Austria was one of the five major players of the Napoleonic Wars. In early 19th century, the Austrian army (Kaiserliche-KoeniglicheHeer) was the third largest and one of the best-trained armies in the world.The individual regimentsperformed well and were considered solid. However, hampered by the inherent conservatism of the hierarchy, the Austrians had to face the most modern army in Europe. Despite the many defeats suffered, the Austrian soldiers performed with discipline and played a central role in the coalitions against France, from the campaigns in 1790s, to the Austerlitz campaign of 1805, the closely-balanced battles of 1809, and the final victorious campaigns of 1813-1814. Austrian cavalry, in particular, was considered one of the best in Europe by allies as well as enemies. For the first time, this topic is introduced starting from the first campaign against France. The book includesthe regimental histories of each unit after the original sources, unpublished iconography, and is completed by detailed illustrations depicting uniforms and equipment of the mounted 'kaiserlich' white coats.

Originally published in 1910, this book explores the hypothesis that Napoleon's decrees were intended as an attack on British credit immediately before the outbreak of the final Napoleonic War. Cunningham examines French pamphlets and Napoleon's correspondence to reveal the French opinion on the state of Britain's credit and how unstable finances could be used to undermine an enemy before an actual conflict arose. This book will be of value to economic historians and anyone with an interest in Napoleonic propaganda.

Frances Isabella Duberly (1829 1902) accompanied her officer husband to the Crimea as the only woman on the front line. Her letters home to her sister, highlighting the incompetence and negligence of the generals, and describing the appalling conditions in which the men were fighting, appeared anonymously in the press and, along with W. H. Russell's reports, helped stir public opinion against the prosecution of the war. This reaction persuaded Duberly to ask her brother-in-law to edit her diary, and it provoked a sensation when published in 1855. Although she occasionally conveys some of the elation of victory, the journal is more often a stark and disturbing document: following the battle of Balaclava she writes that 'even my closed eyelids were filled with the ruddy glare of blood'. No history of this brutal campaign can ignore this journal, and it stands comparison with any account of the horrors of war.

A colourful British general, Robert Wilson (1777 1849) was knighted many times over by crowned heads, but never by his own monarch. Described by Wellington as 'a very slippery fellow', he fought in the Peninsular and Napoleonic wars, and his published account of the Egyptian campaign resulted in Napoleon complaining to the British government about accusations of his cruelty towards prisoners and his own men. Following the invasion of Russia, Wilson was seconded to Kutuzov's army, and was present at all the major engagements. Edited by his nephew and published in 1860, this second edition of Wilson's journal includes personal and official correspondence from Tsar Alexander I and his generals, and gives not only detailed accounts of troop movements and strategy, but also vivid descriptions of the savagery meted out by both sides. It remains an essential source of information on one of history's most famous military retreats.

The Crimean War (1854-6) was the first to be fought in the era of modern communications, and it had a profound influence on British literary culture, bringing about significant shifts in perceptions of heroism and national identity. In this book, Stefanie Markovits explores how mid-Victorian writers and artists reacted to an unpopular war: one in which home-front reaction was conditioned by an unprecedented barrage of information arriving from the front. This history had formal consequences. How does patriotic poetry translate the blunders of the Crimea into verse? How does the shape of literary heroism adjust to a war that produced not only heroes but a heroine, Florence Nightingale? How does the predominant mode of journalism affect artistic representations of 'the real'? By looking at the journalism, novels, poetry, and visual art produced in response to the war, Stefanie Markovits demonstrates the tremendous cultural force of this relatively short conflict.

The journalist William Howard Russell (1820 1907) is sometimes regarded as being the first war correspondent, and his reports from the conflict in the Crimea are also credited with being a cause of reforms in the British military system. This account of his time there, first published in 1858 and expanded in this 1895 edition, explains how Russell was sent by The Times of London in 1854 to join British troops stationed in Malta. He spent the next two years witnessing some of the key moments of the war, including the battle of Balaclava and the ill-fated Charge of the Light Brigade. His newspaper reports of the fighting and of the living conditions for the troops were widely read and very influential. In this retrospective work, Russell gives a more personal narrative of his experiences, making this an important account of one the most brutal wars of the nineteenth century.

The journalist William Howard Russell (1820 1907) is sometimes regarded as being the first war correspondent, and his reports from the conflict in the Crimea are also credited with being a cause of reforms made to the British military system. This 1865 book began as a review in The Times of the five-volume work of General Eduard Todleben (or Totleben), the military engineer and Russian Army General, whose work in creating and continually adapting the land defences of Sevastopol in 1854 5 made him a hero and enabled the fortress to hold out against British bombardment for a whole year. Russell added extracts from the original book to his review, and enlarged his commentary on the Russian text, producing a thorough and accurate synthesis, but always highlighting the central importance of the Russian work to any student of the history of the Sevastopol siege.

Thomas Creevey (1768-1838) was a Whig politician, diarist and letter-writer, whose papers provide an important source for the history of the early nineteenth century. Although a relatively poor man, he was adept at making friends with important people, and received hospitality and financial help from them. His letters are full of gossip, often indiscreet, giving a vivid picture of the society and politics of the day. They form an interesting comparison with the papers of his contemporaries, J. W. Croker, who as a Tory was in power for most of the period in question, and Charles Greville (both available in this series). Living in Brussels at the time of Waterloo, Creevey is perhaps best remembered for his description of life there during Napoleon's 'Hundred Days'. This two-volume work edited by Sir Herbert Maxwell (1845-1937) was first published in 1903. Volume 1 covers the Napoleonic Wars and the Regency.

Thomas Creevey (1768 1838) was a Whig politician, diarist and letter-writer, whose papers provide an important source for the history of the early nineteenth century. Although a relatively poor man, he was adept at making friends with important people, and received hospitality and financial help from them. His letters are full of gossip, often indiscreet, giving a vivid picture of the society and politics of the day. They form an interesting comparison with the papers of his contemporaries, J. W. Croker, who as a Tory was in power for most of the period in question, and Charles Greville (both available in this series). Creevey is perhaps best remembered for his description of Brussels during Napoleon's 'Hundred Days'. This two-volume work edited by Sir Herbert Maxwell (1845 1937) was first published in 1903. Volume 2 covers the period 1820 37, and the accession of Victoria, described here as a 'homely little being'.

Napoleon Bonaparte: a man of intense emotion, iron self-discipline, acute intelligence and immeasurable energy. Michael Broers brings this remarkable man to life, from his dangerous Corsican roots to the epic battles of Austerlitz, Jena and Friedland. Here is the incredible story of how one man's sheer determination, ruthlessness and careful calculation drove France to conquer Europe. This is the first volume of a revelatory new biography of the great ruler told with energy, style and brand new research. Here is the first life in which Napoleon speaks in his own uncensored voice - but not always as he wanted the world to hear him.

The best-selling author of The Battle, Alessandro Barbero, was asked which action saved Wellington at Waterloo prior to the arrival of the Prussians. He replied: 'If I should indulge in that game, I'd say the cavalry charge which effectively broke d'Erlon's attack.' In terms of regiments the greatest contributor to that charge, made by the British heavy cavalry, was the King's Dragoon Guards (KDG), which fielded nearly half of the Household Brigade's sabres. This book tells the remarkable story of the KDG before, during and after the battle of Waterloo, drawing on private, unpublished archive material. It concludes by describing the KDGs link to their descendant regiment, 1st Queen's Dragoon Guards, of which HRH The Prince of Wales is Colonel-in-Chief.

The Crimean War, fought by the alliance of Great Britain, France, and the tiny Italian Kingdom of Piedmont-Sardinia alongside Turkey against Tsarist Russia, was the first 'modern' war, not only for its vast scale (France mobilised a million men) but also the technologies involved, from iron-clad battleships to rifled artillery, the electric telegraph and steam. Best known for the blunder of the Charge of the Light Brigade, the fearful conditions in the trenches at the front, and the quiet heroism of Florence Nightingale, the Crimean War saw the railway go to war for the first time. The Grand Crimean Central Railway was the brainchild of two Victorian railway magnates, Samuel Morton Peto and Thomas Brassey; in order to alleviate the suffering at the front, they volunteered to build at cost a steam railway linking the Allied camps at Sevastopol to their supply base at Balaclava. In the face of much official opposition, the railway was built and operational in a matter of months, supplying hundreds of tons of food, clothing and materiel to the starving and freezing men in their trenches. Largely worked by civilian auxiliaries, the Grand Crimean Central Railway saw the railway transformed into a war-winning weapon, saving countless thousands of lives as it did so.

From Napoleon's invasion of 1812 to the Wars of Liberation and beyond, seen from the common Russian soldier's perspective. This volume is composed of three accounts previously unavailable in English. Detailed annotations illuminate a seldom understood army and nation during one of the pivotal episodes in European history. Pamfil Nazarov was a peasant from Tver who was conscripted in 1812 but rather than head east to join the army in its campaign against Napoleon, he travelled to St. Petersburg and was selected for the Russian Imperial Guard. As a Jager of the Finland Regiment he went on to witness such events as the Battle of Leipzig and the fall of Paris. Nazarov's memoirs also briefly describe the Russo-Turkish War of 1828, the Polish Uprising of 1830, and culminate in his voluntary induction into the monastic ranks of the Orthodox Church. Ivan "Menshoy" Ostroukhov similarly came from the peasantry of Tula and had prospects as a merchant before his household was chosen to produce a conscript. Also like Nazarov, he was inducted into the Guard, serving with the Uhlans as a choral singer in its reserve squadron. His autobiography ends prematurely, possibly due to the author's death. Rafail Zotov, on the other hand, was a formally educated noble from St. Petersburg who could speak German and was familiar with astronomy and literature. He volunteered to serve as a junior officer in the militia when the French invaded. His preconceived notions of war and military service were challenged, and his abilities as a leader tested by his experiences on the hard marches through the north to the battles of Polotsk and Berezina and on to the siege of Danzig in 1813. Russia has a long and rich history and its self-identity is built on many episodes and myths, but none are so often dramatized, by Russians and Westerners alike, as Napoleon's invasion in 1812. Now for the first time the voice of the common Russian caught up in those continental events is available in the English language. Contains an introduction by the translator, footnotes throughout with citations and bibliography, and multiple illustrations of relevant persons and events.

At a time when Napoleon needed all his forces to reassert French dominance in Central Europe, why did he fixate on the Prussian capital of Berlin? Instead of concentrating his forces for a decisive showdown with the enemy, he repeatedly detached large numbers of troops, under ineffective commanders, toward the capture of Berlin. In "Napoleon and Berlin, " Michael V. Leggiere explores Napoleon's almost obsessive desire to capture Berlin and how this strategy ultimately lost him all of Germany.

Napoleon's motives have remained a subject of controversy from his own day until ours. He may have hoped to deliver a tremendous blow to Prussia's war-making capacity and morale. Ironically, the heavy losses and strategic reverses sustained by the French left Napoleon's Grande Armee vulnerable to an Allied coalition that eventually drove Napoleon from Central Europe forever.

The Scum of the Earth follows the men Wellington called just that from victory at Waterloo to a Regency Britain at war with itself, and explodes some of the myths on the way; such as that the defeat of Napoleon ended the threat of revolution spreading from France. Did the victorious soldiers return to a land fit for heroes? They did not. There was the first of the Corn Laws in the same year as the battle, there was famine and chronic unemployment. In 1819, the Peterloo massacre saw 15 killed and at least 500 injured when cavalry sabred a crowd demanding parliamentary reform. Peace in Europe perhaps for 50 years - but at home, repression and revolution in the air. And at the same time, the sheer exuberance of the Regency period, with new buildings, new art, even 17 new colonies more or less accidentally acquired. By 1848 the whole of Europe was once more set for complete upheaval. There is no one better to take a cold, hard look at the battle itself and its aftermath, in order to save us from an anniversary of misty-eyed backslapping, than political editor Colin Brown.

During the Napoleonic Wars, Sicily was of some tactical importance, and a British garrison was established there in 1806. For the next five years domestic and diplomatic affairs became increasingly complicated, and at last, in 1811, Lord William Bentinck was sent out to restore order. Dr Rosselli's account of his unsuccessful mission is a story of strange people and strange events. The main characters in the drama are colourful enough: King Ferdinand, lazy, irresponsible and likely to withdraw at the sign of trouble to his shooting lodge at La Ficuzza, leaving the affairs of state in the hands of his son; Queen Maria-Carolina, devoid of all common sense, enfeebled by opium and full of violent distrust of British interference; Prince Francis, a broken reed, weak-willed, vacillating, afraid of his parents, as much as of Bentinck; and the politicians of Palermo, occasionally scheming and ambitious, but more often too naive to be reliable.

The French Prefectoral Corps was Napoleon's creation. Building on the framework of local government inherited from the Revolution, he installed a rigidly centralized administrative system, running from the Sub-Prefect in the arrondissement, through the Prefect in the department, to the Minister in Paris. The return of the Bourbons threatened this organization. There was the upheaval of the years 1814 15, and as the mechanics of parliamentary government evolved in the years after the Second Restoration, the Corps acquired a political importance which necessarily affected the prefectoral career. There was also a change in rectruitment. To staff this indispensable organ of government the Bourbons called on men of their own choice and service, in particular members of the pre-revolutionary nobility. Dr Richardson has analysed the history of the Prefectoral Corps during the sixteen years of the Restoration.

In this groundbreaking work of literary and historical scholarship, Keith Gandal shows that Ernest Hemingway, F. Scott Fitzgerald, and William Faulkner were motivated, in their famous postwar novels, not by their experiences of the horrors of war but rather by their failure to have those experiences.
These "quintessential" male American novelists of the 1920s were all, for different reasons, deemed unsuitable as candidates for full military service or command and the result was, Gandal contends, that they felt themselves emasculated--not, as the usual story goes, due to their encounters with trench warfare, but because they got nowhere near the trenches or the real action. By bringing to light previously unexamined archival records of the Army, The Gun and the Pen demonstrates that the frustration of these authors' military ambitions took place in the forgotten context of a whole new set of methods employed in the mobilization for the Great War--unprecedented procedures that aimed to transform the Army into a meritocratic institution, indifferent to ethnic and class difference (though not racial, or black-white, difference). For these Lost Generation writers, the humiliating failure vis-a-vis the Army became a failure to compete successfully in a rising social order and against a new set of people. And it is that social order and those people--these effects of mobilization, and not other effects of the war--that the novels considered here both register and re-imagine.
Gandal's incisive readings of the famous fiction of this era against the backdrop of ethnicity, meritocracy, and sexuality closes with a coda on selected works from the 1930s, including prose by Djuna Barnes, Nathaniel West, and Henry Miller. Provocative and original, The Gun and the Pen restores these seminal novels to their proper historical context and proffers a radical revision of our understanding of the impact of World War I on twentieth-century American literature.

In the two hundred years since the Battle of Waterloo countless studies examining almost every aspect of this momentous event have been published - narratives of the campaign, graphic accounts of key stages in the fighting or of the role played by a regiment or by an individual who was there - an eyewitness. But what has not been written is an in-depth study of a division, one of the larger formations that made up the armies on that decisive battlefield, and that is exactly the purpose of Philip Haythornthwaite's original and highly readable new book. He concentrates on the famous Fifth Division, commanded by Sir Thomas Picton, which was a key element in Wellington's Reserve. The experiences of this division form a microcosm of those of the entire army. Vividly, using a range of first-hand accounts, the author describes the actions of the officers and men throughout this short, intense campaign, in particular their involvement the fighting at Quatre Bras and at Waterloo itself.

'I think I could be a good woman if I had five thousand a year.' Becky Sharp is sharp, calculating, and determined to succeed. Craving wealth and a position in society, she charms, hoodwinks, manipulates everyone she meets, rising in the world as she attaches herself to a succession of rich men. Becky's fortunes are contrasted with those of her best friend Amelia, who has none of Becky's wit and vitality but whose gentle-heartedness attracts the devotion of the loyal Dobbin. Set during the Napoleonic wars, Vanity Fair follows Becky as she cuts a swathe through Regency society. Thackeray paints a panoramic portrait of the age, with war, money and national identity his great subjects. The battle for social success is as fierce as the battle of Waterloo, and its casualties as stricken. The satire is at once biting and profound, sparing none in a clear-eyed exposure of a world on the make. Thackeray's scepticism of human motives borders on cynicism yet Vanity Fair is among the funniest novels of the Victorian age. This new edition includes all Thackeray's original illustrations. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

From Roger Knight, established by the multi-award winning The Pursuit of Victory as 'an authority ... none of his rivals can match' (N.A.M. Rodger), Britain Against Napoleon is the first book to explain how the British state successfully organised itself to overcome Napoleon - and how very close it came to defeat For more than twenty years after 1793, the French army was supreme in continental Europe. How was it that despite multiple changes of government and the assassination of a Prime Minister, Britain survived and eventually won a generation-long war against a regime which at its peak in 1807 commanded many times the resources and manpower? This book looks beyond the familiar exploits (and bravery) of the army and navy during the French Revolutionary and Napoleonic Wars. It shows the degree to which, because of the magnitude and intensity of hostilities, the capacities of the whole British population were involved: industrialists, farmers, shipbuilders, gunsmiths and gunpowder manufacturers. The intelligence war was also central; but no participants were more important, Knight argues, than the bankers and international traders of the City of London, without whom the armies of Britain's allies could not have taken the field. ROGER KNIGHT was Deputy Director of the National Maritime Museum until 2000, and now teaches at the Greenwich Maritime Institute at the University of Greenwich. In 2005 he published, with Allen Lane/Penguin, The Pursuit of Victory: the life and achievement of Horatio Nelson, which won the Duke of Westminster's Medal for Military History, the Mountbatten Award and the Anderson Medal of the Society for Nautical Research. The present book is a culmination of his life-long interest in the workings of the late eighteenth-century British state. 'Superb' - Spectator

This book examines Prussia's response to Napoleon and Napoleonic expansionism in the years before the crushing defeats of Auerstadt and Jena, a period of German history as untypical as it was dramatic. Events are analyzed at the level of high politics, foreign policy and the reform of the executive. The book also addresses matters of general theoretical concern such as high politics, geopolitics and the "primacy of foreign policy". In doing so it goes beyond anything that has been attempted before, and presents a comprehensive and nuanced picture of Prussia before 1806.

The Sunday Times bestselling account of Napoleon's invasion of Russia and eventual retreat from Moscow, events that had a profound effect on the subsequent course of Russian and European history. Moscow has both fascinated military historians and captured the imagination of millions on an emotional and human level. 1812 tells the story of how the most powerful man on earth met his doom, and how the greatest fighting force ever assembled was wiped out. Over 400,000 French and Allied troops died on the disastrous Russian campaign, with the vast majority of the casualties occuring during the frigid winter retreat. Adam Zamoyski tells their story with incredible detail and sympathy, drawing on a wealth of first-hand accounts of the tragedy to create a vivid portrait of an unimaginable catastrophe. power. His intention was to destroy Britain through a total blockade, the Continental System. But Tsar Alexander of Russia refused to apply the blockade, and Napoleon decided to bring him to heel. ramifications on Russian, French, German and, indeed, European history and culture cannot be understated. Adam Zamoyski's epic, enthralling narrative is the definitive account of the events of that dramatic year.

Written in 1857, this is the autobiography of a Jamaican woman whose fame rivalled Florence Nightingale's during the Crimean War. Seacole's offer to volunteer as a nurse in the war met with racism and refusal. Undaunted, Seacole set out independently to the Crimea where she acted as doctor and 'mother' to wounded soldiers while running her business, the 'British Hotel'. A witness to key battles, she gives vivid accounts of how she coped with disease, bombardment and other hardships at the Crimean battlefront. "In her introduction to the very welcome Penguin edition, Sara Salih expertly analyses the rhetorical complexities of Seacole's book to explore the richness of her story. Traveller, entrepreneur, healer and woman of colour, Mary Seacole is a singular and fascinating figure, overstepping all conventional boundaries." Jan Marsh, Independent "It's hard to believe that this amazing adventure story is the true-life experience of a Jamaican woman - it would make a great film." Andrea Levy, Sunday Times

NORMAN CROSS was the site of the world's first purpose-built prisoner-of-war camp constructed during the Napoleonic Wars. Opened in 1797, it was more than just a prison: it was a town in itself, with houses, offices, butchers, bakers, a hospital, a school, a market and a banking system. It was an important prison and military establishment in the east of England with a lively community of some 7,000 French inmates. Alongside a comprehensive examination of the prison itself, this detailed and informative book, compiled by a leading expert on the Napoleonic era, explores what life was like for inmates and turnkeys alike - the clothing, food, health, education, punishment and, ultimately, the closure of the depot in 1814.