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Books > History > African history
The prize was great -- not just land, but the riches it held, in the form of diamonds and gold. What became a country called South Africa was, until 1910, a vast and untamed land where great fortunes could be made (and lost); where great battles were fought (and lost); and where great men had their reputations forged, or dashed, or sometimes both. Martin Meredith's follow-up to his magisterial The State of Africais an equally epic new history of the making of South Africa. Covering the extraordinarily eventful four decades leading up to the establishment of the Union of South Africa in 1910, it covers some of the most iconic tales of imperial history. The Zulus at Rorke's Drift; the Jameson Raid; the diamond and gold rushes at Kimberley and Witwatersrand; the Boer wars; the titanic struggle between the arch-imperialist Cecil Rhodes and his Boer rival, Paul Kruger -- DIAMONDS, GOLD AND WARbrings all of these and more together in a stunningly coherent and compelling narrative. History, somehow, just isn't as colourful any more.
The South African Truth Commission assesses different versions of the South African past, the complex negotiations leading to the establishment of the Commission and the complex politics of amnesty, justice, and nation building.
A seven-year-old English girl, washed up on the Wild Coast in about 1736, is adopted by the amaMpondo, grows up to become a woman of surpassing beauty, marries the chief of the clan and becomes an ancestor of many of the Xhosa royal families in the nineteenth century. It sounds like the stuff of romance, but this is verified, documented fact. Although her surname is unknown, in spite of a persistent 19th-century story that she was the daughter of a General Campbell, we do know that her name was Bessie. The amaMpondo named her Gquma - 'The Roar of the Sea' - and she won their affection for her compassion and generosity, and became famous for her love of ornament, covering herself with necklaces, beadwork, seashells and bangles. But she was no mere fashion-plate, winning renown for her wisdom, becoming involved in the politics of her adopted people and wielding an influence virtually unprecedented among women of her time and place. Inspired by the story of Bessie, in Sunburnt Queen, Hazel Crampton has delved deep into the history of the castaways from the many ships wrecked on this beautiful but perilous shore.;In a highly entertaining way she tells their story, which became inextricably interwoven with those of the people of the Wild Coast: whole clans, such the abeLungu ('the White People') trace their ancestry to castaways. The book traces the lives of Bessie's descendants and those of some of the other castaways whose names are known. Their stories are intimately, often tragically intertwined in the sad history of contact between the Xhosa-speaking peoples and the white settlers. The author, although obviously a person of strong opinions, like all the best historiographers, she presents people and events in a non-judgmental way, allowing contemporary voices to pronounce on the actions, good and bad, of the actors in this drama. If there is a message to be gleaned from the story of Bessie it is this: South Africans are far more alike than we are different, and we all have so much more to gain by emphasizing our similarities rather than our differences, and by cherishing our common heritage.
The French Army's war in Algeria has always aroused passions. This
book does not whitewash the atrocities committed by both sides;
rather it shifts the focus to the conflict itself, a perspective
assisted by the French republic's belated official admission in
1999 that what happened in Algeria was indeed a war. Each
contributor made use of the increasingly liberalised French
archives of the war since the early 1990s. The book re-evaluates
counter-terrorism in the cities; the methods used in the "battle
for hearts and minds" in the villages of the interior; the hitherto
neglected roles of French air and naval power in supporting the
army's counter-insurgency offensives against the Armee de
Liberation Nationale; and the battles that France decisively lost
for both world opinion and for support from her major Western
allies.
Providing an in-depth comparative study of democracy formation, Gellar traces Senegal's movement from a pre-colonial aristocratic order towards a modern democratic political order. Inspired by Tocqueville's methodology, he identifies social equality, ethnic and religious tolerance, popular participation in local affairs, and freedom of association and the press as vital components of any democratic system. He shows how centralized state structures and monopoly of political power stifled local initiative and perpetuated neo-patrimonial modes of governance.
"Egyptian Mummies" is regarded by egyptologists as the classic account of mummification in ancient Egypt. Originally published in 1924, its re-issue in complete form will be welcomed by all those who have sought rare second hand copies in vain. This book provides the most comprehensive account available of the technical processes and materials employed by the ancient Egyptian embalmers together with a historical analysis of their modification throughout the dynastic period. The authors draw on fully illustrated archaeological and pathological evidence together with Egyptian and Greek textual references to provide a thorough survey of the mummification process and attendant funeral ceremonies, and to offer clues to an understanding of the custom's significance and the reasons for its adoption.
Conceptions of medicine and medical practice among the Kedjom peoples in Cameroon embrace more than western biomedical understandings of medicine. For these peoples, medicine implies substances, knowledge, practices and institutions bound up with protection and intervention against misfortune and the active promotion of well-being. Nor are medical concerns primarily about the individual. Medicine in the precolonial era was a matter for groups. In short, medicine was preeminently public. Perhaps the major transformation since the colonial period and extending into the postcolonial, has been the increasing commercialization of "traditional" medicine as African healers shift their practices away from group concerns to a focus more concerned with treating the individual. Written in a lucid style, full of vibrant anecdotes, Maynard's book will appeal not only to medical anthropologists and development workers, but also to anyone interested in nonwestern medicine and practices.
Long regarded as the preserve of French scholars and Francophone audiences due to its significance to France's colonial empire, North Africa is increasingly recognized for its own singular importance as a crossover region. Situated where Islamic, Mediterranean, African, and European histories intersect, the Maghrib has long acted as a cultural conduit, mediator and broker. From the medieval era, when the oasis of Sijilmasa in the Moroccan wilderness funnelled caravan loads of gold into international networks, through the 16th century when two superpowers, the Ottomans and the Spanish Hapsburgs, battled for mastery of the Mediterranean along the North African frontier, and well into the 20th century which witnessed one of Africa's cruellest wars unfold in "French Algeria," the Maghrib has retained its uniqueness as a place where worlds meet.
Although much has been written about the conduct of the war in South Africa, very little has been written about how it was regarded on the world stage by powers both great and small. This collection of specially commissioned essays seeks for the first time to put the Boer War (1899-1902) in its international context. Each of the core chapters focuses on the perspective of one country (France, Germany, Austria-Hungary, Italy, The Netherlands, Portugal, Russia, and the United States) and assesses the extent to which each national government tried to capitalize on Britain's embarrassment and distraction while often entangled in imperialist ventures of their own. The anglophobia of many of the nations' press, the activities of pro-Boer organizations, and the shaping of public and parliamentary opinion are examined alongside the real politics and diplomatic considerations that took precedence. In addition, there are summation chapters that examine both the origins of the war and its legacy for Britain's expansionist ambitions. Together these essays present the latest findings on a watershed in international relations that heralded substantive changes of attitude and policy on the part of national governments towards their dependencies and had far-reaching consequences for alliance systems and the international balance of power at the start of the twentieth century.
This book explores the process, effects, and results of codification of Egyptian personal status laws as seen through the eyes of the 'ulama'. The codification process began in the mid-1800s and continued until the abolishment of the Shari'a courts in 1955 with the absorption of personal status statutes into the newly drafted civil code and the national courts that administered them.
Most studies of famine and the African food crisis stress how the socio-economic context influences the occurrence of food shortages. By contrast, this book argues that food insecurity itself influences the social and economic organization of the society. Through this approach, the author provides a new interpretation of the causes and consequences of Tanzania's present economic crisis. The book examines the effects of changing food availability on the functioning of the state, the market and clientage networks, over the past seven decades. The conclusion is that clientage is no less important than the state and market as an organizational force in Tanzanian society, and, under heightened food insecurity, the state and market lose ground to clientage.
Ruth was four years old when her father was arrested for high treason and her world was turned upside-down. She grew up in constant fear of Special Branch policemen knocking on the door to arrest her mother or father, prominent South African communist. Ruth learned how to keep her mouth shut, to look out for microphones in the walls and to beware of friends who could betray her trust. At fourteen, Ruth left South Africa, clutching her teddy bear in one hand and her drawings in the other. A plan to England carried her into exile, a new world where she struggled to reconstruct a life fractured by fear. With an artist’s eye for detail and colour, Ruth recalls her life with unflinching honesty: the Treason Trial; her struggle to conform; Friern Barnet Asylum for the ‘hopeless insane’; LSD, protests, and free love in London, art school and motherhood; communes and camping- all steps in a journey that finally brought her home to South Africa on the brink of change. Heart- wrenchingly sad one minute, bursting with life and vigour the next, seamed throughout by strength and courage, girl on the edge allows us to look deep into one woman’s life and travel with her to the brink and back again.
Ausi Told Me: Why Cape Herstoriographies Matter provides fascinating insights into life at the Cape over several centuries, the indigenous inhabitants and their accumulated knowledge, and how attempts were made to systematically erase this knowledge during the colonial and apartheid eras. Yet the wisdom of the ages still resides with the Ausidi, the female, intergenerational knowledge-keepers who are revered for the central role they played in Rondevlei, Hardevlei and other communities on the Cape Flats before the forced removals from the 1960s onwards changed the landscape forever. The book delves into many of the untold stories of the Cape, challenging various scholarly assumptions about the origins and enduring influence of the Khoi and San in the languages and cultures of southern Africa. The meticulously well-researched text is also skilfully interwoven with stories from current and former residents of the Cape Flats who speak candidly about their childhood experiences, the vast expanses of plants and flowers that used to more than satisfy local communities’ food and medicinal requirements, and the Ausidi – the formidable yet selfless family matriarchs, many of whom refused to be cowed by the apartheid regime’s forced removal policy and fought to protect their cherished livestock and land. Ausi Told Me: Why Cape Herstoriographies Matter serves as a reminder that popular history is not unassailable; it should be regularly questioned and, where necessary, challenged. The book makes a powerful case for a decolonised approach to exploring and interpreting southern Africa’s neglected past – in which the stories, dreams, visions and rituals passed down through the generations are recognised once more as critical sources of scholarly knowledge and physical and emotional wellbeing.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
In the story of the The Golden Republic, Bulpin sets a stage on which we meet some of the strangest characters that fate had ever attached to the puppet strings of destiny. The grim Mzilikazi; the hot-headed Hendrik Potgieter and his trekkers; prospectors like Charlie the Reefer; gaudy rogues like Gunn of Gunn and his Highlanders; bandits, highwaymen, rand lords, gold rushers, to name just a few. He tells of leaders like Pretorius and Kruger, and many others who each played a part in establishing the Republic of the Transvaal – a seemingly impossible task considering all the small wars and skirmishes on the veld and the rumble of arguments rising out of each farmhouse. In his remarkably engaging style of writing he sketches scenes of rough but beautiful land, which must have been fascinating to explorers who roamed about the old Transvaal with all its scenic novelties where every turn yielded some marvel for the geologist, the botanist, or the zoologist. The Golden Republic tells of the adventure that raised the Republic to its peak and the complex intrigues that brought it down to the dust; of misfortune and riches, and despair of such magnitude that the birth of a Republic seemed inevitable considering the economic disaster it at times experienced … Until gold poked out its shiny head and gave hope again. The characters who crowded into diggers’ towns were some of the wildest and most colourful ever known in the Transvaal. From all over South Africa they flocked to the scene, in the hope of finding fortune. Most of them were just opportunists, who knew nothing about gold except how to spend it. This is a brilliant book of the birth, life and death of the old Republic written in the tell-tale style Bulpin does so well.
This book vividly recreates the lives and identities of the children born of relationships between French men and African women in colonial French West Africa. The book shows how colonial policies and attitudes influenced the lives of this mixed-race population, and analyses their responses to living in a racially divided society.
Scholars opinions are mixed regarding the wonders Herodotus described in his travels. Among the buildings, the Egyptian Labyrinth was at the top of his list, and this has given rise to much speculation about its form, size, and purpose over the last two centuries. Pharoah's Gateway to Eternity searches for the answers to these problems.
This volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad cultural backgrounds from which its genres originate. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores how, during the colonial period and post-independence dispensation, indigenous African music genres and their artists were mainstreamed in order to tackle emerging issues, to sensitise Africans about the affairs of their respective nations and to warn African leaders who have failed and are failing African citizenry about the plight of the people. At the same time, indigenous African popular music genres have served as a beacon to the teeming African youths to express their dreams, frustrations about their environments and to represent themselves. This volume explores how, through the advent of new media technologies, indigenous African popular musicians have been working relentlessly for indigenous production, becoming champions of good governance, marginalised population, and repositories of indigenous cultural traditions and cosmologies.
This book explores the lived experiences of formerly colonized people in the privacy of their homes, communities, workplaces, and classrooms, and the associations created from these social interactions. It examines the centrality of gender and social identity in the formation of non-western people in the British Empire. |
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