightly greater transparency compared to Artists' Oil Colour. The colour has been formulated to offer the greatest degree of tinting strength possible (consistent with good handling properties), and to take full advantage of the true characteristics of each pigment.
Georgian Oil Colour offers high performance at an economical and uniform price across all colours in the range. They are carefully blended and tested to produce the most brilliant colour, and match tint and texture from batch to batch. Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and even performance and finish across all colours. • High pigment loads include traditional pigments • Exceptionally permanent and brilliant colours • Colours are intermixable and consistent from wet to dry • Surface dry in 4 to 5 days • Smooth and buttery consistency • Easy mixing with mediums
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