Dala Painting Pads consist of 20 canvas textured sheets that are suitable for oils, acrylic and craft paint applications.

Dala Painting Pads consist of 20 canvas textured sheets that are suitable for oils, acrylic and craft paint applications.

Dala Painting Pads consist of 20 canvas textured sheets that are suitable for oils, acrylic and craft paint applications.

Clairefontaine Acrylic Pads contain 10 sheets of 360gsm greaseproof paper, for painting with acrylic. These acrylic pads are acid free and are available in A3 or A4 formats. The blocks are top bound making it easy for you to remove sheets quickly.They are specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. They are also suitable for gouache.Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State.This acrylic paper pad has a not textured surface and measures 29.7 x 42cm.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap)

Linen texture

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect.

The papers and boards of Hahnemühle Traditional FineArt are characterized by supreme quality, are resistant to ageing, can be used for numerous applications, and are simply beautiful.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap)

Linen texture

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect.

The papers and boards of Hahnemühle Traditional FineArt are characterized by supreme quality, are resistant to ageing, can be used for numerous applications, and are simply beautiful.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap)

Linen texture

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect.

The papers and boards of Hahnemühle Traditional FineArt are characterized by supreme quality, are resistant to ageing, can be used for numerous applications, and are simply beautiful.

Glued 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap.)

Acid free

Not (cold pressed) surface

Specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. Also suitable for gouache.

Fabriano Pittura is a brilliant white, 400gsm paper. It is made from high-grade cellulose and is woodfree. This paper is acid-free, with archival permanence, and a rough, natural-grain surface. Fabriano Pittura acrylic paper is tub and surface-sized. This paper is suitable for acrylic, tempera, oil and multimedia work.

Fabriano Pittura is a brilliant white, 400gsm paper. It is made from high-grade cellulose and is woodfree. This paper is acid-free, with archival permanence, and a rough, natural-grain surface. Fabriano Pittura acrylic paper is tub and surface-sized. This paper is suitable for acrylic, tempera, oil and multimedia work.

Fabriano Pittura is a brilliant white, 400gsm paper. It is made from high-grade cellulose and is woodfree. This paper is acid-free, with archival permanence, and a rough, natural-grain surface. Fabriano Pittura acrylic paper is tub and surface-sized. This paper is suitable for acrylic, tempera, oil and multimedia work.

Fabriano Pittura is a brilliant white, 400gsm paper. It is made from high-grade cellulose and is woodfree. This paper is acid-free, with archival permanence, and a rough, natural-grain surface. Tub and surface-sized, Fabriano Pittura acrylic paper is bound on all four sides. This paper is suitable for acrylic, tempera, oil and multimedia work.

Clairefontaine Acrylic Pads contain 10 sheets of 360gsm greaseproof paper, for painting with acrylic. These acrylic pads are acid free and are available in A3 or A4 formats. The blocks are top bound making it easy for you to remove sheets quickly. They are specially designed to give excellent adhesion to polymer colours. The surface allows for full flexibility and speed of working. They are also suitable for gouache. Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State. This acrylic paper pad has a not textured surface and measures 21 x 29.7cm.

Jackson’s Acrylic Paper is ideal for use in the studio or for creating work on the go.

The smooth 290gsm paper is sized for acrylic painting and is made with lignin-free wood pulp. It is acid-free, FSC Certified, and vegan-friendly.

Jackson’s Acrylic Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of smooth 290gsm paper which are sized for acrylic painting. The paper is made with lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Jackson’s Acrylic Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of smooth 290gsm paper which are sized for acrylic painting. The paper is made with lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Jackson’s Acrylic Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of smooth 290gsm paper which are sized for acrylic painting. The paper is made with lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Jackson’s Acrylic Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of smooth 290gsm paper which are sized for acrylic painting. The paper is made with lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Jackson’s Acrylic Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of smooth 290gsm paper which are sized for acrylic painting. The paper is made with lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Jackson’s Acrylic Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of smooth 290gsm paper which are sized for acrylic painting. The paper is made with lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Jackson’s Acrylic Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of smooth 290gsm paper which are sized for acrylic painting. The paper is made with lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Jackson’s Acrylic Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of smooth 290gsm paper which are sized for acrylic painting. The paper is made with lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Fabriano Pittura acrylic blocks are made using brilliant white, 400gsm paper. They are made from high-grade cellulose and are woodfree. This paper is also acid-free, with archival permanence, and a rough, natural-grain surface. Tub and surface-sized, Fabriano Pittura is suitable for acrylic, tempera, oil and multimedia work.Glued on all 4 edges to keep the paper stretched while working (after the painting is dry, gently remove the finished sheet with a butter knife or scalpel along edges from the inside gap).