What did Europe owe Spain in the eighteenth century? This infamous question, posed by Nicolas Masson de Morvilliers in the Encyclopedie methodique, caused an international uproar at the height of the Enlightenment. His polemical article 'Espagne', with its tabloid-like prose, resonated with a French-reading public that blamed the Spanish Empire for France's eroding economy. Spain was outraged, and responded by publishing its own translation-rebuttal, the article 'Espana' penned by Julian de Velasco for the Spanish Encyclopedia metodica. In this volume, the original French and Spanish articles are presented in facing-page English translations, allowing readers to examine the content and rhetorical maneuvers of Masson's challenge and Velasco's riposte. This comparative format, along with the editors' critical introduction, extensive annotations, and an accompanying bibliographical essay, reveals how knowledge was translated and transferred across Europe and the transatlantic world. The two encyclopedia articles bring to life a crucial period of Spanish history, culture and commerce, while offering an alternative framework for understanding the intellectual underpinnings of a Spanish Enlightenment that differed radically from French philosophie. Ultimately, this book uncovers a Spain determined to claim its place in the European Enlightenment and on the geopolitical stage.

What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline. Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based. Conceptualised as a series of 'sensibilities' rather than a methodology as such, it is intended as a companion to 'how to' approaches to visual research and visual sources. Photographs and the Practice of History not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.

During the early modern period the public postal systems became central pillars of the emerging public sphere. Despite the importance of the post in the transformation of communication, commerce and culture, little has been known about the functioning of the post or how it affected the lives of its users and their societies. In Postal culture in Europe, 1500-1800, Jay Caplan provides the first historical and cultural analysis of the practical conditions of letter-exchange at the dawn of the modern age. Caplan opens his analysis by exploring the economic, political, social and existential interests that were invested in the postal service, and traces the history of the three main European postal systems of the era, the Thurn and Taxis, the French Royal Post and the British Post Office. He then explores how the post worked, from the folding and sealing of letters to their collection, sorting, and transportation. Beyond providing service to the general public, these systems also furnished early modern states with substantial revenue and effective surveillance tools in the form of the Black Cabinets or Black Chambers. Caplan explains how postal services highlighted the tension between state power and the emerging concept of the free individual, with rights to private communication outside the public sphere. Postal systems therefore affected how letter writers and readers conceived and expressed themselves as individuals, which the author demonstrates through an examination of the correspondence of Voltaire and Rousseau, not merely as texts but as communicative acts. Ultimately, Jay Caplan provides readers with both a comprehensive overview of the changes wrought by the newly-public postal system - from the sounds that one heard to the perception of time and distance - and a thought provoking account of the expectations and desires that have led to our culture of instant communication.