"When I was bigger I remember that first morning after Rasputin was drowned. All the papers were full of it. I also have a general impression of the first revolution, when the Provisional Government was in. There was such joy at the revolution and the government, they all felt that Russia was ready for democratic government", Irina Sergevna Tidmarsh. "After collectivization, life was difficult, there were queues for food and people were accused of being wreckers and of deliberately sabotaging ...Soviet newspapers were full of stories about depression and unemployment in the capitalist world'. We did not know how much of it was true and how much was Soviet propaganda", Eugenia Peacock. Preserving the childhood memories of some of the last generation of White Russian women to experience the revolution first-hand, this collection of interviews and photographs provides a unique and moving record of life in Imperial and Bolshevik Russia.

Space and time on earth are regulated by the prime meridian, 0 Degrees, which is, by convention, based at the Royal Observatory, Greenwich. But the meridian's location in southeast London is not a simple legacy of Britain's imperial past. Before the nineteenth century, more than twenty-five different prime meridians were in use around the world, including Paris, Beijing, Greenwich, Washington, and the location traditional in Europe since Ptolemy, the Canary Islands. Charles Withers explains how the choice of Greenwich to mark 0 Degrees longitude solved complex problems of global measurement that had engaged geographers, astronomers, and mariners since ancient times. Withers guides readers through the navigation and astronomy associated with diverse meridians and explains the problems that these cartographic lines both solved and created. He shows that as science and commerce became more global and as railway and telegraph networks tied the world closer together, the multiplicity of prime meridians led to ever greater confusion in the coordination of time and the geographical division of space. After a series of international scientific meetings, notably the 1884 International Meridian Conference in Washington, DC, Greenwich emerged as the most pragmatic choice for a global prime meridian, though not unanimously or without acrimony. Even after 1884, other prime meridians remained in use for decades. As Zero Degrees shows, geographies of the prime meridian are a testament to the power of maps, the challenges of accurate measurement on a global scale, and the role of scientific authority in creating the modern world.

First published in 1963, Pethick-Lawrence is a detailed biography of the life and career of Frederick William Pethick-Lawrence. Written by Vera Brittain, a close friend of Pethick-Lawrence during the last twenty-five years of his life, the book is a thorough and affectionate record of his personality and achievements. It makes extensive use of Pethick-Lawrence's well-organised personal papers to provide a detailed account of his activities, both public and private, and traces his life from birth, through his schooling, his meeting with Emmeline and involvement with the suffrage movement, his political career and role as Secretary of State for India, his marriage to Helen, and his death in 1961. Pethick-Lawrence is a personal view into the life of Frederick William Pethick-Lawrence, and twentieth-century society and politics.

"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age. The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.

From the middle of the 16th century to the end of the 18th century the Baltic sea was the scene of frequent conflicts between the powers that surrounded it. As the fortunes in the struggle changed, so did the composition of opposing alliances and the identity of the leading participants. Not only were the littoral states concerned by the outcome; other European states were anxious thoughout the period with what went on in the Baltic, where the emergence of one dominant power could be potentially dangerous and where many had important commercial interests. Stewart Oakley makes clear the causes and course of the conflicts and explains the varying fortunes of the participants. It traces the emergence of Sweden, poor as it was in resources, as the leading power in the area in the early 17th century, the early unsuccessful attempts by the Muscovite state to break through to the Sea, the eventual collapse of Sweden's "empire" at the beginning of the 18th century and final emergence of Russia as the leading player on the stage. The main part of the work ends with the failure of Sweden's final attempt to regain something of its former status.

In the tradition of "Bury My Heart at Wounded Knee, "a stunningly vivid historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West, centering on Quanah, the greatest Comanche chief of them all.

S. C. Gwynne's "Empire of the Summer Moon"spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches.

Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled "backward "by Comanches incensed by the invasion of their tribal lands. So effective were the Comanches that they forced the creation of the Texas Rangers and account for the advent of the new weapon specifically designed to fight them: the six-gun.

The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne's exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads--a historical feast for anyone interested in how the United States came into being.

Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a lovely nine-year-old girl with cornflower-blue eyes who was kidnapped by Comanches from the far Texas frontier in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend.

S. C. Gwynne's account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. "Empire of the Summer Moon "announces him as a major new writer of American history.

In this volume the authors examine relationships between the growth and the economic, political and strategic expansion of a country and its propensity for conflict and war. The intention is to ascertain through the systematic analysis of one case over 100 years the extent to which territorial expansion and armed conflict are less an inevitable consequence of growth and development than an outcome of the demands and requirements of states and their economic, political and strategic security needs. Also of critical concern is the extent to which national expansion, once accepted as a security imperative, may create its own demands and requirements for even further expansion. The study combines historical inquiry with quantitative analysis in order to compare Japanese modes of growth, expansion and conflict from the Meiji Restoration to World War I, during the inter-war period and over the years since 1945. This book should be of interest to postgraduates and academics; politics, history and Japanese studies.

Originally published in German, Italian and French these articles have been translated into English for the first time by the author, the former archivist of The Warburg Institute, London. Aby Warburg's research and writings centred on images, their origins and metamorphoses, and their explanations and interpretations.

Shows how and why history has been made from loss around the world, challenging the oft-received view that history is written by the 'victors', showing readers how diverse the writing of history can be. All students of history have to study historiography, and this volume offers a new lens through which to investigate that historiography as well as forming part of the cannon that students will study in these courses. There are lots of historiography books out there, but few that engage properly with the idea of history written from loss, from exile, from imprisonment as History From Loss does.

In the early modern centuries disease was rampant, medicine had few powerful weapons in its armoury, and the provision of professional medical care was patchy. Under such circumstances it is no surprise that a body of popularised medical writings appeared, aiming to explain how ordinary people could best take care of their own health, in the absence of, or by way of supplement to, professional medical care. Often written by doctors, such books gave simple advice for home treatments, while commonly warning of the dangers of magic, quackery, old wive's tales and faith healing. "The Popularization of Medicine" explores the rise of this form of people's medicine, from the early days of printing to the Victorian age, focusing upon the different experiences of Britain and France, more marginal European nations like Spain and Hungary, and upon North America. It assesses the wider social and cultural history contexts of the tradition: its religious rationales in radical Protestantism, conflicts between elite and popular culture, challenges to medical monopoly, and the spread of medical hegemony. This book should be of interest to undergraduates, postgraduates, academics and researchers con

This collection systematically approaches the concept of Czechoslovakism and its historical progression, covering the time span from the mid-nineteenth century to Czechoslovakia's dissolution in 1992/1993, while also providing the most recent research on the subject. "Czechoslovakism" was a foundational concept of the interwar Czechoslovak Republic and it remained an important ideological, political and cultural phenomenon throughout the twentieth century. As such, it is one of the most controversial terms in Czech, Slovak and Central European history. While Czechoslovakism was perceived by some as an effort to assert Czech domination in Slovakia, for others it represented a symbol of the struggle for the Republic's survival during the interwar and Second World War periods. The authors take care to analyze Czechoslovakism's various emotional connotations, however their primary objective is to consider Czechoslovakism as an important historical concept and follow its changes through the various cultural-political contexts spanning from the mid-nineteenth century to the breakup of Czechoslovakia in 1993. Including the work of many of the most eminent Czech and Slovak historians, this volume is an insightful study for academic and postgraduate student audiences interested in the modern history of Central and Eastern Europe, nationality studies, as well as intellectual history, political science and sociology.

A compelling history of British imperial culture, showing how it was adopted and subverted by colonial subjects around the world As the British Empire expanded across the globe, it exported more than troops and goods. In every colony, imperial delegates dispersed British cultural forms. Facilitated by the rapid growth of print, photography, film, and radio, imperialists imagined this new global culture would cement the unity of the empire. But this remarkably wide-ranging spread of ideas had unintended and surprising results. In this groundbreaking history, John M. MacKenzie examines the importance of culture in British imperialism. MacKenzie describes how colonized peoples were quick to observe British culture-and adapted elements to their own ends, subverting British expectations and eventually beating them at their own game. As indigenous communities integrated their own cultures with the British imports, the empire itself was increasingly undermined. From the extraordinary spread of cricket and horse racing to statues and ceremonies, MacKenzie presents an engaging imperial history-one with profound implications for global culture in the present day.

SHORTLISTED FOR THE WOLFSON HISTORY PRIZE 2021 Shortlisted for the PEN Hessell-Tiltman Prize 2021 Longlisted for the HWA Non-Fiction Crown 2021 'Fabulous' - The Times 'A milestone in women's history' - Observer 'Groundbreaking ... a fascinating read' - Herald In Britain today, three-quarters of mothers are in employment and paid work is an unremarkable feature of women's lives after childbirth. Yet a century ago, working mothers were in the minority, excluded altogether from many occupations, whilst their wage-earning was widely perceived as a social ill. In Double Lives, Helen McCarthy accounts for this remarkable transformation and the momentous consequences it has had for Britain. Recovering the everyday worlds of working mothers, this groundbreaking history forces us not only to re-evaluate the past, but to ask anew how current attitudes towards mothers in the workplace have developed and how far we have to go. 'Impressive and nuanced' - Guardian 'Brilliant' - Literary Review

Originally published in 1985, this book provides an important insight into the principal aspects of the history of the policy and practice of political re-education from its origins to 1951. 'Political re-education' was the British alternative to the ideas put forward by the USA and the USSR in the common search for a post-war policy which would permanently prevent the resurgence of Germany for a third time as a hostile military power. It was adopted as Allied policy and remains one of the boldest and most imaginative policies in history for securing lasting peace. This book discusses the question of the place of this policy in the preservation of peace and the integration of Germany and Japan into the community of their historical enemies.

On the night of 4 April 1793, two lovers were preparing to compel a cleric to perform a secret ceremony. The wedding of the sixth son of King George III to the daughter of the Earl of Dunmore would not only be concealed - it would also be illegal. Lady Augusta Murray had known Prince Augustus Frederick for only three months but they had already fallen deeply in love and were desperate to be married. However, the Royal Marriages Act forbade such a union without the King's permission and going ahead with the ceremony would change Augusta's life forever. From a beautiful socialite she became a social pariah; her children were declared illegitimate and her family was scorned. In Forbidden Wife Julia Abel Smith uses material from the Royal Archives and the Dunmore family papers to create a dramatic biography set in the reigns of Kings George III and IV against the background of the American and French Revolutions.

This book aims to demonstrate how scholars in recent times have been utilizing egodocuments from various angles and providing an opening for the multivocality of the sources to be fully appreciated. The first part of the book is concerned with the significance of egodocuments, both for the individual him/herself who creates such documents, and also for the other, who receives them. The author approaches the subject on the basis of his own personal experience, and goes on to discuss the importance of such documents for the academic world, emphasizing more general questions and issues within the fields of historiography, philosophy of history, microhistory, and memory studies. The second part of the book is based upon a photographic collection - an archive - that belonged to the author's grandfather, who over decades accumulated photographs of vagabonds and outsiders. This part seeks to explore what kind of knowledge can be applied when a single source - an archive, document, letter, illustration, etc. - is examined, and whether the knowledge derived may not be quite as good in its own context as in the broader perspective.

The Open Access version of this book, available at http://www.taylorfrancis.com/books/e/9781351017558, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Few institutions in modern society are as significant as universities, yet our historical and sociological understanding of the role of higher education has not been substantially updated for decades. By revisiting the emergence and transformation of higher education since 1800 using a novel processual approach, this book recognizes these developments as having been as central to constituting the modern world as the industrial and democratic revolutions. This new interpretation of the role of universities in contemporary society promises to re-orient our understanding of the importance of higher education in the past and future development of modern societies. It will therefore appeal to scholars of social science and history with interests in social history and social change, education, the professions and inequalities.

The interplay between clothes and social order in early modern societies is well known. Differences in dress and hierarchies of appearances coincided with and structured social hierarchies and notions of difference. However, clothes did not merely reproduce set social patterns. They were agents of change, actively used by individuals and groups to make claims and transgress formal boundaries. This was not least the case for the revolutionary decades of the late eighteenth century, the period in focus of this book. Unlike previous studies on sumptuary laws and other legal actions taken by governments and formal power holders, this book offers a broader and more everyday perspective on late eighteenth-century sartorial discourse. In 1773, there was a publicly announced prize competition on the advantages and disadvantages of a national dress in Sweden. Departing from the submitted replies, the study opens a window onto the sartorial world. Several fields of cultural history are brought together: social culture in terms of order, hierarchies, and notions of difference; sartorial culture with contemporary views on dress and moral aspects of sartorial practices; and visual culture in terms of sartorial means of making a difference and the emphasis on the necessity of a legible social order.

Performing Power explores 18th-century fabrication of the royal image by focusing on the example of King Gustav III (1746-1792) - one of Sweden's most acclaimed and controversial monarchs - who conspicuously chose theater as the primary media for his image-making and role construction. The text postulates that Gustav III was motivated by theater's ability to aid him in fulfilling Enlightenment's tenet of broadly educating the populace and inculcating it with royal ideology. That he was an amateur actor, stage director, and playwright were other engines driving his choice. The project challenges and expands the commonly accepted perception of Gustav III's contribution to Swedish theater, which has generally been limited to founding its National Opera, developing its national drama, and forming its national dramatic repertoire. Maria Berlova presents Gustav III as a performing King who strategically used political events as a framework through which he could embody the image of the ideal or enlightened monarch as presented by Voltaire. Through this, Performing Power explores the tight relationship and complex bond between theatrical arts and politics. This unique study will be of great interest to students and scholars in theater studies, 18th-century culture, and politics.

Staging Detection reveals how the new figure of the stage detective emerged in nineteenth-century Britain. The first book to explore the productive intersections between detection and performance across a range of Victorian plays, Staging Detection foregrounds the role of the stage detective in shaping important theatrical modes of the period, from popular melodrama to society comedy. Beginning in 1863 with Tom Taylor's blockbuster play, The Ticket-of-Leave Man, the book criss-crosses London following the earliest performances of stage detectives. Centring the work of playwrights, novelists, critics and actors, from Sarah Lane and Horace Wigan to Wilkie Collins and Oscar Wilde, Staging Detection sheds new light on Victorian acting styles, furthers our understanding of melodrama, and resituates the famous Wildean dandy as a successor to the stage detective. Drawing on histories of masculinity and gender performance as well as developing scientific theory and nineteenth-century visual culture, Staging Detection shows how the earliest stage portrayals of the detective shaped broader Victorian debates concerning fraud, omniscience and earned authority. This book will be of great interest to students and scholars of theatre history, Victorian literature and popular culture - as well as anyone with an interest in the figure of the detective.

Who Killed Panayot? retells the true story of an opium robbery and subsequent police investigation that took place in the port-city of Izmir in 1850-52. What started as a simple case soon turned into a diplomatic crisis between two bygone empires, as the investigation provoked strong tensions between the British community in Izmir and the local Ottoman authorities. These tensions were exacerbated by the death of one of the suspects - a gardener named Panayot - after he was interrogated by the police. Drawing on a wide range of archival sources from the affair, Paz skilfully reconstructs this untold saga. Through microhistory and sociolegal analysis, he pieces together the lives of the outlaws and policemen involved in the case, and sheds important light on the history of opium smuggling and the impact of interrogation under torture. Paz argues that a "culture of lying" was adopted by both British and Ottoman officials, in face of the new legal reality that forged the concepts of human rights and the rule of law. This book will be of interest to students and scholars of microhistory, as well as those interested in sociolegal history, non-Western modernity, and the Ottoman Empire.

Edges of Transatlantic Commerce in the Long Eighteenth Century examines and challenges the boundaries of the Atlantic in the eighteenth century, with a particular focus on commerce. Commerce as a keyword encompasses a wide range of documented and undocumented encounters that invoke topics such as shared or conflicting ideas of value, affective experiences of the emerging global system, and development of national economies, as well as their opponents. By investigating what gets exchanged, created, or obscured on the peripheries of transatlantic commercial relations and geography in the eighteenth century, the chapters in this collection reimagine the edge as a liminal space with a potential for an alternative historical and aesthetic knowledge. To ground this inquiry in a more material dimension, the chapters engage specifically with what is being exchanged, sold, or communicated across the Atlantic by exploring ideas that are being shaped, concealed, undermined, or exploited through intricate exchanges. With its contributions from multiple contexts and disciplinary perspectives, Edges of Transatlantic Commerce offers insights into relatively neglected aspects of the transatlantic world to cultivate the value that the edges allow us to conceive.

Contributors to this book provide an Asian women's history from the perspective of gender analysis, assessing Japanese imperial policy and propaganda in its colonies and occupied territories and particularly its impact on women. Tackling topics including media, travel, migration, literature, and the perceptions of the empire by the colonised, the authors present an eclectic history, unified by the perspective of gender studies and the spatial and political lens of the Japanese Empire. They look at the lives of women in Manchuria, Mainland China, Taiwan, Korea and Okinawa among others. These women were wives, mothers, writers, migrants, intellectuals and activists, and thus had a very broad range of views and experiences of Imperial Japan. Where women have tended in the past to be studies as objects of the imperial system, the contributors to this book study them as the subject of history, while also providing an outside-in perspective on the Japanese Empire by other Asians. A vital new perspective for scholars of Twentieth century history of East Asian countries and regions such as Japan, Korea, Okinawa, Taiwan, China.