Originally published in 1804 and aimed at the volunteer regiments of the Napoleonic Era, when engagements with swords were still a reality of warfare, The Art of Defence was written for civilians wanting to learn to fence with the sabre, broad-sword or spadroon. The growing interest in Historical European Martial Arts (HEMA) has led to a world-wide increase in clubs and societies, and this text is aimed at these new students. The content is presented in a highly-structured way and in easily accessible language. Although primarily aimed at the novice, the text contains a number of more advanced techniques, from which more experienced fencers can benefit. This newly transcribed edition puts the complete, original text into a modern typesetting to make it easily accessible during lessons, but is otherwise left unchanged. To ensure the transcription will remain as compatible with other sources that refer to specific parts of the text as the original edition, all content has remained on the same page. All the plates, including the foldouts, have been photographed and digitally enhanced in order to reproduce them in as much detail as possible.

What became of representations of the Battle of Waterloo evoked by a plethora of texts (history books, memoirs, novels, poetry, theater) for two hundred years? " La Chose de Waterloo " strives to understand the mechanisms of this phenomenon. " La Chose de Waterloo " veut comprendre ce qu'est devenue la celebre bataille au fur et a mesure de ses multiples evocations (livres d'histoire, Memoires, roman, poesie, theatre) qui en precisent et en brouillent le souvenir tout a la fois.

In 1847, seventeen-year-old Miss Ellen Palmer had the world at her feet. A debutante at the start of her first London season, Ellen was beautiful, rich and accomplished and about to experience the world of dances, opera visits and dinner parties which were a rite-of-passage for young women of her class. To record the glittering whirl of activity, Ellen started writing a diary, a unique daily account which was discovered over a century later by her descendants. For Ellen, the path to true love did not run smooth - after a scandalous encounter with a duplicitous Swedish count, her marriage prospects were dealt a heavy blow. But Ellen was a woman ahead of her time. Undeterred by her increasing social isolation, she set off on a treacherous trip across Europe in pursuit of her beloved brother Roger, an officer in the Crimean War. In doing so she became one of the first women to visit the battlefield at Balaclava. Ellen's diaries provide a first-hand account of the realities of debutante life in Victorian London whilst also telling the story of an inspirational young woman, her quest for love and her spectacular journey from the ballroom to the battlefield.

This, the fourth volume in Andrew Field's highly praised study of the Waterloo campaign from the French perspective, depicts in vivid detail the often neglected final phase the rout and retreat of Napoleon's army. The text is based exclusively on French eyewitness accounts which give an inside view of the immediate aftermath of the battle and carry the story through to the army's disbandment in late 1815\. Many French officers and soldiers wrote more about the retreat than they did about the catastrophe of Waterloo itself. Their recollections give a fascinating insight to the psyche of the French soldier. They also provide a first-hand record of their experiences and the range of their reactions, from those who deserted the colours and made their way home, to those who continued to serve faithfully when all was lost. Napoleon s own flight from Waterloo is an essential part of the narrative, but the main emphasis is on the fate of the beaten French army as it was experienced by eyewitnesses who lived through the last days of the campaign.