Release your inner Rembrandt with the professional Rembrandt Aquarell pencil. Suited to all artistic drawing techniques, it comes in a wide selection of intense, bright colours with highly light-resistant pigments. Thanks to the wax emulsifiers and extra-large watercolour lead, the Rembrandt Aquarell can be used like watercolour paints.

Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so its natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.

With the GIOTTO STILNOVO Acquarell, drawing really is magic! When you have finished your design, just pass a wet brush over part of the drawing and the colour will instantly dissolve, creating a water-colour effect with amazing results. The super-resistant water-colour lead has a diameter of 3.3 mm and is available in 36 different colours.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

Its attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

Bockingford® offers quality watercolour paper at an affordable price.

Grey samples allow for better and more accurate readings and also provide ample area for testing colour samples.4" x 6" (10.2 x 15.2 cm).

Natural sea sponges are used by many watercolourists as well as other artists and craftspeople. They make useful tools for lifting colour from wet paintings or adding texture by lifting a pattern or bits of colour from your watercolour painting. They are also tough yet gentle for scrubbing a dry watercolour to lift the colour and hold more water than foam sponges.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

Please note: the texture of this paper is linen-like, with regular lines going across each sheet vertically and horizontally. It is not a conventional 'rough texture' made by pressing the paper between sheets of felt during the drying process. Specifications..12 sheets140lb or 300gsmNot or roughAcid Free

Please note: the texture of this paper is linen-like, with regular lines going across each sheet vertically and horizontally. It is not a conventional 'rough texture' made by pressing the paper between sheets of felt during the drying process. Specifications..12 sheets140lb or 300gsmNot or RoughAcid free

Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS.Please note, this sheet is hot-pressed: it has an extremely smooth surface, ideal for detailed watercolour painting. At 425gsm, this is a slightly thicker and heavier sheet.For more information on the production and properties of watercolour papers, click here.

Specifications..12 sheets140lb or 300gsmNot or RoughAcid free

A special soap based on pure vegetable oils with a citrus scent. For cleaning and maintaining brushes of natural hair, bristles, or synthetic fibres. Rectangular bar in a cardboard box.

Da Vinci All Natural Brush Soap with Conditioner cleans and maintains the brush head.

Brush hairs, bristles and synthetic fibres should be cleaned with a gentle but cleansing soap and warm water until the soap begins to produce white lather. You shouldn’t use a strong fat removing soap. Da Vinci brush soap is based on vegetable oils which clean and maintain the brush fibres. Natural hairs especially tend to break if they are missing their protective fat content. Using a gentle soap with conditioners will prolong the life as well as the suppleness of your brushes.

Afterwards wipe the brush with a fine piece of cloth and bring it to its original shape. Artists call this procedure “dressing”.Let the brush dry completely before you use it again. Don’t put it on the radiator to dry. There the hair will dry too quickly, the handle will shrink, and the brush head will come loose.

Bockingford : 90lb : 190gsm : 22x30in : 1 Sheet : Not

Bockingford is a beautiful English watercolour paper made using pure materials to archival standards. Its attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities, this is an extremely forgiving watercolour paper valued by professional and amateur artists around the world. This Bockingford paper specification is: 140lb : 300gsm : 1/2 Sheets : Pack of 10 : Rough. Please note: this item is not avaliable for next day delivery

The Colour Wheel in a compact, convenient size!Diameter 5-1/8“ (13.0 cm).

Series number: 1

Chemical Description: Brominated copper phthalocyanine, Isoindolinone

Colour index name: PG 36, PY 110

Colour index number: 73900, 74265

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Granulating/Staining: St

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Arches Aquarelle Gummed Watercolour Pads are gummed down the short edge. The paper is mould-made, 100% cotton, and gelatine tub sized with a neutral pH.

The Interior Design Wheel gives home decorators a guide for selecting complementary colours for interior design.The wheel illustrates split complementary, monochromatic, and harmonised colour schemes.Packed in a sleeve for insertion in a three-ring binder.8-1/2“ x 11“ (21.6 x 28 cm).

Series number: 3

Chemical Description: Quinacridone

Colour index name: PV 19

Colour index number: 46500

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Granulating/Staining: St

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.

CWR : Plastic Pot 33ml with Cover

Series number: 2

Chemical Description: Complex Sodium Aluminium Silicate containing sulphur

Colour index name: PB 29

Colour index number: 77007

Permanence rating: A (iii)

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Granulating/Staining: G

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Release your inner Rembrandt with the professional Rembrandt Aquarell pencil. Suited to all artistic drawing techniques, it comes in a wide selection of intense, bright colours with highly light-resistant pigments. Thanks to the wax emulsifiers and extra-large watercolour lead, the Rembrandt Aquarell can be used like watercolour paints.

Series number: 1

Chemical Description: Copper Phthalocyanine, Carbon Black, Quinacridone

Colour index name: PB 15, PBk 6, PV 19

Colour index number: 74160, 77266, 46500

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: SO

Granulating/Staining: St

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Series number: 3

Chemical Description: Quinacridone Pyrrolidone, Quinacridone

Colour index name: - , PR 206

Colour index number: - 73920

Permanence rating: A

ASTM Lightfastness Rating: N/L

Transparency/Opacity: T

Granulating/Staining: St