It was not until the emergence of the ideologies of Zionism and Socialism at the end of the last century that the Jewish communities of the Diaspora were perceived by historians as having a genuine political life. In the case of the Jews of Russia, the pogroms of 1881 have been regarded as the watershed event which triggered the political awakening of Jewish intellectuals. Here Lederhendler explores previously neglected antecedents to this turning point in the history of the Jewish people in the first scholarly work to examine concretely the transition of a Jewish community from traditional to post-traditional politics.

From the untimely demise of the 52-year-old Peter the Great in 1725 to nearly the end of that century, the fate of the Russian empire would rest largely in the hands of five tsarinas. This book tells their stories. Peter's widow Catherine I (1725-27), an orphan and former laundress, would gain control of the ancestral throne, a victorious army, and formidable navy in a country that stretched from the Baltic Sea to the Pacific Ocean. Next, Anna Ioannovna (1730-40), chosen by conniving ministers who sought an ineffectual puppet, would instead tear up the document that would have changed the course of Russian history forever only to rule Russia as her private fiefdom and hunting estate. The ill-fated Anna Leopoldovna (1740-41), groomed for the throne by her namesake aunt, would be Regent for her young son only briefly before a coup by her aunt Elizabeth would condemn Anna's family to a life of imprisonment, desolation, and death in obscurity. The beautiful and shrewd Elizabeth (1741-61) would seize her father Peter's throne, but, obsessed with her own fading beauty, she would squander resources in a relentless effort to stay young and keep her rivals at bay. Finally, Catherine the Great (1762-96) would overthrow (and later order the murder of) her own husband and rightful heir. Astute and intelligent, Catherine had a talent for making people like her, winning them to her cause; however, the era of her rule would be a time of tumultuous change for both Europe and her beloved Russia. In this vivid, quick-paced account, Anisimov goes beyond simply laying out the facts of each empress's reign, to draw realistic psychological portraits and to consider the larger fate of women in politics.Together, these five portraits represent a history of 18th-century court life and international affairs. Anisimov's tone is commanding, authoritative, but also convivial--inviting the reader to share the captivating secrets that his efforts have uncovered.

For a full month in the autumn of 1812 the 2,000-strong garrison of the fortress the French had constructed to overawe the city of Burgos defied the Duke of Wellington. In this work a leading historian of the Peninsular teams up with a leading conflict archaeologist to examine the reasons for Wellington's failure.

In Naples and Napoleon John Davis takes the southern Italian Kingdom of the Two Sicilies as the vantage point for a sweeping reconsideration of Italy's history in the age of Napoleon and the European revolutions. The book's central themes are posed by the period of French rule from 1806 to 1815, when southern Italy was the Mediterranean frontier of Napoleon's continental empire. The tensions between Naples and Paris made this an important chapter in the history of that empire and revealed the deeper contradictions on which it was founded. But the brief interlude of Napoleonic rule later came to be seen as the critical moment when a modernizing North finally parted company from a backward South. Although these arguments still shape the ways in which Italian history is written, in most parts of the North political and economic change before Unification was slow and gradual; whereas in the South it came sooner and in more disruptive forms. Davis develops a wide-ranging critical reassessment of the dynamics of political change in the century before Unification. His starting point is the crisis that overwhelmed the Italian states at the end of the 18th century, when Italian rulers saw the political and economic fabric of the Ancien Regime undermined throughout Europe. In the South the crisis was especially far reaching and this, Davis argues, was the reason why in the following decade the South became the theatre for one of the most ambitious reform projects in Napoleonic Europe. The transition was precarious and insecure, but also mobilized political projects and forms of collective action that had no counterparts elsewhere in Italy before 1848, illustrating the similar nature of the political challenges facing all the pre-Unification states. Although Unification finally brought Italy's insecure dynastic principalities to an end, it offered no remedies to the insecurities that from much earlier had made the South especially vulnerable to the challenges of the new age: which was why the South would become a problem - Italy's 'Southern Problem'.

In Napoleon and the Operational Art of War, the leading scholars of Napoleonic military history provide the most authoritative analysis of Napoleon's battlefield success and ultimate failure. Napoleon's development and mastery of the operational art of warfare is revealed as each chapter analyzes one Napoleonic war or major campaign of a war. To achieve this, the essays conform to the common themes of Napoleon's planning, his command and control, his execution of plans, and the response of his adversaries. Napoleon's sea power and the British response to the French challenge at sea is also investigated. Overall, this volume reflects the finest scholarship and cutting-edge research to be found in Napoleonic Military History. Contributors include Jonathan Abel, Robert M. Citino, Huw Davies, Mark T. Gerges; John H. Gill; Jordan Hayworth, Kenneth G. Johnson, Michael V. Leggiere, Kevin D. McCranie, Alexander Mikaberidze, Frederick C. Schneid, John Severn, Dennis Showalter, Geoffrey Wawro, and John F. Weinzierl.

This new study of Napoleon emphasizes his ties to the French Revolution, his embodiment of its militancy, and his rescue of its legacies. Jordan's work illuminates all aspects of his fabulous career, his views of the Revolution and history, the artists who created and embellished his image, and much of his talk about himself and his achievements.