Education, the production of knowledge, identity formation, and ideological hegemony are inextricably linked in early modern and modern Korea. This study examines the production and consumption of knowledge by a multitude of actors and across languages, texts, and disciplines to analyze the formulation, contestation, and negotiation of knowledge. The production and dissemination of knowledge become sites for contestation and struggle-sometimes overlapping, at other times competing-resulting in a shift from a focus on state power and its control over knowledge and discourse to an analysis of local processes of knowledge production and the roles local actors play in them. Contributors are Daniel Pieper, W. Scott Wells, Yong-Jin Hahn, Furukawa Noriko, Lim Sang Seok, Kokubu Mari, Mark Caprio, Deborah Solomon, and Yoonmi Lee.

What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline. Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based. Conceptualised as a series of 'sensibilities' rather than a methodology as such, it is intended as a companion to 'how to' approaches to visual research and visual sources. Photographs and the Practice of History not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.

In an era haunted by its past, modern Europe sought to break with the old; the future and the new became the ideal. In Italy however, where the remains of the past dominated the landscape, ruins were a token both of decadence and of the inspiring legacy of tradition. Sabrina Ferri proposes a counter-narrative to the European story of progress by focusing on the often-marginalized and distinctive case of Italy. For Italians, ruins uncovered the creative potential of the past, transforming it into an inexhaustible source of philosophical speculation and poetic invention whilst simultaneously symbolizing decay, loss and melancholy. Focusing on the representation of ruins by Italian writers, scientists, and artists between the mid-eighteenth and early nineteenth centuries, Sabrina Ferri explores the culture of the period and traces Italy's complex relationship with its past. Combining the analysis of major works, from Vico's New science to Leopardi's Canti, with that of archival sources and little-studied materials such as scientific travel journals, letters, and political essays, the author reveals how: the ruin became a figure for Italy's uneasy transition into modernity; the interplay between reflections on the processes of history and speculations on the laws of nature shaped the country's sense of the past and its vision of the future; the convergence of narratives depicting historical and natural change influenced both the creative arts and the emerging sciences of geology, biology, and archaeology; the temporal crisis at the dawn of the nineteenth century called into question traditional models for investigating the past and understanding the present.

In spring 1876 a physician named James Madison DeWolf accepted the assignment of contract surgeon for the Seventh Cavalry, becoming one of three surgeons who accompanied Custer's battalion at the Battle of the Little Big Horn. Killed in the early stages of the battle, he might easily have become a mere footnote in the many chronicles of this epic campaign - but he left behind an eyewitness account in his diary and correspondence. A Surgeon with Custer at the Little Big Horn is the first annotated edition of these rare accounts since 1958, and the most complete treatment to date. While researchers have known of DeWolf's diary for many years, few details have surfaced about the man himself. In A Surgeon with Custer at the Little Big Horn, Todd E. Harburn bridges this gap, providing a detailed biography of DeWolf as well as extensive editorial insight into his writings. As one of the most highly educated men who traveled with Custer, the surgeon was well equipped to compose articulate descriptions of the 1876 campaign against the Indians, a fateful journey that began for him at Fort Lincoln, Dakota Territory, and ended on the battlefield in eastern Montana Territory. In letters to his beloved wife, Fannie, and in diary entries - reproduced in this volume exactly as he wrote them - DeWolf describes the terrain, weather conditions, and medical needs that he and his companions encountered along the way. After DeWolf's death, his colleague Dr. Henry Porter, who survived the conflict, retrieved his diary and sent it to DeWolf's widow. Later, the DeWolf family donated it to the Little Bighorn Battlefield National Monument. Now available in this accessible and fully annotated format, the diary, along with the DeWolf's personal correspondence, serves as a unique primary resource for information about the Little Big Horn campaign and medical practices on the western frontier.

This book uses the experience of three generations of the Earle family to throw light on the social and economic history of Liverpool during its rise to prominence as a great port, from 1688 to 1840. The focus is on six members of this successful family, John who came to Liverpool as apprentice to a merchant in 1688, his three sons, Ralph, Thomas and William, who all became merchants specializing in different branches of the trade of the port, and William's two sons, another Thomas and another William, who consolidated the fortunes of the family and began the process of converting their wealth into gentility. The approach is descriptive rather than theoretical, and the aim throughout has been to make the book entertaining as well as informative. Where sources permit, the book describes the businesses run by these men, often in considerable detail. Trading in slaves was an important part of the business of three of them, but they and other members of the family also engaged in a variety of other trades, such as the import-export business with Leghorn (Livorno) in Italy, fishing in Newfoundland and the Shetland Islands, the wine and fruit trades of Spain, Portugal and the Azores, the import of raw cotton for the industries of the Industrial Revolution and the Russia trade. Other family interests included privateering, art collection and the trade in art, a sugar plantation in Guyana, and the emigrant trade. While the book is mainly a work of economic history, there is also much on the merchants' wives and families and on the social history of both Liverpool and Livorno.