The eighteenth century brought a period of tumultuous change to the Ottoman Empire. While the Empire sought modernization through military and administrative reform, it also lost much of its influence on the European stage through war and revolt. In this book, Ethan L. Menchinger sheds light on intellectual life, politics, and reform in the Empire through the study of one of its leading intellectuals and statesmen, Ahmed Vasif. Vasif's life reveals new aspects of Ottoman letters - heated debates over moral renewal, war and peace, justice, and free will - but it also forces the reappraisal of Ottoman political reform, showing a vital response that was deeply enmeshed in Islamic philosophy, ethics, and statecraft. Tracing Vasif's role through the turn of the nineteenth century, this book opens the debate on modernity and intellectualism for those students and researchers studying the Ottoman Empire, intellectual history, the Enlightenment, and Napoleonic Europe.

Jeffrey N. Cox reconsiders the history of British Romanticism, seeing the work of Byron, the Shelleys, and Keats responding not only to the 'first generation' Romantics led by Wordsworth, but more directly to the cultural innovations of the Napoleonic War years. Recreating in depth three moments of political crisis and cultural creativity - the Peace of Amiens, the Regency Crisis, and Napoleon's first abdication - Cox shows how 'second generation' Romanticism drew on cultural 'border raids', seeking a global culture at a time of global war. This book explores how the introduction on the London stage of melodrama in 1803 shaped Romantic drama, how Barbauld's prophetic satire Eighteen Hundred and Eleven prepares for the work of the Shelleys, and how Hunt's controversial Story of Rimini showed younger writers how to draw on the Italian cultural archive. Responding to world war, these writers sought to embrace a radically new vision of the world.

The Scum of the Earth follows the men Wellington called just that from victory at Waterloo to a Regency Britain at war with itself, and explodes some of the myths on the way; such as that the defeat of Napoleon ended the threat of revolution spreading from France. Did the victorious soldiers return to a land fit for heroes? They did not. There was the first of the Corn Laws in the same year as the battle, there was famine and chronic unemployment. In 1819, the Peterloo massacre saw 15 killed and at least 500 injured when cavalry sabred a crowd demanding parliamentary reform. Peace in Europe perhaps for 50 years - but at home, repression and revolution in the air. And at the same time, the sheer exuberance of the Regency period, with new buildings, new art, even 17 new colonies more or less accidentally acquired. By 1848 the whole of Europe was once more set for complete upheaval. There is no one better to take a cold, hard look at the battle itself and its aftermath, in order to save us from an anniversary of misty-eyed backslapping, than political editor Colin Brown.

Waterloo is one of the defining campaigns of European history. The name conjures up images of the terrible scale and grandeur of the Napoleonic Wars and the incredible combined effort that finally ended Napoleon's aspirations of power in Europe. Drawn from unpublished first-hand accounts, and using detailed illustrations, this comprehensive volume is the ideal resource for studying the intense fighting at the battles of Waterloo and Wavre, the final, decisive engagements of the Waterloo campaign. Those two battles are at the heart of this study, which explores the action at Mont St Jean where Wellington managed to hold the French at bay until the arrival of the Prussians under Blucher saw the Allies secure a hard-fought victory at the dramatic climax of the 'Hundred days'.

Military Men of Feeling considers the popularity of the figure of the gentle soldier in the Victorian period. It traces a persistent narrative swerve from tales of war violence to reparative accounts of soldiers as moral exemplars, homemakers, adopters of children on the battlefield and nurses. This material invites us to think afresh about Victorian masculinity and Victorian militarism. It challenges ideas about the separation of military and domestic life, and about the incommunicability of war experience. Focusing on representations of soldiers' experiences of touch and emotion, the book combines the work of well known writers-including Charles Dickens, Charles Kingsley, William Makepeace Thackeray, Charlotte Yonge-with previously unstudied writing and craft produced by British soldiers in the Crimean War, 1854-56. The Crimean War was pivotal in shaping British attitudes to military masculinity. A range of media enabled unprecedented public engagement with the progress and infamous 'blunders' of the conflict. Soldiers and civilians reflected on appropriate behaviour across ranks, forms of heroism, the physical suffering of the troops, administrative management and the need for army reform. The book considers how the military man of feeling contributes to the rethinking of gender roles, class and military hierarchy in the mid-nineteenth century, and how this figure was used in campaigns for reform. The gentle soldier could also do more bellicose social and political work, disarming anti-war critiques and helping people to feel better about war. This book looks at the difficult mixed politics of this figure. It considers questions, debated in the nineteenth century and which remain urgent today, about the relationship between feeling and action, and the ethics of an emotional response to war. It makes a case for the importance of emotional and tactile military history, bringing the Victorian military man of feeling into contemporary debates about liberal warriors and soldiers as social workers.

Orlando Figes' Crimea is a powerful history of the Crimean War, the conflict that dominated the nineteenth century. The Crimean War one of the fiercest battles in Russia's history, killing nearly a million men and completely redrawing the map of Europe. Pitting the Tsar's empire against an alliance of Britain, France and the Ottoman Empire, it was the first conflict to use photography, the telegraph and newspapers; a war over territory, from the Balkans to the Persian Gulf; a war of religion, driven by a fervent, populistbelief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land; it was the original 'total war'. Orlando Figes' vivid new book reinterprets this extraordinary conflict. Bringing to life ordinary soldiers in snow-filled trenches, surgeons on the battlefield and the haunted, fanatical figure of Tsar Nicholas himself, Crimea tells the human story of a tragic war. 'Lucid, well-written, alive and sensitive, it tells us why this neglected conflict and its forgotten victims deserve our remembrance' Oliver Bullough, Independent 'Figes paints a vivid portrait of a bloody and pointless conflict ... he knows more about Russia than any other historian' Max Hastings, Sunday Times 'A fine, stirring account' Mark Bostridge, Financial Times 'A wonderful subject, on every level, and with Orlando Figes it has found the historian worthy of its width and depth' Norman Stone, Standpoint 'Figes is a first-class historian, as his splendid new book amply demonstrates' Dominic Sandbrook, Daily Telegraph Orlando Figes is Professor of History at Birkbeck College, University of London. He is the author of Peasant Russia, Civil War, A People's Tragedy, Natasha's Dance, The Whisperers and Just Send Me Word. His books have been translated into over twenty languages.

Robert Southey (1774-1843), Romantic poet and friend of Coleridge, was Poet Laureate from 1813 to 1843. He also wrote historical works and was a noted scholar of Portuguese. (His three-volume history of Brazil is also reissued in this series.) As Southey himself states, many lives of Nelson had been written since the hero's death at Trafalgar in 1805, but what he is attempting in these two volumes, published in 1813, is a work 'clear and concise enough to become a manual for the young sailor ... till he has treasured up the example in his memory and in his heart'. In this 'eulogy', Volume 2 continues the story from Nelson's return from Egypt to the battle of Copenhagen, and the subsequent brief respite of the Peace of Amiens, until his appointment as supreme commander of the British fleet, and his death in the hour of victory.

In 2013, Germany celebrated the bicentennial of the so-called Wars of Liberation (1813 1815). These wars were the culmination of the Prussian struggle against Napoleon between 1806 and 1815, which occupied a key position in German national historiography and memory. Although these conflicts have been analyzed in thousands of books and articles, much of the focus has been on the military campaigns and alliances. Karen Hagemann argues that we cannot achieve a comprehensive understanding of these wars and their importance in collective memory without recognizing how the interaction of politics, culture, and gender influenced these historical events and continue to shape later recollections of them. She thus explores the highly contested discourses and symbolic practices by which individuals and groups interpreted these wars and made political claims, beginning with the period itself and ending with the centenary in 1913."

Robert Southey (1774-1843), Romantic poet and friend of Coleridge, was Poet Laureate from 1813 to 1843. He also wrote historical works and was a noted scholar of Portuguese. (His three-volume history of Brazil is also reissued in this series.) As Southey himself states, many lives of Nelson had been written since the hero's death at Trafalgar in 1805, but what he is attempting in these two volumes, published in 1813, is a work 'clear and concise enough to become a manual for the young sailor ... till he has treasured up the example in his memory and in his heart'. In this 'eulogy', Volume 1 describes Nelson's boyhood and early experience of the sea, his service on both sides of the Atlantic and in the Arctic, his uneasy relationship with the Admiralty, and his role in the Napoleonic Wars up to the battle of the Nile.

The first comprehensive history of the decisive Fall Campaign of 1813, which determined control of Central Europe following Napoleon's catastrophic defeat in Russia the previous year. Using German, French, British, Russian, Austrian and Swedish sources, Michael V. Leggiere provides a panoramic history which covers the full sweep of the struggle in Germany. He shows how Prussia, the weakest of the Great Powers, led the struggle against Napoleon and his empire. By reconstructing the principal campaigns and operations in Germany, the book reveals how the defeat of Napoleon in Germany was made possible by Prussian victories. In particular, it features detailed analysis of the strategy, military operations, and battles in Germany that culminated with the epic four-day Battle of Nations at Leipzig and Napoleon's retreat to France. This study not only highlights the breakdown of Napoleon's strategy in 1813, but constitutes a fascinating study in coalition warfare, international relations, and civil-military relations.

This work is the second in a three-volume series on the 1813 campaign; it is the first significant study on the 1813 campaign since Petre. Unlike the other English works on the campaign, it was prepared using French archival and published sources, as well as German, Danish and Russian published sources. It discusses every battle and significant action in all parts of Germany - including various sieges. Detailed color maps support the major battles and a large collection of orders of battle drawn from the French Archives, as well as period-published documents, support the discussion of the campaign, complemented by a large selection of images. Both images and maps are new to this edition of the work.

This is the first comprehensive history of the campaign that determined control of Germany following Napoleon's catastrophic defeat in Russia. Michael V. Leggiere reveals how, in the spring of 1813, Prussia, the weakest of the great powers, led the struggle against Napoleon as a war of national liberation. Using German, French, British, Russian, Austrian and Swedish sources, he provides a panoramic history that covers the full sweep of the battle for Germany from the mobilization of the belligerents, strategy, and operations to coalition warfare, diplomacy, and civil-military relations. He shows how Russian war weariness conflicted with Prussian impetuosity, resulting in the crisis that almost ended the Sixth Coalition in early June. In a single campaign, Napoleon drove the Russo-Prussian army from the banks of the Saale to the banks of the Oder. The Russo-Prussian alliance was perilously close to imploding, only to be saved at the eleventh-hour by an armistice.

This book was written to provide an in-depth study of the Danish and Norwegian armies of the Napoleonic Wars. The goal was to provide a working document which is as accurate as possible, covering the uniforms of these armies, their weapons and their evolution as well as their colours and a look at their basic tactics. Although this is principally a uniform book, historical background is also provided to place the details in their context. This first volume covers the uniforms of the High Command, Guard, and Line and Light Infantry, their arms, equipment, and colours. The product of five years of research, this study grew out of the author's desire to provide a reference for friends who were painting Danish wargames figures. It soon became apparent that very little was written on the subject in English and this led to extensive research and consultation with experts including Alan Perry of Perry Miniatures and Jorgen Koefoed Larsen. Every effort has been made to reconcile conflicting sources, rather than risk perpetuating myths and errors, and the result is a comprehensive and lavishly-illustrated reference work on this significant but often-overlooked Napoleonic army.

Originally published in 1910, this book explores the hypothesis that Napoleon's decrees were intended as an attack on British credit immediately before the outbreak of the final Napoleonic War. Cunningham examines French pamphlets and Napoleon's correspondence to reveal the French opinion on the state of Britain's credit and how unstable finances could be used to undermine an enemy before an actual conflict arose. This book will be of value to economic historians and anyone with an interest in Napoleonic propaganda.

Frances Isabella Duberly (1829 1902) accompanied her officer husband to the Crimea as the only woman on the front line. Her letters home to her sister, highlighting the incompetence and negligence of the generals, and describing the appalling conditions in which the men were fighting, appeared anonymously in the press and, along with W. H. Russell's reports, helped stir public opinion against the prosecution of the war. This reaction persuaded Duberly to ask her brother-in-law to edit her diary, and it provoked a sensation when published in 1855. Although she occasionally conveys some of the elation of victory, the journal is more often a stark and disturbing document: following the battle of Balaclava she writes that 'even my closed eyelids were filled with the ruddy glare of blood'. No history of this brutal campaign can ignore this journal, and it stands comparison with any account of the horrors of war.

The Crimean War (1854-6) was the first to be fought in the era of modern communications, and it had a profound influence on British literary culture, bringing about significant shifts in perceptions of heroism and national identity. In this book, Stefanie Markovits explores how mid-Victorian writers and artists reacted to an unpopular war: one in which home-front reaction was conditioned by an unprecedented barrage of information arriving from the front. This history had formal consequences. How does patriotic poetry translate the blunders of the Crimea into verse? How does the shape of literary heroism adjust to a war that produced not only heroes but a heroine, Florence Nightingale? How does the predominant mode of journalism affect artistic representations of 'the real'? By looking at the journalism, novels, poetry, and visual art produced in response to the war, Stefanie Markovits demonstrates the tremendous cultural force of this relatively short conflict.

The journalist William Howard Russell (1820 1907) is sometimes regarded as being the first war correspondent, and his reports from the conflict in the Crimea are also credited with being a cause of reforms in the British military system. This account of his time there, first published in 1858 and expanded in this 1895 edition, explains how Russell was sent by The Times of London in 1854 to join British troops stationed in Malta. He spent the next two years witnessing some of the key moments of the war, including the battle of Balaclava and the ill-fated Charge of the Light Brigade. His newspaper reports of the fighting and of the living conditions for the troops were widely read and very influential. In this retrospective work, Russell gives a more personal narrative of his experiences, making this an important account of one the most brutal wars of the nineteenth century.

The journalist William Howard Russell (1820 1907) is sometimes regarded as being the first war correspondent, and his reports from the conflict in the Crimea are also credited with being a cause of reforms made to the British military system. This 1865 book began as a review in The Times of the five-volume work of General Eduard Todleben (or Totleben), the military engineer and Russian Army General, whose work in creating and continually adapting the land defences of Sevastopol in 1854 5 made him a hero and enabled the fortress to hold out against British bombardment for a whole year. Russell added extracts from the original book to his review, and enlarged his commentary on the Russian text, producing a thorough and accurate synthesis, but always highlighting the central importance of the Russian work to any student of the history of the Sevastopol siege.

The Revolutionary and Napoleonic Wars had an enduring influence on the collective memory of all European nations and regions, and have given them an international dimension. These essays look at how the French Wars were remembered in personal diaries, paintings and literature, allowing a comparative analysis with atransnational perspective.

Thomas Creevey (1768-1838) was a Whig politician, diarist and letter-writer, whose papers provide an important source for the history of the early nineteenth century. Although a relatively poor man, he was adept at making friends with important people, and received hospitality and financial help from them. His letters are full of gossip, often indiscreet, giving a vivid picture of the society and politics of the day. They form an interesting comparison with the papers of his contemporaries, J. W. Croker, who as a Tory was in power for most of the period in question, and Charles Greville (both available in this series). Living in Brussels at the time of Waterloo, Creevey is perhaps best remembered for his description of life there during Napoleon's 'Hundred Days'. This two-volume work edited by Sir Herbert Maxwell (1845-1937) was first published in 1903. Volume 1 covers the Napoleonic Wars and the Regency.

Thomas Creevey (1768 1838) was a Whig politician, diarist and letter-writer, whose papers provide an important source for the history of the early nineteenth century. Although a relatively poor man, he was adept at making friends with important people, and received hospitality and financial help from them. His letters are full of gossip, often indiscreet, giving a vivid picture of the society and politics of the day. They form an interesting comparison with the papers of his contemporaries, J. W. Croker, who as a Tory was in power for most of the period in question, and Charles Greville (both available in this series). Creevey is perhaps best remembered for his description of Brussels during Napoleon's 'Hundred Days'. This two-volume work edited by Sir Herbert Maxwell (1845 1937) was first published in 1903. Volume 2 covers the period 1820 37, and the accession of Victoria, described here as a 'homely little being'.

The best-selling author of The Battle, Alessandro Barbero, was asked which action saved Wellington at Waterloo prior to the arrival of the Prussians. He replied: 'If I should indulge in that game, I'd say the cavalry charge which effectively broke d'Erlon's attack.' In terms of regiments the greatest contributor to that charge, made by the British heavy cavalry, was the King's Dragoon Guards (KDG), which fielded nearly half of the Household Brigade's sabres. This book tells the remarkable story of the KDG before, during and after the battle of Waterloo, drawing on private, unpublished archive material. It concludes by describing the KDGs link to their descendant regiment, 1st Queen's Dragoon Guards, of which HRH The Prince of Wales is Colonel-in-Chief.

From Napoleon's invasion of 1812 to the Wars of Liberation and beyond, seen from the common Russian soldier's perspective. This volume is composed of three accounts previously unavailable in English. Detailed annotations illuminate a seldom understood army and nation during one of the pivotal episodes in European history. Pamfil Nazarov was a peasant from Tver who was conscripted in 1812 but rather than head east to join the army in its campaign against Napoleon, he travelled to St. Petersburg and was selected for the Russian Imperial Guard. As a Jager of the Finland Regiment he went on to witness such events as the Battle of Leipzig and the fall of Paris. Nazarov's memoirs also briefly describe the Russo-Turkish War of 1828, the Polish Uprising of 1830, and culminate in his voluntary induction into the monastic ranks of the Orthodox Church. Ivan "Menshoy" Ostroukhov similarly came from the peasantry of Tula and had prospects as a merchant before his household was chosen to produce a conscript. Also like Nazarov, he was inducted into the Guard, serving with the Uhlans as a choral singer in its reserve squadron. His autobiography ends prematurely, possibly due to the author's death. Rafail Zotov, on the other hand, was a formally educated noble from St. Petersburg who could speak German and was familiar with astronomy and literature. He volunteered to serve as a junior officer in the militia when the French invaded. His preconceived notions of war and military service were challenged, and his abilities as a leader tested by his experiences on the hard marches through the north to the battles of Polotsk and Berezina and on to the siege of Danzig in 1813. Russia has a long and rich history and its self-identity is built on many episodes and myths, but none are so often dramatized, by Russians and Westerners alike, as Napoleon's invasion in 1812. Now for the first time the voice of the common Russian caught up in those continental events is available in the English language. Contains an introduction by the translator, footnotes throughout with citations and bibliography, and multiple illustrations of relevant persons and events.