Giuseppe Mazzini's Young Europe and the Birth of Modern Nationalism in the Slavic World examines the intellectual currents in Eastern Europe that attracted educated youth after the Polish Revolution of 1830-1. Focusing on the political ideas brought to the Slavic world from the West by Polish emigre conspirators, Anna Procyk explores the core message that the Polish revolutionaries carried, a message based on the democratic principles espoused by Young Europe's founder, Giuseppe Mazzini. Based on archival sources as well as well-documented publications in Eastern Europe, this study highlights that the national awakening among the Czechs, Slovaks, and Galician Ukrainians was not just cultural, as is typically assumed, but political as well. The documentary sources testify that at its inception the political nationalism in Eastern Europe, founded on the humanistic ideals promoted by Mazzini, was republican-democratic in nature and that the clandestine groups in Eastern Europe were cooperating with one another through underground channels. It was through this cooperation during the 1830s that the better-educated Poles and Ukrainians in the political underground tied to Young Europe became aware that the interests of their nations, bound together by the forces of history and political necessity, were best served when they worked closely together.

In the years 1803-5 Napoleon Bonaparte built 4 new harbours on his channel coast and assembled enough landing craft to put an army of over 165,000 men ashore on English beaches. Was this threat to Britain really serious and should we dismiss it as pure Bluff? Why was it never revived after Bonaparte's continental wars against the Russians, Austrians and Prussians? What did the English do about defending themselves? This book, originally published in 1973 tackles these questions. It shows why Bonaparte's flotilla was no Bluff but something the British were right to take seriously and also how their preparations to defend the beaches within reach of its bases made a revival of the flotilla after 1807 pointless. Though recognising the importance of Trafalgar the book rejects the fallacy that this victory ended Britain's danger. The book covers the background of the war, Britain's defence organisation, the Royal Navy's tasks, Bonaparte's preparations and how the British made ready to meet him.

The Crimean War (1853-1856) was the first modern war. A vicious struggle between imperial Russia and an alliance of the British, French and Ottoman Empires, it was the first conflict to be reported first-hand in newspapers, painted by official war artists, recorded by telegraph and photographed by camera. In her new short history, Trudi Tate discusses the ways in which this novel representation itself became part of the modern war machine. She tells forgotten stories about the war experience of individual soldiers and civilians, including journalists, nurses, doctors, war tourists and other witnesses. At the same time, the war was a retrograde one, fought with the mentality, and some of the equipment, of Napoleonic times. Tate argues that the Crimean War was both modern and old-fashioned, looking backwards and forwards, and generating optimism and despair among those who lived through it. She explores this paradox while giving full coverage to the bloody battles (Alma, Balaklava, Inkerman), the siege of Sebastopol, the much-derided strategies of the commanders, conditions in the field and the cultural impact of the anti-Russian alliance.

'Vibrant and illuminating ... [Dywer] tells a fascinating tale' The Times

This meticulously researched study opens with Napoleon no longer in power, but instead a prisoner on the island of St Helena. This may have been a great fall from power, but Napoleon still held immense attraction. Every day, huge crowds would gather on the far shore in the hope of catching a glimpse of him.

Philip Dwyer closes his ambitious trilogy exploring Napoleon's life, legacy and myth by moving from those first months of imprisonment, through the years of exile, up to death and then beyond, examining how the foundations of legend that had been laid by Napoleon during his lifetime continued to be built upon by his followers. This is a fitting and authoritative end to a definitive work.

'In war, let your great object be victory, not lengthy campaigns. Thus it may be known that the leader of armies is the arbiter of the people's fate, the man on whom it depends whether the nation shall be in peace or peril...' ("Sun Tzu The Art of War"). We speak of Caesar who conquered Gaul, not the legions; MacArthur who landed at Inchon, not the Marines - and we speak of Napoleon, one of history's most successful generals. Major General Jonathon Riley is supremely well qualified to write on Napoleon's generalship and has written an informed and insightful account. He opens with a short treatise on generalship in order to define Napoleon's achievement before moving on to the man himself. He examines Napoleon as a strategist; as a coalition commander; Napoleon's campaigns and Napoleon on the battlefield. Areas often ignored in the context of pre-industrial warfare - logistics and counter-insurgency - are also examined. Riley proceeds to three specific case studies beginning with Napoleon's first essay in generalship and the conquest of Piedmont; Napoleon at the height of his powers at the conquest of Prussia, to Napoleon's final defeats and the Battle of the Nations in 1813.

Following the events and activity surrounding the bicentenary of Trafalgar and the death of Nelson, this volume acts both as a summary of what we have learned and a collection of some of the best scholarship on the battle itself and its context and legacy. It moves away from the figure of Nelson and brings new research from a range of disciplinary perspectives to bear on one of the most significant naval actions in the age of sail.

Thomas Hardys The Dynasts and Leo Tolstoys War and Peace are both works which defy attempts to assign them to a particular genre but might seem to have little else in common apart from being set in the same period of history. This study argues that there are important similarities between these two works and examines the close correspondence between Hardys and Tolstoys thinking on themes relating to war, ideas of the heroic and the concept of free will. Although coming from very different backgrounds, both writers were influenced by their experiences of war, Tolstoy directly, by involvement in the wars in the Caucasus and the Crimea, and Hardy indirectly, by the events of the Anglo-Boer Wars. Their reaction to these experiences found expression in their descriptions of the wars fought against Napoleon at the beginning of the century. Hegel saw Napoleon as the great world-historical man of his time, and this work considers the ways in which Hardy and Tolstoy undermine this view, portraying Napoleons physical and mental decline and questioning the role he played in determining the outcomes of military actions. Both writers were deeply interested in the question of free will and determinism and their writings reveal their attempts to understand the nature of the force which lies behind mens actions. Their differing views on the nature of consciousness are considered in the light of modern research on the development of the conscious brain.

This is the first comprehensive history of the campaign that determined control of Germany following Napoleon's catastrophic defeat in Russia. Michael V. Leggiere reveals how, in the spring of 1813, Prussia, the weakest of the great powers, led the struggle against Napoleon as a war of national liberation. Using German, French, British, Russian, Austrian and Swedish sources, he provides a panoramic history that covers the full sweep of the battle for Germany from the mobilization of the belligerents, strategy, and operations to coalition warfare, diplomacy, and civil-military relations. He shows how Russian war weariness conflicted with Prussian impetuosity, resulting in the crisis that almost ended the Sixth Coalition in early June. In a single campaign, Napoleon drove the Russo-Prussian army from the banks of the Saale to the banks of the Oder. The Russo-Prussian alliance was perilously close to imploding, only to be saved at the eleventh-hour by an armistice.

On War (1832) is a treatise on the philosophical aspects of warfare by Prussian general, scholar, and strategist Carl von Clausewitz. Published posthumously by the author's wife-who edited his manuscript and wrote the book's introduction-On War is one of history's most important works on warfare and military strategy, and continues to be studied to this day. With a background in art, culture, and history, and with extensive experience as a combat veteran, Clausewitz sought to understand the military success of such figures as Napoleon and Frederick the Great. What interested Clausewitz the most was how these leaders effectively mobilized entire nations to launch military campaigns larger and more violent than any in European history. Although he initially began with the theory that war was one aspect of a population's struggle for survival, he eventually came to believe that war was a method of imposing the will of one state on another. By privileging politics and philosophy in his study of warfare, Clausewitz changed the way military figures, politicians, and scholars thought of and perpetrated the process of war. Most crucially, Clausewitz suggests that war serves no purpose in and of itself, but rather acts as an instrument of a political party or group. In addition, Clausewitz believed that strong moral and political motivations-especially in the case of defense-greatly increased the chance of victory. On War was read and interpreted by Vladimir Lenin, Mao Zedong, and Dwight Eisenhower, and has, for over a century and a half, continued to shape the concept and conduct of war. With a beautifully designed cover and professionally typeset manuscript, this edition of Carl von Clausewitz's On War is a classic of history, philosophy, and military theory reimagined for modern readers.

The Office of Ordnance has been ill-served by previous accounts of its role in arming the Royal Navy during the French Revolution and Napoleonic Wars. Cole offers an in-depth examination of its organizational structure and demonstrates how the department responded to the pressures of war over an extended period of time.

In the late 1960s and early 1970s, Soviet philologist, literary dissident, and university professor Viktor Duvakin made it his mission to interview the members of the artistic avant-garde who had survived the Russian Revolution, Stalin's purges, and the Second World War. Based on archival materials held at the Moscow State University Library, Russian Modernism in the Memories of the Survivors catalogues six interviews conducted by Duvakin. The interviewees talk about their most intimate life experiences and give personal accounts of their interactions with famous writers and artists such as Vsevolod Meyerhold, Sergei Eisenstein, and Marina Tsvetaeva. They offer insights into the world of Russian emigrants in Prague and Paris, the uprising against the Communist government, what it was like to work at the United Nations after the Second World War, and other important aspects of life in the Soviet Union and Europe during the first half of the twentieth century. Archival photographs, as well as hundreds of annotations to the text, are included to help readers understand the historical and cultural context of the interviews. The unique and previously unpublished materials in Russian Modernism in the Memories of the Survivors will be of great interest to anyone who wants to learn more about this fascinating period in Soviet history.

With a new introduction by Andrew Roberts. 'A penetrating interpretation...No one with a serious interest in the Napoleonic period can afford to ignore it. ' - Times Literary Supplement Whether viewed as an inspired leader or obsessed tyrant, Napoleon has divided opinion for over 200 years. Few individuals have left such a mark on history. Georges Lefebvre's classic work, published in Routledge Classics in one paperback volume in English for the first time, is a definitive portrait of the Napoleonic era. Lefebvre's history sweeps us from the lightning coup d'etat of 18 Brumaire in 1799 to his final downfall amidst the wheatfields of Waterloo. More than a biography, it is a brilliant survey of the turbulent age Napoleon inaugurated in his attempt to redraw the map of Europe, from the Peninsular War to the invasion of Russia. The cast includes his antagonists - Pitt the Younger, Wellington, Metternich and Tsar Alexander - and his allies - the wily Minister of Police Fouche and Talleyrand, the 'Prince of Diplomats'. Lefebvre's account is equally clear-eyed about Napoleon's genius and his flaws. Napoleon's determination to emulate Caesar and Augustus condemned Europe to more than a decade of war and economic crisis, but he also built an empire, introducing educational, administrative and financial initiatives that are still in place today. Georges Lefebvre (1877-1959) One of the foremost historians of the Twentieth Century and known as the 'historian's historian', he held the chair of the French Revolution at the Sorbonne . His The French Revolution is also available in Routledge Classics.

One of the great writers of the nineteenth century, Nikolai Gogol was born and raised in Ukraine before he was lionized and canonized in Russia. The ambiguities within his subversive, ironic works are matched by those that surround the debate over his national identity. This book presents a completely new assessment of the problem: rather than adopting the predominant "either/or" perspective - wherein Gogol is seen as either Ukrainian or Russian - it shows how his cultural identity was a product of negotiation with imperial and national cultural codes and values. By examining Gogol's ambivalent self-fashioning, language performance, and textual practices, this book shows how Gogol played with both imperial and local sources of identity and turned his hybridity into a project of subtle cultural resistance. Ilchuk provides a comprehensive account of assimilation and hybridization of Ukrainians in the Russian empire, arguing that Russia's imperial culture has depended on Ukraine and the participation of Ukrainian intellectuals in its development. Ilchuk also introduces innovative computer-assisted methods of textual analysis to demonstrate the palimpsest-like quality of Gogol's texts and national identity.

It was not until the emergence of the ideologies of Zionism and Socialism at the end of the last century that the Jewish communities of the Diaspora were perceived by historians as having a genuine political life. In the case of the Jews of Russia, the pogroms of 1881 have been regarded as the watershed event which triggered the political awakening of Jewish intellectuals. Here Lederhendler explores previously neglected antecedents to this turning point in the history of the Jewish people in the first scholarly work to examine concretely the transition of a Jewish community from traditional to post-traditional politics.

Two hundred years after the battle, the area around Waterloo is a lovely landscape of rolling farmland containing dozens of key sites, memorials and monuments to discover. But the Waterloo region offers far more than just a battlefield. A wealth of sights beckons the curious tourist, including the historic town of Nivelles with its towering Collegiate Church of Saint Gertrude, the exhilarating Walibi theme park at Wavre and the profoundly tranquil ruins of the Abbaye de Villers. Bradt's Waterloo & Beyond, written by Belgium expert Antony Mason, gives practical advice from the best hotel and restaurant choices to festivals and events throughout the year. This unique tourist guidebook provides everything you'll need to get the very most from your visit.

A proverbial cellar find brought to light a remarkable source for Napoleonic uniformology, which due to its artistic design but also high level of detail offers valuable support in the research of the military dress of Napoleonic mounted troops. A total of 56 large-format hand-coloured watercolours depict cavalry, artillery and train troops of the French Imperial period from 1804 to 1812, the Neapolitan army of 1812, and the Polish uprising of 1831. The work itself is introduced with a foreword by art historian Dr. Hans D. Baumann, commenting on the artistic representation and especially the provenance of the portfolio. It turned out that the watercolours by unknown artists were originally part of the library of the Royal Theatre in Berlin and finally reached Kassel via the salt mines of Thuringia in the course of the Second World War. From there they went to a private collector and then disappeared in the afore-mentioned cellar. The reference to the Royal Theatres in Berlin as well as the posture and presentation of some of the depicted cavalrymen quickly led to Richard Knoetel's famous Grosse Uniformenkunde. This is because this doyen of German uniformology cited "coloured hand drawings from the library of the Royal Theatre of Berlin" as the source of some of his plates on the French army. His plates on the Neapolitan army are also partly based on the original source presented here for the first time. Even though the artist (or artists) probably did not produce the 56 watercolours until the late 1830s or 1840s, they are captivatingly accurate and have been assessed by Markus Gartner and Markus Stein for their historical accuracy. Each plate is accompanied by a brief commentary, which usually classifies the depiction as correct - especially the rarer depictions, such as French carabiniers around 1812 in the sky-blue uniforms, underline the artist's sound knowledge of Napoleonic military costume. As evidence of the painting's contemporary origins, some plates are accompanied by illustrations by early 19th century military artists such as Martinet or Weiland, which obviously served as sources. Some illustrations are also supplemented by Knoetel's plates, enabling readers to verify for themselves the impact these watercolours had on the creation of a work of such fundamental nature as the "Grosse Uniformenkunde". Thus this book spans 19th century uniformology from the early years to its perfection around 1890. In addition to the commentaries, the plates are also accompanied by historic details outlining the development and wartime deployment of the unit depicted, as well as the standards carried. These additions were made on the basis of rarer works of French military history, while modern works by military historians Markus Gartner and Markus Stein were also consulted. Since the paintings depict mounted units throughout (both of the Guard and the Line), the reader is able to obtain a comprehensive picture of the splendour of Napoleonic cavalry turned out in their colourful uniforms. The artistic charm of a previously unpublished source and the wide range of units represented will surely make this book a highlight of any library.

The Office of Ordnance has been ill-served by previous accounts of its role in arming the Royal Navy during the French Revolution and Napoleonic Wars. Cole offers an in-depth examination of its organizational structure and demonstrates how the department responded to the pressures of war over an extended period of time.

In contrast to every other book about the conflict Andrew Lambert's ground-breaking study The Crimean War: British Grand Strategy against Russia, 1853-1856 is neither an operational history of the armies in the Crimea, nor a study of the diplomacy of the conflict. The core concern is with grand strategy, the development and implementation of national policy and strategy. The key concepts are strategic, derived from the works of Carl von Clausewitz and Sir Julian Corbett, and the main focus is on naval, not military operations. This original approach rejected the 'Continentalist' orthodoxy that dominated contemporary writing about the history of war, reflecting an era when British security policy was dominated by Inner German Frontier, the British Army of the Rhine and Air Force Germany. Originally published in 1990 the book appeared just as the Cold War ended; the strategic landscape for Britain began shifting away from the continent, and new commitments were emerging that heralded a return to maritime strategy, as adumbrated in the defence policy papers of the 1990s. With a new introduction that contextualises the 1990 text and situates it in the developing historiography of the Crimean War the new edition makes this essential book available to a new generation of scholars.

Napoleon Bonaparte dominated the public life of Europe like no other individual before him. Not surprisingly, the story of the man himself has usually swamped the stories of his subjects. This book looks at the history of the Napoleonic Empire from an entirely new perspective- that of the ruled rather than the ruler. Michael Broers concentrates on the experience of the people of Europe- particularly the vast majority of Napoleon's subjects who were neither French, nor willing participants in the great events of the period- during the dynamic but short-lived career of Napoleon, when half the European continent fell under his rule. In a new edition of a highly acclaimed book, Broers weaves together a myriad of regional experiences to produce a social history of the Napoleonic Empire with a truly panoramic scope.

For the first time in print a book identifies each regiment and illustrates the change in uniforms, the colour of the facings and the nature and shape of the lace for the officers, NCOs and private soldiers over the period of the Napoleonic War 1793-1815. In British Napoleonic Uniforms, Carl Franklin's lavishly illustrated third volume for The History Press, these changes to the uniforms of all the numbered regiments of cavalry and infantry are discussed in detail. It is illustrated with more than two hundred full-colour plates of the uniforms and every aspect of their regimental distinctions. The book is divided into four parts. Part One looks at the commonalities of the cavalry and considers uniforms appropriate to each regiment such as headwear, the evolution of the uniforms and horse furniture. Part Two considers the uniforms of the heavy and light cavalry regiments. It includes full-page colour illustrations of the Household Cavalry, the Heavy Cavalry (Dragoon Guards and Dragoons), and Light Cavalry (the Light Dragoons and Hussars). Part Three shows the commonalties of the infantry and considers the uniform appropriate to each regiment, such as those of the Drummers and Highland Regiments, as well as their tartans. Part Four discusses the uniforms and distinctions of the infantry, including the regiments of Foot Guards and Infantry of the Line (Fusiliers, Light Infantry, Riflemen and Highland Regiments). For this revised edition Carl Franklin has updated many of the artworks and provided a colour guide specifically for modellers.

Placing the creation of Westphalia within the context of the larger German story of the Napoleonic Wars, this groundbreaking book offers the only complete history of Napoleon's grand experiment to construct a model state in Germany. In 1807, in the wake of two years of victories over the Austrians, Prussians, and Russians, Napoleon redrew the map of central Europe by fashioning a new German state. Dubbing it the Kingdom of Westphalia, he appointed his 23-year-old brother Jerome as its king. Sam A. Mustafa shows how Westphalia became a proving ground for the allegedly liberating and modern concepts of the French Revolution, brought by foreign conquest and enforced by a powerful new centralized state. Over the next six years, the inhabitants of this region experienced fundamental and often jarring changes in almost every aspect of their lives. They witnessed a profound clash of French and German culture, as well as new ideas about law, nationality, and politics. And yet, for all of its promise on paper, Westphalia ended up despised by most of its people, who cheered at its collapse and in many cases helped to bring it down. What went wrong with this early example of what we would today call "nation building" and how did Germans react to the changes? Napoleon's Paper Kingdom is the first book in the English language to provide a comprehensive investigation of this fascinating chapter of the Napoleonic Wars.

This book examines Prussia's response to Napoleon and Napoleonic expansionism in the years before the crushing defeats of Auerstadt and Jena, a period of German history as untypical as it was dramatic. Between the years 1797 and 1806 the main fear of Prussian statesmen was French power, rather than revolution from below. This threat spawned a foreign-policy debate characterised by geopolitical thinking: the belief that Prussian policy was conditioned by her unique geographic situation at the heart of Europe. The book breaks new ground both methodologically and empirically. By combining high-political and geopolitical analysis, it is able to present a more comprehensive and nuanced picture than earlier interpretations. The book also draws on a very wide range of sources, official and unofficial, many previously unused.