Paint Art Accessories Acrylic Artist 3 Pack (75 ml) (Silver)

Paint Art Accessories Acrylic Artist 3 Pack (75 ml) (Dark Green)

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies.

Pigment Classification: Inorganic Chemical Description: Titanium Dioxide Rutile Opacity/Transparency: 2 Lightfastness Rating: I Permanency: Exc Colour index name: PW 6 Colour index number: 77891 Munsell Notation Listing: Hue White Value 10 Chroma 1.1

Viscosity Range: 900-1000 CPS Gloss Average: 43.15 CIE L*a*b* Values: L*98.28 a*-0.9 b*1.67 Tint Strength: 42.25

Perfect for first experimentations with acrylic.
Daler-Rowney Simply Acrylic colours are a perfect starting point for artists looking to experiment with acrylics. These soft-body water-based colours can be used straight from the tube, wet easily onto the surface, and can be thinned with water.
Simply Acrylics come with a convenient flip-top lid. Available in sets including neon and glow-in-the-dark sets.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing Simply Acrylic in the United Kingdom.

Open Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion. They resist skinning, remain wet on the palette for extended periods and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, monoprinting and screenprinting.

Pigment Classification: Mixture Chemical Description:

Phthalocyanine Chlorinated Copper Phthalocyanine Zinc Oxide

Opacity/Transparency: 6 Lightfastness Rating: I Permanency: Exc Colour index name: PB 15:4 / PG 7 / PW 4 Colour index number: 74160 / 74260 / 77947 Munsell Notation Listing: Hue 6.0 B Value 3.95 Chroma 7.3

Viscosity Range: 4000-15000 CPS Gloss Average: 77.6 CIE L*a*b* Values: L*41.18 a*-14.38 b*-31.78 Tint Strength: 83.79

High-quality medium, creamy body acrylic.
Daler-Rowney System3 Acrylic Paints are lightfast, permanent (ranking from 3 to 4 stars for most of the colours), opaque (10 opaque and 20 semi-opaque colours) and flexible. System3 Acrylic Paints are made from high-quality pigments, their superior pigment loading allows for them to be thinned with water to pale washes or used directly from the pot. Either way, they dry quickly and form an insoluble film. All acrylic paint colours have good to very good lightfastness.

Highly versatile acrylic colours.
Daler-Rowney System3 Acrylic Paints are versatile high-quality paints for leisure painters and professional artists who use large quantities of paint. Suitable for both indoor and outdoor use, Daler-Rowney System3 Acrylic can be easily applied onto traditional fine art surfaces such as canvas, paper and board, as well as wood, textile, plastic and murals. Its unique flow formula is ideal for large-scale art installations as well as studio projects.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing System3 Acrylic Paints in the United Kingdom, based in the South of England, in Bracknell.

High-quality medium, creamy body acrylic.
Daler-Rowney System3 Acrylic Paints are lightfast, permanent (ranking from 3 to 4 stars for most of the colours), opaque (10 opaque and 20 semi-opaque colours) and flexible. System3 Acrylic Paints are made from high-quality pigments, their superior pigment loading allows for them to be thinned with water to pale washes or used directly from the pot. Either way, they dry quickly and form an insoluble film. All acrylic paint colours have good to very good lightfastness.

Highly versatile acrylic colours.
Daler-Rowney System3 Acrylic Paints are versatile high-quality paints for leisure painters and professional artists who use large quantities of paint. Suitable for both indoor and outdoor use, Daler-Rowney System3 Acrylic can be easily applied onto traditional fine art surfaces such as canvas, paper and board, as well as wood, textile, plastic and murals. Its unique flow formula is ideal for large-scale art installations as well as studio projects.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing System3 Acrylic Paints in the United Kingdom, based in the South of England, in Bracknell.

Graduate Acrylics offer a very affordable range of acrylic colours. The range features bright and strong colours that are easy to brush onto surfaces. They can be used on any paper surface, primed board or canvas, used indoors or outdoors and are so versatile they can also be used with a variety of acrylic mediums, also available from Daler-Rowney. There are 48 colours in the range, including metallic colours.

Graduate Acrylic colours are of good pigment strength and flow easily across paper and primed surfaces. Colours are water-based and contain no solvents. In accordance with EC labelling regulations, all colours are classified as non-dangerous for use.

The advantage of acrylic colours to schools and hobbyists, of course, is that artwork can be dried and stored away shortly after an art class has been completed, and will not smudge if water is spilled on the surface of the painting. The colours are fast-drying, durable and flexible, so paintings will last a long time. Paper and canvas coated with Graduate Acrylic can be loosely rolled and stored without fear of cracking.

With waste of colour in mind, Daler–Rowney have developed a unique packaging for Graduate Acrylic colours. All colours come in a 500ml squeezable pot that has a lid with a unique valve mechanism and stay-clean technology to dispense the colour, so only what is needed comes out of the pot, minimising the waste in the classroom, workshop or at home!

Chemical Description: Cadmium Sulphoselenide
Lightfastness: ***
Opacity: Opaque
Colour Index: PO20

Acrylic Artist Colour contains one of the widest ranges of pure pigments available for fine arts, in a dispersion of 100% acrylic resin. The colours offer the highest grade of permanence and lightfastness. Following traditional methods, most of the colours in the range have been formulated with only one pigment, resulting in maximum purity and colour strength and giving the artist complete control over their material in mixtures and compositions.

The heavy body consistency of Acrylic Artist Colour permits all techniques, from finest brush stroke to heaviest impasto. Colours dry rapidly to a matte finish with great flexibility.

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies.

Pigment Classification: Organic Chemical Description: Arylide Yellow 5GX Opacity/Transparency: 5 Lightfastness Rating: I Permanency: Exc Colour index name: PY 74 Colour index number: 11741 Munsell Notation Listing: Hue 5.0 Y Value 8 Chroma 16

Viscosity Range: 400-1000 CPS Gloss Average: 78.28 CIE L*a*b* Values: L*85.41 a*11.09 b*93.99 Tint Strength: 92.91

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colors with very thin consistencies.

Pigment Classification: Inorganic Chemical Description: Calcined Natural Iron Oxide containing Mangenese Opacity/Transparency: 2 Lightfastness Rating: I Permanency: Exc Colour index name: PBr 7 Colour index number: 77491 Munsell Notation Listing: Hue 8.0 YR Value 3 Chroma 1.6

Viscosity Range: 400-1000 CPS Gloss Average: 21.69 CIE L*a*b* Values: L*30.12 a*6.41 b*8.95 Tint Strength: 80.07

Open Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion. They resist skinning, remain wet on the palette for extended periods and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, monoprinting and screenprinting.

Pigment Classification: Natural Inorganic Chemical Description: Calcined Natural Iron Oxide containing Manganese Opacity/Transparency: 2 Lightfastness Rating: I Permanency: Exc Colour index name: PBr 7 Colour index number: 77491 Munsell Notation Listing: Hue 9.0 YR Value 2.5 Chroma 1

Viscosity Range: 4000-15000 CPS Gloss Average: 2.4 CIE L*a*b* Values: L*28.57 a*2.86 b*4.06 Tint Strength: 83.74

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Mixture Chemical Description:

Polysulfide of Sodium-Alumino-Silicate Nearly Pure Amorphous Carbon

Opacity/Transparency: 2 Lightfastness Rating: I Permanency: Exc Colour index name: PB 29 / PBk 7 Colour index number: 77007 / 77266 Munsell Notation Listing: Hue 4.0 PB Value 1.75 Chroma 0.6

Viscosity Range: 23000- 27000 CPS Gloss Average: 29.3 CIE L*a*b* Values: L*24.12 a*0.05 b*-2.24 Tint Strength: 74.88

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colors with very thin consistencies.

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Synthetic Inorganic Chemical Description: Synthetic Iron Oxide Opacity/Transparency: 8 Lightfastness Rating: I Permanency: Exc Colour index name: PY 42 Colour index number: 77492 Munsell Notation Listing: Hue 8.0 YR Value 4.5 Chroma 6

Viscosity Range: 16000-20000 CPS Gloss Average: 97.22 CIE L*a*b* Values: L*48.08 a*16.36 b*25.53 Tint Strength: 91.02

The original line of Golden Artist Acrylics is known for its exceptionally smooth, thick buttery consistency. It contains the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added.Each Heavy Body colour is formulated differently depending on the nature of the pigment. Colours that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colours that are more reactive and do not accept high pigment loading dry to a glossy finish and tend to be more transparent. Heavy Body colours contain no additives, such as matting agents, therefore the gloss of each colour will be different.

With Original and Heavy Body versions, System 3 acrylics are highly versatile, water-based acrylic colours. They offer an excellent painting experience at an economical price. Only high-quality pigments are used in the manufacture of the System 3 acrylic ranges, offering significantly greater loading than in other acrylic ranges available in this class. System 3’s comprehensive range of colours offers excellent light-fastness, permanence, durability and covering power.

All colours can be thinned with water to pale washes, or used directly from the pot or tube; each form dries quickly to create an insoluble film. The quick drying properties of the range enable the artist to work quickly, superimposing or juxtaposing colours without unnecessary fuss.

All System 3 Original and Heavy Body colours are fully intermixable and suitable for interior use. As they are not lightfast, fluorescent colours are not recommended for exterior use; all other colours are both lightfast and durable.

Colour number/code: 644

Series number: 1

Chemical Description: Titanium Dioxide

Colour index name: PW6

Colour index number: 77891

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O



Acrylic colour is becoming increasingly popular because it is so versatile. It can be used on the widest variety of surfaces, (providing they are grease free and properly prepared); paper, canvas, hardboard, timber, sculpture, brickwork and plaster - so you can use it whatever your painting style.

It can be applied both thinly and thickly and at any dilution in between and is easy to use and clean up. Galeria ensures the artist has an acrylic with the best all round handling characteristics and performance at an affordable price.

Galeria, can be used straight form the tube/pot, it can be thinned or thickened with a medium or water. This variety in consistency makes Galeria suitable for both oil and water colour techniques.

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.

These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour.

Chemical class: Concentrated Cadmium Seleno-SulphideCI name: PR108Light-fastness: ***Opacity: 10

Cryla Artists’ Acrylic colour is a very heavy-bodied colour with a high loading of permanent, lightfast pigments. The unique heavy, buttery feel under the brush and knife is popular with artists wanting to achieve a wide variety of impasto effects.

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Synthetic Inorganic Chemical Description: Synthetic Iron Oxide Opacity/Transparency: 8 Lightfastness Rating: I Permanency: Exc Colour index name: PR 101 Colour index number: 77491 Munsell Notation Listing: Hue 5.0 YR Value 2.5 Chroma 6

Viscosity Range: 14000-20000 CPS Gloss Average: 43.15 CIE L*a*b* Values: L*32.8 a*16.85 b*8.85 Tint Strength: 83.51

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colors with very thin consistencies.

Pigment Classification: Mixed Chemical Description:

Titanium Dioxide coated Mica particles Nickel Complex Azo Quinacridone

Opacity/Transparency: 6 Lightfastness Rating: N/A Permanency: Exc Colour index name: - / PY 150 / PR 206 Colour index number: - / 12764 / N/A Munsell Notation Listing: Hue N/A Value N/A Chroma N/A

Viscosity Range: 5000-6000 CPS Gloss Average: 42.8 CIE L*a*b* Values: L* a* b*N/A Tint Strength: N/A

119ml ThinnerGOLDEN OPEN Thinner is a water-based additive designed to thin the consistency of OPEN Acrylics without altering drying time, as well as maintaining and adjusting the workability of colours on the palette. OPEN Thinner can also function as a thin-bodied retarder when used with GOLDEN Heavy Body or Fluid Acrylics. OPEN Thinner contains no binders, does not form a film, and should never be used alone.PRODUCT APPLICATIONAdd sparingly to acrylic paints, starting at approximately 10 parts paint to 1 part OPEN Thinner.  Maximum addition is 3 parts paint to 1 part Thinner.OPEN Thinner should not be used in thick applications. Applications of more than 1/16” may result in:Excessively long drying periodsPersistently soft, higher tack feelTranslucent layers that remain cloudyUse with GOLDEN OPEN AcrylicsMaintaining Working PropertiesAs OPEN Acrylics dry, water and other volatile additives evaporate causing the paints to become stiffer with increased brush drag.  Adding small amounts of OPEN Thinner replenishes the volatile components, allowing the artist to maintain a long working time and to slow the paint from drying on the palette. It can be difficult to accurately gauge the evaporation rate of volatile ingredients during painting, so add sparingly. OPEN Thinner can be used to lower the viscosity of OPEN Acrylics while preserving maximum working timeUse with moderation. Over-additions of water or OPEN Thinner can result in a weak, underbound film.  PALETTE MANAGEMENTNon-Absorbent Palette During Working SessionsOPEN Acrylics will stay usable on a non-absorbent palette, such as glass or enamel butcher trays, for extended periods of hours and even days without using additional retarders or moisture-retaining inserts by simply covering the palette when not in use. However, depending on the environmental conditions, some thickening of OPEN Acrylics can occur in the course of painting.  Some artists have used this natural thickening of the paints as a method of creating a different working consistency without adding a medium.  When using non-absorbent palettes, the following guidelines will help maintain the working time and blendability of OPEN Acrylics:Mist with OPEN Thinner every 1-4 hours to avoid skinning of paint films.  Alternatively, mist with water every 15-30 minutes.Thin paint mixtures can also be reopened for 8-12 hrs. by applying any of the OPEN products and brushing back and forth until reactivated.Rewetting of OPEN Acrylic ColorsOPEN Acrylics can be reactivated for many hours after initial application, allowing for extended periods when multiple layers can be worked and blended into each other. To reopen films before they have fully locked down, apply OPEN Thinner directly to the paint film, brushing back and forth until the paint has been reconstituted. Even after OPEN paint films have initially set up and become tacky, they can still be reactivated, although more extended or vigorous brushing might be required.Left unattended, and under typical ambient conditions, a dollop of paint roughly the size of a small marble could exhibit noticeable surface thickening within 2-4 hrs.  However, if misting with OPEN Thinner, similarly sized dollops were still usable after 24 hrs., with only slight skinning due to a 12 hour period of drying overnight.Non-Absorbent Palettes Stored While Covered By simply covering a non-absorbent palette, such as an enameled butcher tray, or placing your palette in an enclosed storage container, even wet mixtures of OPEN Acrylics will stay soft and useable for many days if not weeks. If areas feel tacked up, small additions of OPEN Thinner should easily revive them.Misting the palette beforehand with either water or OPEN Thinner will further extend these periods as well as help mixtures of OPEN Acrylics with faster drying GOLDEN Acrylics stay useable. Although both OPEN Thinner and water alone are helpful, OPEN Thinner is generally more effective and is our recommendation.The ability of mixtures of regular GOLDEN and OPEN Acrylic Colors or Mediums to remain useable will be very dependent on the ratios of the mixtures and whether they have been misted with OPEN Thinner or covered with a layer of OPEN Medium. In most cases these should do quite well for a period of days. However, dollops of pure Fluid and Heavy Body Acrylics might become heavily skinned over or not usable during the same period.CLEANINGClean tools with soap and water. Keep tools wet while working.

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colors with very thin consistencies.

Pigment Classification: Organic Chemical Description: Arylide Yellow 5GX Opacity/Transparency: 5 Lightfastness Rating: I Permanency: Exc Colour index name: PY 74 Colour index number: 11741 Munsell Notation Listing: Hue 5.0 Y Value 8 Chroma 16

Viscosity Range: 400-1000 CPS Gloss Average: 78.28 CIE L*a*b* Values: L*85.41 a*11.09 b*93.99 Tint Strength: 92.91

Chemical Description: Cadmium Zinc-Sulfide
Lightfastness: *
Opacity: Opaque
Colour Index: PY35

Acrylic Artist Colour contains one of the widest ranges of pure pigments available for fine arts, in a dispersion of 100% acrylic resin. The colours offer the highest grade of permanence and lightfastness. Following traditional methods, most of the colours in the range have been formulated with only one pigment, resulting in maximum purity and colour strength and giving the artist complete control over their material in mixtures and compositions.

The heavy body consistency of Acrylic Artist Colour permits all techniques, from finest brush stroke to heaviest impasto. Colours dry rapidly to a matte finish with great flexibility.