The Crimean War (1853-1856) was the first modern war. A vicious struggle between imperial Russia and an alliance of the British, French and Ottoman Empires, it was the first conflict to be reported first-hand in newspapers, painted by official war artists, recorded by telegraph and photographed by camera. In her new short history, Trudi Tate discusses the ways in which this novel representation itself became part of the modern war machine. She tells forgotten stories about the war experience of individual soldiers and civilians, including journalists, nurses, doctors, war tourists and other witnesses. At the same time, the war was a retrograde one, fought with the mentality, and some of the equipment, of Napoleonic times. Tate argues that the Crimean War was both modern and old-fashioned, looking backwards and forwards, and generating optimism and despair among those who lived through it. She explores this paradox while giving full coverage to the bloody battles (Alma, Balaklava, Inkerman), the siege of Sebastopol, the much-derided strategies of the commanders, conditions in the field and the cultural impact of the anti-Russian alliance.

'Vibrant and illuminating ... [Dywer] tells a fascinating tale' The Times

This meticulously researched study opens with Napoleon no longer in power, but instead a prisoner on the island of St Helena. This may have been a great fall from power, but Napoleon still held immense attraction. Every day, huge crowds would gather on the far shore in the hope of catching a glimpse of him.

Philip Dwyer closes his ambitious trilogy exploring Napoleon's life, legacy and myth by moving from those first months of imprisonment, through the years of exile, up to death and then beyond, examining how the foundations of legend that had been laid by Napoleon during his lifetime continued to be built upon by his followers. This is a fitting and authoritative end to a definitive work.

'In war, let your great object be victory, not lengthy campaigns. Thus it may be known that the leader of armies is the arbiter of the people's fate, the man on whom it depends whether the nation shall be in peace or peril...' ("Sun Tzu The Art of War"). We speak of Caesar who conquered Gaul, not the legions; MacArthur who landed at Inchon, not the Marines - and we speak of Napoleon, one of history's most successful generals. Major General Jonathon Riley is supremely well qualified to write on Napoleon's generalship and has written an informed and insightful account. He opens with a short treatise on generalship in order to define Napoleon's achievement before moving on to the man himself. He examines Napoleon as a strategist; as a coalition commander; Napoleon's campaigns and Napoleon on the battlefield. Areas often ignored in the context of pre-industrial warfare - logistics and counter-insurgency - are also examined. Riley proceeds to three specific case studies beginning with Napoleon's first essay in generalship and the conquest of Piedmont; Napoleon at the height of his powers at the conquest of Prussia, to Napoleon's final defeats and the Battle of the Nations in 1813.

Following the events and activity surrounding the bicentenary of Trafalgar and the death of Nelson, this volume acts both as a summary of what we have learned and a collection of some of the best scholarship on the battle itself and its context and legacy. It moves away from the figure of Nelson and brings new research from a range of disciplinary perspectives to bear on one of the most significant naval actions in the age of sail.

Thomas Hardys The Dynasts and Leo Tolstoys War and Peace are both works which defy attempts to assign them to a particular genre but might seem to have little else in common apart from being set in the same period of history. This study argues that there are important similarities between these two works and examines the close correspondence between Hardys and Tolstoys thinking on themes relating to war, ideas of the heroic and the concept of free will. Although coming from very different backgrounds, both writers were influenced by their experiences of war, Tolstoy directly, by involvement in the wars in the Caucasus and the Crimea, and Hardy indirectly, by the events of the Anglo-Boer Wars. Their reaction to these experiences found expression in their descriptions of the wars fought against Napoleon at the beginning of the century. Hegel saw Napoleon as the great world-historical man of his time, and this work considers the ways in which Hardy and Tolstoy undermine this view, portraying Napoleons physical and mental decline and questioning the role he played in determining the outcomes of military actions. Both writers were deeply interested in the question of free will and determinism and their writings reveal their attempts to understand the nature of the force which lies behind mens actions. Their differing views on the nature of consciousness are considered in the light of modern research on the development of the conscious brain.

On War (1832) is a treatise on the philosophical aspects of warfare by Prussian general, scholar, and strategist Carl von Clausewitz. Published posthumously by the author's wife-who edited his manuscript and wrote the book's introduction-On War is one of history's most important works on warfare and military strategy, and continues to be studied to this day. With a background in art, culture, and history, and with extensive experience as a combat veteran, Clausewitz sought to understand the military success of such figures as Napoleon and Frederick the Great. What interested Clausewitz the most was how these leaders effectively mobilized entire nations to launch military campaigns larger and more violent than any in European history. Although he initially began with the theory that war was one aspect of a population's struggle for survival, he eventually came to believe that war was a method of imposing the will of one state on another. By privileging politics and philosophy in his study of warfare, Clausewitz changed the way military figures, politicians, and scholars thought of and perpetrated the process of war. Most crucially, Clausewitz suggests that war serves no purpose in and of itself, but rather acts as an instrument of a political party or group. In addition, Clausewitz believed that strong moral and political motivations-especially in the case of defense-greatly increased the chance of victory. On War was read and interpreted by Vladimir Lenin, Mao Zedong, and Dwight Eisenhower, and has, for over a century and a half, continued to shape the concept and conduct of war. With a beautifully designed cover and professionally typeset manuscript, this edition of Carl von Clausewitz's On War is a classic of history, philosophy, and military theory reimagined for modern readers.

The Office of Ordnance has been ill-served by previous accounts of its role in arming the Royal Navy during the French Revolution and Napoleonic Wars. Cole offers an in-depth examination of its organizational structure and demonstrates how the department responded to the pressures of war over an extended period of time.

In the late 1960s and early 1970s, Soviet philologist, literary dissident, and university professor Viktor Duvakin made it his mission to interview the members of the artistic avant-garde who had survived the Russian Revolution, Stalin's purges, and the Second World War. Based on archival materials held at the Moscow State University Library, Russian Modernism in the Memories of the Survivors catalogues six interviews conducted by Duvakin. The interviewees talk about their most intimate life experiences and give personal accounts of their interactions with famous writers and artists such as Vsevolod Meyerhold, Sergei Eisenstein, and Marina Tsvetaeva. They offer insights into the world of Russian emigrants in Prague and Paris, the uprising against the Communist government, what it was like to work at the United Nations after the Second World War, and other important aspects of life in the Soviet Union and Europe during the first half of the twentieth century. Archival photographs, as well as hundreds of annotations to the text, are included to help readers understand the historical and cultural context of the interviews. The unique and previously unpublished materials in Russian Modernism in the Memories of the Survivors will be of great interest to anyone who wants to learn more about this fascinating period in Soviet history.

With a new introduction by Andrew Roberts. 'A penetrating interpretation...No one with a serious interest in the Napoleonic period can afford to ignore it. ' - Times Literary Supplement Whether viewed as an inspired leader or obsessed tyrant, Napoleon has divided opinion for over 200 years. Few individuals have left such a mark on history. Georges Lefebvre's classic work, published in Routledge Classics in one paperback volume in English for the first time, is a definitive portrait of the Napoleonic era. Lefebvre's history sweeps us from the lightning coup d'etat of 18 Brumaire in 1799 to his final downfall amidst the wheatfields of Waterloo. More than a biography, it is a brilliant survey of the turbulent age Napoleon inaugurated in his attempt to redraw the map of Europe, from the Peninsular War to the invasion of Russia. The cast includes his antagonists - Pitt the Younger, Wellington, Metternich and Tsar Alexander - and his allies - the wily Minister of Police Fouche and Talleyrand, the 'Prince of Diplomats'. Lefebvre's account is equally clear-eyed about Napoleon's genius and his flaws. Napoleon's determination to emulate Caesar and Augustus condemned Europe to more than a decade of war and economic crisis, but he also built an empire, introducing educational, administrative and financial initiatives that are still in place today. Georges Lefebvre (1877-1959) One of the foremost historians of the Twentieth Century and known as the 'historian's historian', he held the chair of the French Revolution at the Sorbonne . His The French Revolution is also available in Routledge Classics.

It was not until the emergence of the ideologies of Zionism and Socialism at the end of the last century that the Jewish communities of the Diaspora were perceived by historians as having a genuine political life. In the case of the Jews of Russia, the pogroms of 1881 have been regarded as the watershed event which triggered the political awakening of Jewish intellectuals. Here Lederhendler explores previously neglected antecedents to this turning point in the history of the Jewish people in the first scholarly work to examine concretely the transition of a Jewish community from traditional to post-traditional politics.

Two hundred years after the battle, the area around Waterloo is a lovely landscape of rolling farmland containing dozens of key sites, memorials and monuments to discover. But the Waterloo region offers far more than just a battlefield. A wealth of sights beckons the curious tourist, including the historic town of Nivelles with its towering Collegiate Church of Saint Gertrude, the exhilarating Walibi theme park at Wavre and the profoundly tranquil ruins of the Abbaye de Villers. Bradt's Waterloo & Beyond, written by Belgium expert Antony Mason, gives practical advice from the best hotel and restaurant choices to festivals and events throughout the year. This unique tourist guidebook provides everything you'll need to get the very most from your visit.

A proverbial cellar find brought to light a remarkable source for Napoleonic uniformology, which due to its artistic design but also high level of detail offers valuable support in the research of the military dress of Napoleonic mounted troops. A total of 56 large-format hand-coloured watercolours depict cavalry, artillery and train troops of the French Imperial period from 1804 to 1812, the Neapolitan army of 1812, and the Polish uprising of 1831. The work itself is introduced with a foreword by art historian Dr. Hans D. Baumann, commenting on the artistic representation and especially the provenance of the portfolio. It turned out that the watercolours by unknown artists were originally part of the library of the Royal Theatre in Berlin and finally reached Kassel via the salt mines of Thuringia in the course of the Second World War. From there they went to a private collector and then disappeared in the afore-mentioned cellar. The reference to the Royal Theatres in Berlin as well as the posture and presentation of some of the depicted cavalrymen quickly led to Richard Knoetel's famous Grosse Uniformenkunde. This is because this doyen of German uniformology cited "coloured hand drawings from the library of the Royal Theatre of Berlin" as the source of some of his plates on the French army. His plates on the Neapolitan army are also partly based on the original source presented here for the first time. Even though the artist (or artists) probably did not produce the 56 watercolours until the late 1830s or 1840s, they are captivatingly accurate and have been assessed by Markus Gartner and Markus Stein for their historical accuracy. Each plate is accompanied by a brief commentary, which usually classifies the depiction as correct - especially the rarer depictions, such as French carabiniers around 1812 in the sky-blue uniforms, underline the artist's sound knowledge of Napoleonic military costume. As evidence of the painting's contemporary origins, some plates are accompanied by illustrations by early 19th century military artists such as Martinet or Weiland, which obviously served as sources. Some illustrations are also supplemented by Knoetel's plates, enabling readers to verify for themselves the impact these watercolours had on the creation of a work of such fundamental nature as the "Grosse Uniformenkunde". Thus this book spans 19th century uniformology from the early years to its perfection around 1890. In addition to the commentaries, the plates are also accompanied by historic details outlining the development and wartime deployment of the unit depicted, as well as the standards carried. These additions were made on the basis of rarer works of French military history, while modern works by military historians Markus Gartner and Markus Stein were also consulted. Since the paintings depict mounted units throughout (both of the Guard and the Line), the reader is able to obtain a comprehensive picture of the splendour of Napoleonic cavalry turned out in their colourful uniforms. The artistic charm of a previously unpublished source and the wide range of units represented will surely make this book a highlight of any library.

The Office of Ordnance has been ill-served by previous accounts of its role in arming the Royal Navy during the French Revolution and Napoleonic Wars. Cole offers an in-depth examination of its organizational structure and demonstrates how the department responded to the pressures of war over an extended period of time.

In contrast to every other book about the conflict Andrew Lambert's ground-breaking study The Crimean War: British Grand Strategy against Russia, 1853-1856 is neither an operational history of the armies in the Crimea, nor a study of the diplomacy of the conflict. The core concern is with grand strategy, the development and implementation of national policy and strategy. The key concepts are strategic, derived from the works of Carl von Clausewitz and Sir Julian Corbett, and the main focus is on naval, not military operations. This original approach rejected the 'Continentalist' orthodoxy that dominated contemporary writing about the history of war, reflecting an era when British security policy was dominated by Inner German Frontier, the British Army of the Rhine and Air Force Germany. Originally published in 1990 the book appeared just as the Cold War ended; the strategic landscape for Britain began shifting away from the continent, and new commitments were emerging that heralded a return to maritime strategy, as adumbrated in the defence policy papers of the 1990s. With a new introduction that contextualises the 1990 text and situates it in the developing historiography of the Crimean War the new edition makes this essential book available to a new generation of scholars.

Placing the creation of Westphalia within the context of the larger German story of the Napoleonic Wars, this groundbreaking book offers the only complete history of Napoleon's grand experiment to construct a model state in Germany. In 1807, in the wake of two years of victories over the Austrians, Prussians, and Russians, Napoleon redrew the map of central Europe by fashioning a new German state. Dubbing it the Kingdom of Westphalia, he appointed his 23-year-old brother Jerome as its king. Sam A. Mustafa shows how Westphalia became a proving ground for the allegedly liberating and modern concepts of the French Revolution, brought by foreign conquest and enforced by a powerful new centralized state. Over the next six years, the inhabitants of this region experienced fundamental and often jarring changes in almost every aspect of their lives. They witnessed a profound clash of French and German culture, as well as new ideas about law, nationality, and politics. And yet, for all of its promise on paper, Westphalia ended up despised by most of its people, who cheered at its collapse and in many cases helped to bring it down. What went wrong with this early example of what we would today call "nation building" and how did Germans react to the changes? Napoleon's Paper Kingdom is the first book in the English language to provide a comprehensive investigation of this fascinating chapter of the Napoleonic Wars.

In 1941, the Franco regime established the Spanish Division of Volunteers to take part in the Russian campaign as a unit integrated into the German Wehrmacht. Recruited by both the Fascist Party (Falange) and the Spanish army, around 47,000 Spanish volunteers joined what would become known as the "Blue Division." The Spanish Blue Division on the Eastern Front, 1941-1945 explores an intimate history of the Blue Division "from below," using personal war diaries, letters, and memoirs, as well as official documents from military archives in Spain, Germany, Britain, and Russia. In addition to describing the Spanish experience on the Eastern Front, Xose M. Nunez Seixas takes on controversial topics including the Blue Division's proximity to the Holocaust and how members of the Blue Division have been remembered and commemorated. Addressing issues such as the behaviour of the Spaniards as occupiers, their perception by the Russians, their witnessing of the Holocaust, their commitment to the war aims of Nazi Germany, and their narratives on the war after 1945, this book illuminates the experience of Spanish combatants and occupied civilians.

This is an illustrated analysis of the world war between Napoleon and the 6th coalition in 1813, covering operations in Central Europe, Spain and North America. Brigadier Riley examines the differences between successful alliances and coalitions, comparing the long-term international relationships in alliances and the short-term union of coalitions. He points out how, given political and military situations today, it is essential to study coalition war as an historical phenomenon: what conditions bring coalitions together, and what tends to pull them apart; wat are the peculiar difficulties which distinguish them from the wars of nations or established alliances? This examination is made through the momentous year of 1813. With a detailed look at these aspects of coalition warfighting, Riley details the inner relationships of coalitions and their strategic advances by refering to Napoleon's and Wellington's campaigns.

This analysis of the world war between Napoleon and the 6th coalition in 1813 covers operations in Europe, Spain and North America. It examines the differences between alliances and coalitions, comparing the long-term international relationships in alliances and the short-term union of coalitions.

Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Through consideration of a range of media, from academic painting to prints, drawings and printed ephemera, this book offers fresh understanding of the rich variety of ways in which warfare was mediated in visual cultures in Britain and continental Europe. The fourteen essays in the collection are grouped thematically into three sections, each focusing on a specific type of visual communication. Thus, Part One engages with historically specific ways of transmitting messages about war and conflict, including maps, prints, silhouette imagery and war games produced in France and Germany; Part Two considers popular and elite imagining of war between 1793 and 1815, encompassing readings of paintings by Turner, Girodet and Goya, Portuguese anti-French drawings and British satirical book illustrations; while Part Three concentrates on visual cultures of commemoration, addressing British theatrical reenactments and museum collections, and British and Dutch paintings of the Battle of Waterloo. As such, the volume uncovers fascinating new visual material and throws fresh light on some of the more canonical visual representations of conflict during the first 'Total War'.

How did Britain manage the transportation of large numbers of troops to French controlled territory during the French Revolutionary and Napoleonic Wars and successfully land them? Shortlisted for the Society for Nautical Research Anderson Medal 2016 Britain's naval victories in the French Revolutionary and Napoleonic Wars succeeded in protecting Britain from French invasion, but they could not of themselves defeat France. This required the support of allied armies and necessitated the shipping of large numbers of troops to, and successfully landing them on, French controlled territory - a major logistical operation. Wellington's expedition to Portugal and Spain led to Napoleon's defeat in the Peninsular War, but there were many other British expeditions before this which were not successful, in part because they were too logistically ambitious and/or they lacked allied support. This book examines the nature of combined operations and considers the planning and preparation of expeditions. It highlights the navy's important role in amphibious warfare and describes in detail the logistical operations which supported British expeditionary warfare in the period. It outlines the role of the Transport Board, explores how it periodically chartered a large proportion of the British merchant fleet and what theeffects of this were on merchant shipping. The book concludes that the Transport Board grew in competence; that the failure of expeditions was invariably due to circumstances well beyond its control; and that its pivotal role inthe preparation of all the major military expeditions in which hundreds of thousands of British troops served overseas was very significant and very effective. Robert K. Sutcliffe completed his doctorate at the University of Greenwich.

Shows how the system of supply was perfected during the later part of the Napoleonic Wars, enabling fleets to stay at sea on a permanent basis. After the Battle of Trafalgar, the navy continued to be the major arm of British strategy. Decades of practice and refinement had rendered it adept at executing operations - fighting battles, blockading and convoying - across theglobe. And yet, as late as 1807, fleets were forced from their stations due to an ineffective provisioning system. The Transformation of British Naval Strategy shows how sweeping administrative reforms enacted between 1808and 1812 established a highly-effective logistical system, changing an ineffective supply system into one which successfully enabled a fleet to remain on station for as long as was required. James Davey examines the logistical support provided for fleets sent to Northern Europe during the Napoleonic War and shows how this new supply system successfully transformed naval operations, enabling the navy to pursue crucial objectives of national importance, protect essential exports and imports and attack the economies of the Napoleonic Empire. The Transformation of British Naval Strategy is a detailed study of national policy, administrative and political reform and strategic viability. It delves into the nature of the British state, its relationship with the private sector and its ability to reform itself in a time of war. Bureaucratic restructuring represented the last stage in a century-long process of logistical improvement. As a result of the reforms, the navy was able to conduct operations beyond the realms of possibility even twenty years earlier and saw the reach of its power transformed. Military and Napoleonic historians will find this book invaluable. JAMES DAVEY is Research Curator at the National Maritime Museum and Visiting Lecturer at the University of Greenwich, where he teaches British naval history.

For James Thomas Brudenell, 7th Earl of Cardigan, leading the Light Brigade at Balaclava was but one incident in a life of sensation and notoriety. Donald Thomas's biography, originally published in 1977, and based on new material when originally published, shows this most controversial Victorian against a panorama of regimental intrigue and aristocratic luxury. Dismissed from the army for 'revolting' conduct, Cardigan bought the command of the 11th Hussars (the 'Cherry Bums') for GBP40,000 a few years later. Regimental rivalries led to the 'Black Bottle' scandal of 1840 and to a duel in which he shot a brother officer. Charged with attempted murder, Cardigan was the only Victorian peer to be tried by the House of Lords. Nonetheless, his seductions of other men's wives rivalled his regimental misdemeanours in press reports. He was jeered int he streets, hissed at the theatre and burnt in effigy. It took the glory and the folly of Balaclava to turn 'this plague-spot of the British army' into 'the most popular soldier in England'. Greeted everywhere by cheering crowds, their new hero fought duels and libel actions against those who denied his bravery before the Russian guns. For all his misbehaviour, Cardigan remains warm-blooded, generous, impulsive and courageous, as well as obstinate, proud and sometimes ridiculous. Hated by numerous men, and adored by many women, his elopement with the beautiful Adeline Horsey de Horsey was a triumph of his old age.